Official Soundcloud page for pop singer-songwriter, SHōTA LōDI.
18 feat. Eighty8 Released October 26th
http://smarturl.it/ShotaLodi18

Swiss duo Fat Sushi is currently making its trademark on the underground clubland by releasing tracks and remixes on some of the most respected labels in the game: Suara, Einmusika, Katermukke, Steyoyoke or Hive Audio to name a few. Being in the industry for almost two decades before the peculiarly named pairing decided to join forces in 2013, you can hear the inspiration of various musical styles in their productions: heavy basslines, uplifting melodies and carefully chosen vocals – from deep house to techno spectrum.

With gigs all over Europe and the US, the past few months have been pretty hectic for the Zurich based guys. But there’s no sign of the cold fat fish slowing down: while constantly hitting the Beatport charts with original productions and remixes for the likes of Fritz Kalkbrenner or Henry Saiz, the guys are also curating their own Fat Wax imprint. Talking about ‘Fat Wax’: being praised by Dancing Astronaut as ‘one of the underground’s most exciting new imprints', the label already showcases an impressive list of artists involved: From Chicago House legend DJ Pierre to balearic vibes from Kyodai to Berlin influences by Marquis Hawkes or UK’s John Monkman.

No surprise, Fat Sushi’s productions get played by the current keyplayers of the Techno & Tech House scene such as Marco Carola, Nicole Moudaber, Maya Jane Coles, Oliver Koletzki, Andhim, Coyu, Lane 8, Einmusika or Reboot to name a few. Or in the words of ‚Pulse Radio‘: 'Fat Sushi ... demonstrate their experience and true talent when it comes to creating progressive, club friendly masterpieces.'

Christopher Annen, Henning May und Severin Kantereit sind ANNENMAYKANTEREIT. Drei Freunde, die nichts Großartigeres kennen, als zusammen Musik zu machen.

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Since the release of their gold-certified breakthrough album, 2016’s A/B, Icelandic rock band KALEO—led by frontman/songwriter JJ Julius Son—has taken their music around the world. The album spawned three hit singles – the GRAMMY-nominated “No Good,” the gold-selling “All The Pretty Girls” and the chart-topping, 2x Platinum-certified “Way Down We Go” which was used in over two dozen television shows from Grey’s Anatomy to Riverdale, leading the No. 1 single to top The Hollywood Reporter’s Top TV Songs chart. After amassing over 1 Billion global streams, 39 international certifications, and countless sold-out headline shows spanning from London to Moscow, KALEO has proven to be a worldwide phenomenon. Known for their electrifying live performances, KALEO completely sold out their first U.S. headline tour and was a standout at Coachella, Lollapalooza and Bonnaroo and recently were hand-picked to open stadium dates for the Rolling Stones. Since KALEO wrapped a nearly non-stop 3-year touring schedule in support of A/B in October 2018, Julius Son has been in the studio working on the highly anticipated follow-up due out in 2020 on Elektra. Lead singles “I Want More” and “Break My Baby” are out now.

Happiness is when the beat starts to kick!

Robin Wicki is following