House legend Roland Clark delivers 'The DJ Stole My Soul' on Delete International, blending grooves, soulful vocals, and timeless spoken words

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Premiere: Roland Clark - The DJ Stole My Soul [Delete International Records]

Do You Believe In Music?

Do You Believe In The Music

https://material.bio.to/RightonTimeBOA

Stress favourite Because of Art returns with a standout remix of Freddie Lineker’s Right on Time. Taking the original’s euphoric energy and vocal-driven peak-time vibe, he flips it into a deeper, groove-heavy cut built for underground dancefloors.

With rolling low-end pressure, crisp percussion, and a hypnotic flow, this remix adds late-night intensity while keeping the feel-good spirit of the original intact. It’s a modern house rework that hits the sweet spot between emotional and functional — a guaranteed weapon for DJs.

Right on Time (Because Of Art Remix)

Freddie Lineker - Right on Time (Because Of Art Remix)

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Yousef
https://soundcloud.com/yousef

Circus Recordings
https://soundcloud.com/circusrecordings

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Premiere: Yousef ft. Yasmin - Round & Round [Circus Recordings]

https://getphysicalmusic.lnk.to/GPM888

Helsloot Delivers a Stunning New Remix of the Get Physical Classic ‘Body Language’ by M.A.N.D.Y. vs Booka Shade.

Few tracks in electronic music history carry the weight of M.A.N.D.Y. vs Booka Shade’s ‘Body Language’. First released in 2005, the track not only defined the early identity of Get Physical Music but also lent its name to the label’s long-running and iconic compilation series. Nearly two decades on, the piece remains one of the most recognizable and influential house tracks ever created, a genuine evergreen anthem.

Now, Dutch producer Helsloot steps forward with a fresh remix as part of his upcoming Body Language Vol. 27 compilation, which drops November 14, 2025. This new version marks the fourth single taken from the campaign and sees Helsloot reinterpret one of the label’s crown jewels with sophistication and vision.

His rework carefully reframes the iconic bassline, twisting it into a new harmonic context and surrounding it with cinematic chord layers. Gradually, familiar synth motifs from the original emerge, building tension until the break strips everything back, leaving the legendary bassline to stand alone. The moment feels both surprising and celebratory: A respectful nod to the past wrapped in Helsloot’s unmistakably clean and melodic sound.

For Get Physical, this release continues a full-circle journey. What began as a groundbreaking DJ mix series in the early 2000s has evolved into a forward-looking artist album concept, with Body Language Vol. 27 curated entirely by Helsloot. Known for his emotive productions and worldwide success with Tinlicker on ‘Because You Move Me’, as well as his acclaimed debut album Never Tried, Helsloot brings both credibility and fresh perspective to the project.

As Helsloot himself explains: “I know this track has been remixed a lot so I said to myself ‘challenge accepted’. My vision was to make a full chord melody out of the iconic bassline that slowly evolves into the original.”

‘Body Language (Helsloot Remix)’ is a celebration of heritage and progression: a dancefloor-ready reimagining that proves the staying power of a track that helped shape modern house, seen through the lens of one of the scene’s most exciting contemporary voices.

https://getphysicalmusic.com

Body Language (Helsloot Remix)

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Artists: SAAND
Title: All the Money
Label: Music is 4 Lovers
Catalogue: MI4L115
Release Date: 2024-09-26

Tracklisting:
01) SAAND – All the Money (Original Mix)
02) SAAND – All the Honey (Original Mix)

Music is 4 Lovers releases two California vibed out tunes from longtime MI4L resident, SAAND. This marks SAAND’s first solo EP on the label.

SAAND – All the Money EP will be released exclusively on Beatport on Friday, September 12, 2025, then all remaining platforms on Friday, September 26, 2025.

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All the Money

>> DOWNLOAD <<

SAAND - All the Money (Original Mix) [Music is 4 Lovers] [MI4L.com]

Kevin McKay reimagines INXS’ “Disappear” as a left-field deep house weapon. What started as a fan suggestion has become a unique crossover moment — fusing live drums, off-kilter vocals, and organic grooves with one of INXS’ most iconic choruses. Delivered with Simon Ellis channelling Michael Hutchence’s unmistakable tone, this isn’t peak-time cheese — it’s indie dance magic. Perfect for DJs who play the Maccabi House sound, or who want a big vocal moment that still feels underground

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Kevin McKay - Disappear (Extended Mix)

DL/Stream: https://Toolroom.lnk.to/GetUpAndDanceTS

David Tort lands back on Toolroom for the first time in 5 years, teaming up with Markem for a guaranteed floorfiller!

