FAST FRAMES - NEON HEART

A melancholic song of love, partly inspired by Simon & Garfunkel. This is the shorter version.

Pot Barley

Cold & Grey

Cold & Grey (Radio Edit)

El concepto de buscar un lugar donde quieras y te apetezca estar.

Mi Playa Ideal

Buried My Head

The Stone That Makes The Statue was inspired by the band flying into Keflavík and invokes the rocky, bleak landscape of Iceland.

Percussion driven, it is a return to the post rock roots of the 4 piece, melodic keyboards and harsh guitars, melody and intensity, booming bass and atmosphere.

Laxá are: 
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass/Vocals
Matthias Helguson - Drums
Mike Taylor - Keyboards

The Stone That Makes The Statue, new Post rock by Laxá

Genie In The Mist

richtig no future

jetzt ist richtig no future
jetzt ist richtig no future

jetzt ist alles auf no future
wie eigentlich schon immer 
seit ich denken kann
wird es immer schlimmer

alles auf no future
wie schon immer
ich wusste nie wie es weitergehen soll
aber jetzt ist noch schlimmer

enjoy the moment - wenn du kannst
rette dich  - wenn du tanzt
bin eben eingenickt 
und habe gott gesehen wunderschön, 
dann brauch die welt ja nur noch untergehen

ich erwarte garnichts 
denn ich fühle garnichts 
geh durch die schatten und durch die panik, 
die nacht ist kein kontrast mehr,
lieg da wie ein kraftwerk.

jetzt ist richtig no future
wie eigentlich schon immer 
seit ich denken kann
wird es immer schlimmer

alles auf no future
wie schon immer
ich wusste nie wie es weitergehen soll
aber jetzt ist es noch schlimmer

richtig no future!
wie eigentlich schon immer!
seit ich denken kann

jetzt ist richtig no future


kolkhorst 2024

richtig no future

Just Us

I liked the technical challenge of this song.  A lot of moving vocal segments around and the first time that I sang harmonies against myself.

Looking at it a day later: it's like theres an extra measure in the verses where Bill shortened once he got to the 2nd-and-later, and I didn't because I cut and pasted, so it explains why I have to idle extra time each verse to deal with that.

But it does inadvertently fill the requirement that "cover songs should have their own weird signature that doesn't match the original too closely"

I very consciously did -not- read the spoilers for who Laura was really about before cutting the cover.  One fun way to interpret who Laura is, if you didn't know it's Joel's mother, is not an ex-wife or an ex-gf, like some are saying, but let's say a niece or a biological daughter that he never sees until Laura is an adult, but what hurts is they're cut from the same cloth, they're -so- similar but Laura's karma is different and gets her in trouble and he always has to financially bail her out etc.  Be a fixer.
She's genius-level but does substances way harder than him and routinely almost gets killed.  Loose cannon.  The 'umbilical cord' in this sense is then the aid he has to give, she -never- shows signs of growing up or out of this phase.

Laura (Billy Joel Cover)

The history of knowing someone who goes up and down and you wind up in the middle.

BUY NOW - 
https://ronsnyder.bandcamp.com/track/how-do-i-know 
GUITAR VERSION - 
https://ronsnyder.bandcamp.com/track/how-do-i-know-guitar-version

HOW DO I KNOW

BUY NOW

Ron Snyder - HOW DO I KNOW

Longtime followers of Mark Henes know that he has a habit of shifting eﬀortlessly from punk to country and back. On his foreboding new single, he fully embraces the former, with thrashing electric guitars backing up his signature booming baritone to create an energetic anthem for the end of times.

“Nostradamus is upon us, and what do you think will come?” Henes sings in the songs opening lines. It’s pretty clear that the future looks bleak from his perspective, but rather than wallow in pity, Mark uses his lyrical gifts to find reason for celebration in the face of hopelessness. The intricate guitar play and thundering drums provide listeners with a much needed sense of catharsis for the chaotic times we’re living in.

As he prepares the release of his debut full length album ‘Crystallized Reflections,’ it is clear that Mark is not content to be pigeon holed into just one sound. If this single is any indication, he is ready for a long and unpredictable career.

‘Nostradamus Is Upon Us’ is available everywhere Aug. 7, 2020

Crystallized Reflections

Nostradamus Is Upon Us

Solo amateur artist hoping to create something that somebody thinks is beautiful. Major influences include Charley Patton, Ravi Shankar, The Grateful Dead and Grimes.  Open to collaboration on the right projects. New tracks uploaded about once a month.

Genie In The Mist

Rod Bennett

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