Never thought, this Jazz standard could shine in a new light... You proved me wrong. Gorgeous Rob und friends!

wonderful voices, great performance..love this song 🌼

Beautiful performances from all.  Lovely collaboration!

so happy to have found  this  on Soundcloud

Absolutely magnificent performance... Many thanks to you for this heavenly beautiful music!

Wonderful, my compliments to all three of you!

Well, I've gone to binging on your profile, and I can't seem to stop.  What a gorgeous song this is; sublime vocals and Ellian is a fantastic harpist and what a beautiful choice of instrument to accompany you and Bethan.

original piano version written by hitoshi yasui of chairhouse, guitar arrangement by naldo, orchestration by guillaume pearson.

as always, special thanks to hitoshi for his daily musical beauty and for helping us to adapt this song. his luminous piano version from june 12, 2020 is here:
https://soundcloud.com/chairhouse/i-looked-beyond-2372-by-chair-house-06122020

more of guillaume's songs & cinematic orchestrations:
https://soundcloud.com/guillaumelecompositeur/tracks

cover art: Alexander Brook, portrait of Peggy Bacon & black cat

I Looked Beyond

Original song: @neowakan - Relief
---
20-10-24

Relief

Poolside-party At Pickfair

“Hope is one thing that can help us get through the darkest times.”

mix & mastering by @amin-pishehvar

original release: 2018

Crossing the Shadows

Piano Sonata No. 10

So I declare the merry month of May to be "Musical May" (as in song, dance and play).

Starting with a song that probably needs no introduction.

"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.
The song was written for the musical Very Warm for May in 1939.

Joining me is mezzo-soprano Bethan Morris, and we're accompanied by harpist Eilian Gwynn.

Let the fun begin. We hope you'll enjoy!

All The Things You Are (Very Warm for May - Kern/Hammerstein - with Bethan Morris and Eilian Gwynn)

Coffe And The Dog

Cogito Vestrum - The Day After
when a heart falls silent, one that walked beside you for so long.
When the place once filled with life now echoes with absence.
When even the wind seems to whisper,
because silence suddenly says everything.

“The Day After” is a musical farewell.
A journey through emptiness, memory, and grief –
for any soul that once brought light
and now lives on within our hearts.

A continuation of Cogito Vestrum –
a quiet tribute to the beings who touched our lives
and left behind a soundless ache.

Part of the album Tides of Melancholy.
No AI.
Just feeling. Just music. Just truth.

Created with the following instruments:

EastWest Hollywood Strings: Chosen for their cinematic depth, creating grandeur and melancholy, perfectly expressing the contrast between loss and the lingering presence of loved ones.

Spitfire Audio Solo Violine: A solo violin that evokes vulnerability and sorrow, ideal for quiet moments of reflection and grief.

Virharmonic Bohemian Cello: With its warmth and expressiveness, it captures the human element of grief, adding depth and continuity as the cello’s voice lingers on.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Cogito Vestrum - Der Tag danach
wenn ein Herz schweigt, das dich so lange begleitet hat.
Wenn der Platz leer bleibt, an dem einst Leben war.
Wenn selbst der Wind zu flüstern scheint,
weil Stille plötzlich alles durchdringt.

„The Day After“ ist ein musikalischer Abschied.
Eine Reise durch Leere, Erinnerung und Trauer –
für jedes Wesen, das gegangen ist,
und doch in unserer Seele weiterklingt.

Die Fortsetzung von Cogito Vestrum –
ein stiller Tribut an all die Seelen,
die unser Leben berührt haben und uns fehlen.

Teil des Albums Tides of Melancholy.
Ohne KI.
Nur Gefühl. Nur Musik. Nur Wahrheit.

Erstellt mit den folgenden Instrumenten:

EastWest Hollywood Strings: Für cineastische Tiefe und Ausdruck von Verlust und bleibender Präsenz.

Spitfire Audio Solo Violine: Eine Solo-Violine, die tiefste Emotionen wie Trauer und Sehnsucht ausdrückt.

Virharmonic Bohemian Cello: Wärme und Ausdruckskraft, die das menschliche Element des Abschieds verstärken.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum - The Day After

“Twilight fell: The sky turned to a light, dusky purple littered with tiny silver stars. – J.K. Rowling

Twilight Serenade

Box Blues

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

Hi, I'm Rob.

I'm a singer, well you figured that out by yourself if you listened to my music....
I'm also Welsh, so what can I do?

I love music, so listening to all the great talent here on SoundCloud - whether it's raw or refined - is an immense pleasure. Thank you all for that.

I hope you get some joy out of listening to me.

Due to some health issues I'm not always capable to listen to your music, interact as much as I'd like to or reply to your comments in a timely manner. It doesn't alter the appreciation I feel for each and every one of you. Please bear with me.

All The Things You Are (Very Warm for May - Kern/Hammerstein - with Bethan Morris and Eilian Gwynn)

Robert Llewellyn

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