https://material.bio.to/IntoTheFaces 

"Sebra Cruz makes his Future Disco debut with Into The Faces — a sleek two-tracker that captures the label’s signature after-dark sound.

The title cut rides on shimmering synths, rolling percussion, and a hypnotic vocal line, blurring the lines between deep house and cosmic disco. It’s atmospheric yet dancefloor-focused — the kind of track that turns heads in the club and lingers long after. The B-side leans deeper, with driving grooves and moody textures that nod to late-night, underground spaces.

A polished, modern take on disco-infused house — stylish, hypnotic, and tailor-made for Future Disco floors."

Into The Faces

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Sebra Cruz - Into The Faces

Mia Moretti - Safe With Me ft. Irma Thomas

Edge Of Desire (Sunrise Mix)

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Jonas Blue x Malive - Edge of Desire (Sunrise Mix)

Paul Woolford ramps up the percussion and injects a deep, rolling bassline, with Eliza Rose’s vocal floating above carnival-tinged drums to deliver a certified festival weapon — hypnotic, joyful and instantly dancefloor-ready. Taking Playa Paradiso into full carnival-euphoria mode, Woolford flips DJ Tennis and Eliza Rose’s Balearic original into a percussive, sun-kissed club trip powered by rhythmic tropical energy and nostalgic loon-call flourishes.

Playa Paradiso (Paul Woolford Remix)

Glasgow Underground welcomes back Mallin with You Said You Loved Me — a record that feels like the natural successor to his modern classic Off My Mind.

In a world where deep house often prioritises utility over feeling, Mallin continues to carve his own lane — understated, soulful, and instantly recognisable.

Built on intricate organic percussion and a beautiful vocal refrain, You Said You Loved Me captures the moment between dusk and dawn — that point where emotion and groove find perfect balance.

Genre tags: Deep House / Organic House / Melodic House
For fans of: Lee Burridge, Sebb Junior, Dusky, Kevin McKay

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Mallin - You Said You Loved Me (Extended Mix)

Mia Moretti - Safe With Me ft. Irma Thomas (David Morales Remix Radio Edit)

https://getphysicalmusic.lnk.to/GPM901

London artist N1NJA, recently spotlighted by Beatport as an emerging artist on their radar, joins forces with acclaimed South African vocalist Nana Atta for their powerful new Afro Tech single “Umusa,” out on Get Physical on 12th December. 

“Umusa,” meaning grace, is the product of a rare moment of universal symbiosis. N1NJA had long admired Nana Atta’s voice, and when Grammy-winning artist Zakes Bantwini introduced them, the chemistry was immediate. They began collaborating remotely, but their bond deepened months later when they finally met in South Africa through N1NJA’s work with IMS and Beatport.

“The moment Nana walked in, there was an instant sense of sisterhood,” N1NJA recalls. “She had just returned from a spiritual mission in her local village, and she radiated a very peaceful yet deeply protective energy.” 

During that visit, Nana Atta gravitated towards one particular sketch on N1NJA’s laptop, an untitled piece that would later become Umusa.  

Press play and the track opens with emotionally charged synth lines, carrying  a sense of urgency yet filled with hope. Delicate, shimmering snares dance over the bassline, grounding the emotion as Nana Atta’s unmistakable voice soars in equal parts lament,  passion and power. She sings in Zulu:

Sathenjiswa umusa nothando, ngeke kuhlale kunjena. Noma kwehlela nokwenyuka, ngeke kuhlale kunjena (We were promised grace and love - it won’t always be this way. Through the ups and downs, things will always get better.)

In a moment of extraordinary synchronicity, the very next day, the duo performed Umusa live at Constitution Hill in Johannesburg - the historic site where Nelson Mandela and Mahatma Gandhi were once imprisoned, during the IMS Connect event hosted by Beatport. Two women, performing a song about resilience and transformation, at a place forever marked by struggle and liberation. 

Exactly one year after the stars first aligned, “Umusa” arrives as more than a release - it is a message and a testament to resilience, resistance and renewal, landing fresh in the wake of both artists stepping into a new chapter with the launch of their own labels.

Let ‘Umusa’ remind you of what we rise from, and what we rise toward.


https://getphysicalmusic.com

Umusa (feat. Nana Atta)

Leo Janeiro showcases his versatile house sound in his first album 'Tempo', released via his own label Cocada Music.

Follow: @leojaneiro / @cocadamusic

Stay up to date on Instagram: www.instagram.com/whenwedipnews/

Premiere: Leo Janeiro - Disco Raro ft. Mona Lee [Cocada Music]

MERCH >> bit.ly/3a1Jnwv << T-shirts, hats, hoodies & more!

Artist: Dario D’Attis & Haldo
Title: Naku
Label: Poker Flat
Release Date: 2025-12-12

PURCHASE >> https://www.beatport.com/release/naku/5627180 <<

MORE MI4L PREMIERES >> bit.ly/2QKq6FX <<

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>> MORE INFO <<

Dario D’Attis & Haldo - Naku [Poker Flat] [MI4L.com]

Download/Stream - https://fanlink.tv/NC002_ride

Maya Jane Coles returns with the second release on her newly minted Night Creatures imprint, continuing to carve out the label’s late-night, club-focused identity. ‘Ride’ distils Maya’s unmistakable production language into a lean, pulsing dancefloor cut.

Anchored by her signature deep bass weight and taut, rolling drum programming, ‘Ride’ leans into the elements that have long set Maya apart: shadowy atmospherics, subtle melodic detail, and vocal textures stretched and sculpted into something both human and otherworldly. Its minimalist architecture; groove-laden, hypnotic, and built with the precision that has defined her sound for over a decade, creates a sense of tension and motion that sits squarely in her lineage of moody club tracks.

Following ‘Night Jams Vol. 1’, this release further establishes Night Creatures as a dedicated space for Maya’s most focused electronic work. ‘Ride’ is a clear return to the late-night pulse at the core of her catalogue.

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Ride (NC002)

R E C O R D I N G . F O R . R U N A W A Y S. Robosonic (Cord) @ Hive Zürich last week....

starring DOORLY Kevin Knapp Booka Shade Ardalan Mat.Joe Emanuel Satie Gene Farris This Ain't Bristol Claude VonStrokeEddie Amador Andre Lodemann Eats Everything Patrice Baumel Robosonic and many more...

ROBOSON1C (Cord) @ HIVE Zürich - 2016-03-18

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.