Moonkeeper

The Crossroads of Life

Together We Stand - Daniel James

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Celestial Princess (feat. Elisabet Ochoa) - By Cesc Vilà

The New Studio Sopranos update utilizes our new standard GUI and comes with a variety of tools to help you shape your sound. With a vast collection of dynamic articulations, polyphonic multi-phrase legato, true legato and an array of controllable X/Y Effects to modify your sound, and sculpt it into something perfect for your next production.

Available only at: https://8dio.com/instrument/new-studio-sopranos-kontakt-instrument-vst-au-aax/

8Dio The New Studio Sopranos: "Time Lapse" by Kyle Robertson

Listen on Spotify

Upon The Sky's Whales

composed by Lydia Davies and James Minas
arranged and orchestrated by Robin Hoffmann
performed by Brandenburgisches Staatsorchester Frankfurt
conducted by Christian Frank
recorded and mixed by GENUIN

The Journey (arr./orch. Robin Hoffmann)

Collection of light-hearted, joyful orchestral tracks capturing the magic and spirit of Christmas. From bubbly and adventurous melodies to inspiring and enchanting crescendos, these tracks bring warmth, wonder, and festive energy to scenes filled with snow, twinkling lights, and cheerful holiday celebrations. Ideal for family-friendly content, commercials, animation, Christmas-themed TV show episodes, and any content calling for enchanting delight and heartwarming joy of Christmas.

Sparkle Of Christmas

Crazy Kitchen (PLAYFUL DRAMEDY)

Original music for Blueshift Kickstarter.

https://www.kickstarter.com/projects/nebulousgames/blueshift-the-game-of-galactic-conquest-for-2-6-pl

B L U E S H I F T - Free Download

"Main Theme" from my score to "Black Mirror" (2017).

Composed & orchestrated by Benny Oschmann
Performed by the Sofia Session Orchestra
Conducted by George Strezov
Bagpipes Solos by Sandro Friedrich

Mixed by Peter Fuchs

Copyright 2017 by Benny Oschmann
"Black Mirror" Copyright 2017 by THQ Nordic AB, Sweden. Developed by KING Art Games.

Black Mirror - Main Theme

This piece is dedicated to all the most important people in our lives.

Written By: Luke W. Standridge

Our Story

Specialized in working on projects with real orchestras, I have more than 20 years of experience.

I have worked on film scores for many international productions, including the Golden Globe 2024 nominee Suzume, Star Wars Visions, Save Angel Hope, Tell, A War Within, and Liebling, lass uns scheiden. I co-composed the multi-award-winning musical Dällebach Kari, (co-)arranged the hit shows The One and Vivid at Friedrichstadt-Palast Berlin, and worked on highly successful game music scores such as Batman – Arkham Shadow, Lineage W, Anno 1404, Black Prophecy, and Halo Legends. My scores for Treasure Trackers, Hero and A Father’s Job have won several awards around the world.

Besides my work in media, I also write music for several international artists, including Chaka Khan, Anastacia, Gary Barlow, Ronan Keating, Bonnie Tyler, Sophie Ellis-Bextor, the London Symphony Orchestra, and others. I won a Golden Record for my arrangements for Alex Christensen.

I hold a diploma in composition, arrangement, and piano from the music university in Dresden, Germany.