Interesting quiet yet darkish atmospheres here, beautiful!

Broken Old Sochor Tape Delay: L'entropie Magnétique..

Sabine's Equation - Telephone

There is something very special about the imperfections of old recording technology and sometimes things are so broken they kind of take on a life of their own. Over the years I have come to cherish a knackered old Polish Sochor tape delay in my studio which has so much wow and flutter the effect it imparts into delay and reverb is really quite special and I have resisted attempting to repair it for many years now as I fear that magic would be lost.

Today's happy accident was made by feeding a Roland D-50 via a Fairchild 664 L/C EQ and matching germanium preamp into the Sochor delay which was was pretty much all over the place as usual :-]

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2024.

Old track taken from "Eterociclica" (circa 1999). A description of the suggestions inspired by the molecular structure of the Thiazole molecule.

Electric guitar, real-time loops and electronics.

Tiazolo (1999)

collabo with tysk raider for a dedicated series.

tysk raider logo stamped and numbering stamp numbered (x/85)
light gray vinyl with printed insert, designed by tysk raider
housed in a pvc bag, limited edition of 85 copies

digital version available here:
https://tyskraider.bandcamp.com/album/tysk003

2024 all music, artwork & logo by tysk raider

bandcamp

tysk003 by tysk raider - 12'' snippets

A funky upbeat house track at 130bpm.

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All tracks written and produced by QUBIK (Matt Gates). © 2024 all rights reserved.

Cardiac

Music: SnowOmen https://soundcloud.com/snow_omen (e-guitar, e-bow, e-piano, effect pedals, unsynchronized loops, three different amps). Field recording (jackhammer at construction site), mixing and production: Velvet Something Superdark. Image: Deep Sea Ghost Shark (pd)

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Chimaera

subcut elegy I

I am invited to take part in a concert and this seems to be the first chapter. Live-recording of Part I of a personal work.

Interested in your opinions.
Please enjoy!

subcut elegy I

Kimo - SSA

sound art for disquiet0666.

Took some found objects I had been using like gongs and bashed them up with a hammer to get more of a wonky sound out of them (pedal bin lid, paint tin, bbq lid). Then played them with animal bones and a stick that landed on my head when I was out for a walk. Added a bit of nail violin. No effects, just EQing.

Part of making art/music is embracing the daemonic aspect of yourself as something useful, and creating a space where mischief is a positive.

More on the 666th weekly Disquiet Junto project, Beauty and the Beast — The Assignment: We’ve hit a devilish numerical milestone. Do your thing. — at https://disquiet.com/0666/

a prayer for mischief (disquiet0666)

At the beginning of this year I was selected by Cities and Memory to be part of "Migration Sounds", a beautiful sound project together with people from 51 countries.
I worked on my composition based on Ben Brindle's field recording. I took a bit of that fragment and assembled it by processing synths, horns, a lot of reverb and delay to be able to fuse the English and Argentinean fan base.

The project is the result of a collaboration between Cities and Memory and the Centre for Migration, Politics and Society (COMPAS) at the University of Oxford.

Hinchas

2CD available directly from Imprec.com

American percussionist and composer Michael Ranta is a legendary figure who has worked with some of the most significant names of 20th century music but despite this and impressive body of work of his own, he has remained an obscure figure. Important Records and is pleased to present “Transits, Volume 1” the first in a series of releases by composer/percussionist Sarah Hennies documenting never before heard chamber works mostly composed in the 1970s while Ranta was living in Taiwan. 

Mastered by Tom Eaton at Sounds & Substance.

Based overseas since the late 60s, Ranta is known primarily as a percussionist who worked closely with Harry Partch, Karlheinz Stockhausen, Helmut Lachenmann, Toru Takemitsu and Jean-Claude Éloy but is also an accomplished artist himself with a vast body of work spanning improvisation, electronic music, and composition. The works in the “Transits” series comprise a dozen works of scored compositions for solo and chamber ensembles almost all of which are completely unknown with no known performances or recordings since their original premieres. Volume 1 includes “Mharuva,” a 30-minute marathon tour-de-force for solo marimba, “Seven Pieces for Three Percussionists,” and the 40-minute “Continuum II,” a stunning display of virtuosity for two bass clarinets, percussion, and electronics.


“Transits, Volume 1” features performances by Sarah Hennies, NYC clarinetists Madison Greenstone and Katie Porter, and the Bard College Conservatory Percussion Ensemble.

Micael Ranta - Mharuva (excerpt) - From Transits Vol 1 - Available Nov 22, 2024

From Throb, shiver, arrow of time
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Throb, shiver, arrow of time

Radiocello

Like water

ZERO (M:KR 2017, CD„NO GO AREAS")

Recorded late night in one take on a Tascam Model 12 and then cut for clarity. Not mixed, all raw. 

Machine Meditation

idek. a release of everything that no longer serves me. seven years of hiding who it is that I am to please other people or even protect them from the depth of my being.. but no more will I hide.

Hinchas

Rocío Colonizt

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