Trust your sound.

Residents @adampits @bambi-dj @bliss_inc @cromby @djteeth @liseneuk @remove-me @runninghotmusic @tpr_de

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Story telling rooted in a sense of place and time,  a little trip down the sunken lane of folklore.

Masser af fede rap
emiliohestepis@gmail.com

𝐻̶͎̜͔̭̺̪́𝑒̷̖͎̰̰̲̬̼͈̮̍͆͊͋̀̆́𝓎̵̧̢̥̰̘̦͍̼͖̽̋̀̽̚!̸̨̯̜̻͈͑̒̈̀̐̕̚ ̸̧̛̭͖̫̗̺͆̐̈́̓̓̀𝑀̷̨̡̻͔̦̹̺̲̄̅̄𝓎̴̛̱̣̲̟̌̾̑͛́͌͜͜ ̴̥̣̂𝓃̶̨̛̭̜̈͐̒̄̍͐𝒶̴̼̘̤̘̰̭̱͕͆͌͑𝓂̷̧̢̱̜͔̘̝͙̾̂̅̍̍̓̕̚ͅͅ𝑒̵̘̗͕̐̔̑͆̕͠ ̷̛̛͎͙̹̙͉̎͌͑͑̈́͘͠ͅ𝒾̴͎̎̑͐̓͘͘̚͝𝓈̴̧̺̘̫̥͝ ̷̡̻̰̗̭̓𝐵̷̛̪̳̤̜̂̿̒͒̚̚͝ͅͅ𝑒̶̱̤̦͈̗̣̘̟̌̽̄͊𝓃̶̞͚̇͌̄͒̇̎̑́̚͜͜𝒸̷̨̛͕͈̅̓͌͂͐͑̌̏͐𝑒̸͎̲̓̂
Hey! My name is Bence and i play guitar for 15+ years now... 
I listen and play mostly progressive rock, neofolk and jazz. 

I created this project to explore textures, soundscapes and subtle nuances that are exclusive to synth music. And also to challenge myself and become less reliant on my favourite instrument, while exploring ideas i haven't tried out before. 

Trying to find rhythmic patterns and serenity between the lines. Both in music and life...
𝘳̷̢̤̳̗̘̱̩̩͛̊̀͆̈́͗͊ͅ𝘩̶̢̣͓͇͉̑͗𝘺̸͙̔̄̐̍̐̽𝘵̸̫̮͓̏𝘩̴͍̰͙̩̉̍̓̈͗̚͝𝘮̷͖̦̗͉͕̰͑́͐̇̃͘̚͝ͅ𝘪̷͍͖̲̋͂𝘤̶̜͌̈́̓ ̵̛͓͚͖̹̱̙̠̪̌͂̇̀̅̂͑̕𝘱̸̧̡̛̤̙̖̦̉͌̍̂̓̑͜𝘢̴̲͔̪̇͂̌͠𝘵̸̨̭͉̪̯̙̤̫̰̲̀͐͠𝘵̴̢̱̰̞̦͓͈̀̎̿̍̓̄́͊́̓𝘦̸̨̥̗̣̦̙͂͒̈́͐̒͛̀̽𝘳̸̢̹̝͈̯̏̀̅𝘯̸̛̛͎̐͆͋̄̿̚𝘴̸͕̆̓͒̈ ̵̤̍̽̃̾̉̽̓͂̚𝘢̴̢̛̘̻̤̞̮̺͓͋̇̊͑̽̓͘͘̕𝘯̵̠͖͚̙̯͈̄̑̑̒̅̑͜𝘥̷̡̙̟͔̤̣͉̔̄̂̈́́̎͛̈̕ ̸̪̜̺̅̋͐͐̚𝘴̷͉͙̘̭̥̬̯̘̟̆͊𝘦̵̲͖́̈̉͠𝘳̶̧̨͒̐̆𝘦̶̢̳̮̩̗̦͉̭͉͙̄͐̎͆̀̕𝘯̶̡̼͉̦̄𝘪̸͈̹͎͔̠̯̦̗͇͙̚𝘵̶̥̲͋𝘺̶̼̰̖̮̼̮̖̟̆̅͛͆̐̽͠ ̸̧̞̮͂͌𝘣̵͖̩͕̮̭͚̍̐̓𝘦̶̛̘̲̣̭͛̂̄̄̆̚𝘵̶̨̢̛̠͈̤͌̓͗̔̈́̍͘̕𝘸̴̫̫̮͉́̊̅𝘦̴̢̝͚̔̆͆𝘦̸͕̺͗̀𝘯̶̧̣̳̙͉̃͊̏ͅ ̴̢͇͔̹̝̗̖̆͜͝ͅ𝘵̶͕̝̑͒̇͐̓͌̾̅̇̕

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