Mamas Mamas [Sender093]

This is a little Deep House Track called
Deeper Shadows Dark Shadows..big up each everyone..enjoy..pakman

Deeper Shadows Dark Shadows

„Odsbodkins!“ schallt es aus Oles Mund, als er Martins neue schmalzige Haarpracht erblickt. Die beiden hatten sich die letzten 5 Jahre eingeschlossen, um an ihrer neuen Platte zu arbeiten und das Ergebnis ist die Monaberry mit der Katalognummer 23. 23? Das kann nur ein gutes Zeichen sein!

Odsbdodkins macht seinem Namen alle Ehre und greift ohne zu fragen die Tanzmuskeln an. Ein grooviges Gitarrenfeuerwerk wird entfacht und erleuchtet die dunklen Tanztempel. Keine Geringeren als Hanne & Lore haben sich dieses Baby zur Brust genommen, um daraus einen Track zum gepflegten Ausrasten zu zaubern. Mit von der Käsehäppchen-Partie sind Frdy und Indimushy. Diese beiden Stücke setzen sich tief im Kleinhirn fest und verlassen dieses nicht so schnell. Frdy bestreitet eher den tooligen Weg der straighten Musikliebhaber und lässt dabei keine Wünsche offen. Um die Platte aber nicht Abdriften zu lassen, fasst sich Indimushy ein Herz und schiebt gewohnt gefühlvoll die Körper zurück auf die Tanzflächen.

Beatport

Martin Waslewski & Ole Biege - Odsbodkins (Hanne & Lore Remix) - Monaberry 023

Premiere: Superlover - Circus [Suara 198]

♬ Klick für mehr und zum Download ☞ http://trndmusik.de/2015/11/discoschorle-und-solar-plane-verschenken-funkie-town/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

„Wir wollten einen Track produzieren, der zwei Sachen beinhalten musste: Er sollte funky sein und zum Tanzen animieren“, erklären das Hamburger Duo @discoschorle-1 und @solarplane, ein neues Projekt von @lunarplane. Die besagte Nummer, „Funkie Town“, wurde anschließend im Studio von Lunar Plane, in Istanbul, kreiert.

Free Download ♬

Discoschorle & Solar Plane - Funkie Town

SUPPORT

Tube & Berger, In.deed - Highness(Superlover)

Steve Hope & Herr Vogel - Pump

Remix of the track Gypsy Blood. Thanks to the master himself Jamie Lidell.

Supported by:
TAPESH, Amine Edge & DANCE, Kolombo

Download 24bit wav file @ https://soundcloud.com/luukpower/jamie-lidell-gypsy-blood

Jamie Lidell - Gypsy Blood (luuk d remix)

Its been a little over four years since Kellerkind released his first song to the public ear. Sirion Records gladly offered him the platform to do so then and achieved the project "Bergluft" together, which received massive credits worldwide. This was the kick-off to his music career and was followed by many releases on renowned labels such as Stil Vor Talent, Flash Rec. or Hive Audio. Nevertheless he remained active with Sirion Records as well through remixes for other projects or also with his own vinyl release "Altro Mondo". The possibility to tell an extended story is the appeal of making an album for Kellerkind. This is his chance to introduce tracks that arent mainly focused on being "dance floor" music. He integrates this quite aptly and constructively into the album. The rather simple track titles represent moving moments in his musical development. Starting off with a quite jazzy number he makes full circle back to his roots in disco on the dance floor. As the title of the main track says "Disco on the Dancefloor" is ideally suited fort he dance floor with is groovy bass and poignant disco stabs, ready to thrill the masses. The rhythm and atmosphere of this song make summer approach just a little quicker. Continuing with "Its Like" - a rather raw number, shaped by its driving bass line, which takes the buildup of the album further and with its compelling vocals manages to contrast from classic deep- tech house songs. Kellerkind cranks it up with "Triple Distilled" - organs, trumpets, flutes and synchs. A truly musical piece, destined to make you dance. "Its 2AM" keeps that pace of movement. The catchy voices add that something special to the song. "Backflash" is next - this track also appeared on Kellerkinds recently released EP on Stil Vor Talent. Mighty sounds, staged dramatically - a perfect transition to "Play it Loud". Kellerkind relies entirely on melodic bass line at the center of this track and its strong sub bass to pull you in. The precisely placed, bizarre vocal cuts maintain the songs diversity and tension. This is one not to be missed on the dance floor. Concluding the Album shouldnt get your heart pumping, but rather melting into deeper, quieter tracks in which the artist takes us. The final track, the perfect ending to the album, is an incredibly melancholic chord sequence added to a cozy beat. Truly a successful, exciting, well told story. With their variations, the bonus tracks are an excellent addition to Kellerkinds signature style. None lesser than Channel X (Stil vor Talent), Animal Trainer (Stil vor Talent) and Jon Donson (Sirion Records) did the honors.

Kellerkind - Disco On The Dancefloor

Jay Shepheard - Add Arp (Catz 'n Dogz remix) Snippet

Out soon on Monkey Music! w/ Joyce Muniz & Markus Dohelsky Remix. 

Louie Austen - "Never & Ever (Robosonic Remix)"

MANAGEMENT: neil@triplethreatmgmt.com
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.