The HoTL Records label boss has been a staplename in the House and Electronic scene throughout the last 2 decades, holding a 6 year residency at Space Miami, regular appearances at Tomorrowland, and huge remixes for the likes of Carl Cox, Tiesto, David Guetta, Nelly Furtado, Bob Sinclar and beyond. Here, he collaborates with Markem who’s previously released with huge imprints such as Ultra Records, Spinnin’ Records, Strictly Rhythm and Nervous records to name a few.

‘Get Up And Dance’ will make you do exactly that, with a massive bassline, chunky drums and a tinge of disco!

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Get Up And Dance

DL/Stream: https://Toolroom.lnk.to/SeriousTS

Toolroom proudly welcomes Ferreck Dawn onto the label with his infectious new production ‘Serious’. Known for his chart-topping releases on labels Defected, Relief and Kitball, Ferreck’s productions have always garnered support from A list DJs including Carl Cox, Mark Knight, Nic Fanciulli, Luciano, Green Velvet and Richy Ahmed.

‘Serious’ has become somewhat of a secret weapon over the summer with its heavy weight production, 80s feel good vibes and a seriously catchy vocal. Finally getting a full release, Ferreck Dawn’s latest production’s set to ignite dancefloors the world over.

Serious

Serious (Preview - Out 17/10/25)

https://essential-part.com/ After carving a sound that resists categorization, Upercent returns to Essential Part with ‘Buzzing Letters’, a two-track release that dives into the extremes of his sound.

The EP opens with ‘Mosquito’, a raw piece constructed around a distorted kick and the unmistakable tone of the Roland 909. The arrangement harks back to the golden age of hard house in Valencia, when abrasive textures and American influence shaped the sound of a generation. Here, Upercent filters that memory through his own language. Rough, direct, and intentionally unpolished. The result is his dancefloor imprint, tightly coiled, physical, built to transmit impact without dilution.

‘Post Office’ delivers a complete shift in character. Centred around a vocal line that echoes a neighbourhood postman delivering mail, the track plays with rhythm and form, leaning into a sense of controlled chaos. It feels spontaneous but never careless. Every twist, every drop, is loaded with intent. Upercent's sense of humour surfaces here. Not through irony, but through sound that dares to misbehave.

With Buzzing Letters, Upercent sketches two short messages. One is an attack. The other, a smirk. Both unmistakably from the same hand. 

· SoundCloud: @upercent
· Instagram:www.instagram.com/upercent/
· Spotify: open.spotify.com/artist/2hEUBNzbJ5ztgl1EyjDXUi

· Instagram: instagram.com/essential.part
· SoundCloud: @essential-part

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Upercent - Mosquito

Mensch Marley!  Played & celebrated New Years Eve in Amsterdams Sugar Factory. This set was recorded the night after, 5am in Berlins "Mensch Meier" – to kick off 2016 with a lack of sleep and a dedicated crowd of Berlin ravers. @Elliver-twist,  @Fabiano-upon-you and @kombiteller_sandix made my morning, just as I hoped and schemed...C:

TRACKLIST:
David Mayer - Machinedrum Calypso
Kyle Watson - Super Fly
Marc Spence - Stop Interrupting 
Hugo Massien - Kontrol
George FitzGerald - Every Inch
DJ Dozia - Pop Culture (KiNK Mix)
Riva Starr - Velvet Zone
Robosonic - Busted
Rampa - Newborn Soul
Three Machines - Antara
Sante - Dusty Roads (Butch Remix)
Fidelity Kastrow - Full Moon Falcon (Sacha Robotti Bird Of Prey Remix)
Michel Cleis & Klement Bonelli - Marvinello (Radio Slave Remix)
Iban Montoro & Jazzman Wax - Chicago
Hnny - Trummor
Kaiserdisco - Forget About Me (Santos Re-Edit)
Eddie Amador - Rise (ROBOSONIC Remix) YOSHITOSHI https://exit.sc/?url=http%3A%2F%2Fclassic.beatport.com%2Ftrack%2Frise-robosonic-remix%2F7405445
Waze & Odyssey -On The Downlow 
Will Clarke - The Goog
Hyenah - The Wish (Manoo Remix) 
Roisin Murphy - Unputdownable (Tom Demac Remix)
Loco Dice - Seeing Through Shadows
Andrea Oliva - Decomposing
Robosonic & Jeru the Damaja - 1UP (SIMMA BLACK : http://classic.beatport.com/release/1up/1639130)


if you like what you hear, support with a purchase of "Rise" : http://classic.beatport.com/track/rise-robosonic-remix/7405445
recorded 02.01.2016 MenschMeier, Berlin – 5:00h

ROBOSON1C (Cord) @ MenschMeier – "Rise Up 2016-01-02" - DOWNLOAD

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.