@dropmcdead ...not a happy ending though 😂 great song

i honestly think its really good, well done [via https://sc.repostexchange.com]

Nice simple arrangement. Lovely guitar melodies

Very cool track. Catchy and well done! 10

Beautiful and lovely work. I like very much the lyrics (with really good twist) interpreted by nice vocals and supported with pleasant guitar.

Nice work! I love a story song. The chorus us catchy!

Lyrics :

Sitting in the corner she came out of the dark
Our eyes met and it started a spark
She walked up to me and she told me her name
Talked about the weather as it started to rain

She was 5 foot 2 and eyes of green
Prettiest girl you've ever seen
5 foot 2 and eyes of green

She sat down beside me and she put down her drink
Her hair was black and her sweater was pink
She said do you come here often and the answer was no
Do you like skiing yes I love the snow

We made arrangements to go up to the snow
For a couple of days or so
I leaned across and whispered in her ear
Boy its cold but you'll be hot up there

I went around to pick her up
She says that I've got some bad luck
I've got a husband and 3 kids you know
So I'm sorry you'll have to go

She was 5 foot 2 and eyes of green
Ugliest bitch you've ever seen
She was 5 foot 2 and eyes of green

DEPRESSION

This singer-songwriter/ folk rock single was recorded, mixed and mastered in February and March 2021 at Rare Elements’ own studio in Tampere, Finland. 
The song is composed and arranged by Harri. He plays all instruments and sings on the single. He has also recorded, mixed and mastered this single.
The lyrics to this song are written by Joel.

Fairies Got the Boot

There are three phases to this track   asking myself all kinds of questions  basically the mystery of what is to come.  
 I wish you all the best  and much success You have been truly a joy .  cheers G

Mysteries

Au coeur de l'océan
Je vaque allègrement
Le ciel s'est retroussé
Laissant mon oeil gelé

Je cherche des lampadaires
Au fin fond de la mer

Au coeur de l'océan
Personne pour m'embêter
Pas même un seul instant
Je ne peux m'ennuyer

Je cherche des lampadaires
Au fin fond de la mer
C'est certes un peu idiot
Pour moi, c'est rigolo

Au coeur de l'océan
C'est tout de même un peu chiant
Il faudrait arrêter
De chercher des trucs racés

Je cherche des lampadaires
Au fin fond de la mer
C'est certes un peu idiot
Pour moi, c'est rigolo

Translation : 

In the heart of the ocean
I go merrily
The sky rolled up
Leaving my eye frozen

I'm looking for streetlights
At the bottom of the sea

In the heart of the ocean
no one to bother me
Not even for a moment
I can't be bored

I'm looking for streetlights
At the bottom of the sea
It sure is a bit silly
For me it's funny

In the heart of the ocean
It's a bit boring though
We should stop
To look for racy things

I'm looking for streetlights
At the bottom of the sea
It sure is a bit silly
For me it's funny

Au coeur de l'océan

Passacaglio 9

I have been invited by Combstead @markcombs-928282858
to play some lead guitar on a piece of him. The piece he provided to me was such a wonderful ballad, that I immediately got the ideas for the clean guitars. The solos were flowing due to Marks great and inspiring composition! 
So I feel very honored by that and I am looking forward to further collaborations with him.
I hope you will enjoy this as well as we do!
Have fun, it’s rock!

Pushing Daisies

Combstead & N.o.b.S.  - Pushing Daisies

Casa Mia

Funky With You Part 2

comment ça se fait

 ' DOUBLE SHOT CAN '
             
★ PRODUCED BY ♡♥︎ HEAR ME BEATS ♡♥︎    
                 🙌💣💥💣💥💣💥🙌

★VOCALS ☆ MIX MASTER ★ & ★ LYRICS   
                 BY ¤♥︎ KENNA-RAE ♥︎¤

  °°°°□□□ PLEASE LET ME 🙏 KNOW WHAT 
          Y'ALL THINK..... □□□°°°°
   ( ■ I DIDN'T EVEN MEAN TO SCAT SING
             IT JUST CAME NATURALLY 
  & I AM ALREADY ALWAYS NERVOUS
              ABOUT MY VOCALS AHHHHHHHHHHHHHHHHH!!! 😬😬😬 

   ○ I AM STILL SO VERY NEW AT SINGING 
             INTO A MIC 🎤 😳 RECORDING IT 
  & LAYING MYSELF OUT THERE TO THE
               TO Y'ALL, THE...... 🌎  WORLD 😱 ○  I REALLY APPRECIATE 
      EVERYONE OF 
                Y'ALL
 THANK Y'ALL & HOPE FOR MUCH LOVE AND HAPPINESS TO Y'ALL XOXOXOXO 💛 

KRAE-'DOUBLE SHOT CAN' (PROD. BY HEAR ME BEATS)

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - I. Twist and Shout

Rod Collier, Singer/songwriter, has covered a lot of ground in his career. 
Growing up in a musical family and starting classical guitar at age 7, He changed to electric guitar playing rock "n" roll, blues and in his teens became interested in punk. He then went on to study music production and audio engineering/music performance at Tai Potuni polytechnic and level 4 & 5 contemporary music at NMIT/Nelson. 
Rod's songs are personal and create vivid pictures of his life and travels and in his music one hears elements of kiwi roots, both folk and rock. 
A very intense and passionate performer, Often humorous, He is a gifted  singer/songwriter, story teller and talented guitarist.

Artwork by his daughter Amberlei

DEPRESSION

ROD COLLIER

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