Guess what it sounds like before listening.

I’m Dave Johnson, Powerball winner of $298.3M. Giving back $50,000 randomly! Main account was hacked—this is my official page❤️

The Rodeo Terrorists play around with synthesisers, loops, ai and things that make funny squelchy noises, the result of which are tunes that they quite like.

Quick sidebar about AI, yes we often use artificial intelligence these days, we want to be absolutely open and clear about that. We do write the lyrics and melodies and then feed that into the beast, and then curate the output. Quite often the output is pretty crap, but occasionally we get something that sort of isn’t. So why the **** swearing on the ghosts of Elvis and John Lennon, isn’t AI stealing everything? Well we like to put it like this in two questions. Firstly does banning guitars stop people making music? And secondly the first rock and roll band wasn’t a rock and roll band at all until another band came along and mimicked their sound and style. Anyway if you got this far in the bio (congrats and happy to discuss more) but let’s get back to the good stuff…

In the summer of 2006 the Rodeo Terrorists got their first Apple Mac, it was raining, they got drunk on home-brew beer and discovered the simple joys of Garageband.

Their musical influences are best described as eclectic, growing up in the 1970's they scratched numerous LP's (most of which they still have) on the family hi-fi , the sounds of rock, classical, country, disco and avant-garde filled the air, along with Lego bricks, train sets & anything electrical & electronic that could be taken apart with a soldering iron. By the mid 80's they were leading a charmed life of singing in a choir, playing the piano and bassoon, while programming sequencers and their Yamaha DX-7.

Somewhere along the line they got lost in that field in Hampshire, their jeans went baggy and hair grew long . Finding an abandoned BOSS Dr. Rhythm DR-550 drum machine in a charity shop & overnight they became full time techno ravers. Inspired by the gods of techno, Kraftwerk, Giorgio Moroder, The Orb, KLF, 808:State, Orbital, Joy Division, Depeche Mode and many to many to mention, the Rodeo Terrorist knew that they could do that music thing to but probably not a well (obviously). Early incarnations of the Rodeo Terrorists included Drago5 a techno DJ and The Lady Marmalade, an indy outfit who appeared in a Ride video (though not really on camera!).

Music is for entertainment and the Rodeo Terrorists shy away from serious commercial exposure, though if their tunes do get played on the radio, supermarket or lift even, they would grin from ear to ear!

Seadog is the Brighton-based dream-pop project led by musicians Mark Benton and Tom Chadd. Blending lush melodies with anthemic electric and acoustic textures, Seadog crafts songs that drift between lullaby and anthem, weaving influences into a rich tapestry of sonic storytelling. Following their debut album Cabin Fever Blues —produced in part with legendary engineer Phill Brown (Talk Talk, Led Zeppelin, The Rolling Stones) Seadog returned with their second album, Internal Noise. Born in the stillness of the 2020 lockdown and brought to full life at Bella Union Studios in Brighton, the record features production from Jack Wolter of Penelope Isles, who also contributes drums, guitars, and backing vocals. His sister and bandmate Lily Wolter adds further depth with her guest vocals on the album, enhancing the intimate yet expansive feel of the recordings. Seadogs music has been championed by a range of respected voices, earning airplay on Amazing Radio, BBC Introducing The South. Their single Tidal Wave marked a major step forward, selected for Tom Robinsons BBC Introducing Mixtape on 6 Music and spotlighted on Lauren Laverne's BBC 6 Music Recommends show. With Internal Noise, Seadog continues their ascent, creating music that's as emotionally resonant as it is sonically adventurous songs that soar, shimmer, and stay with you.

"Tidal Wave ticks all the boxes for me...but above all, it sounds like it's flying and I have a soft spot for songs that sound like they are flying." - Jason Lytle (Grandaddy)

"Really love Tidal Wave, lovely melody and the chorus lifts off so well." - Matthew Caws (Nada Surf)

"Seadog have been quietly working their way into our hearts through a consistent run of tracks released over the last few years. Seadog's home within our hearts is set for many more years to come." - Simon Raymonde (Cocteau Twins/Bella Union)

"Really pretty good and nice voice"- David Crosby

Some songs written by The Brooklyn Foundation unless stated. 
Music, engineering, production, vocals and everything else on this page is by The Brooklyn Foundation. Guest artists will always be credited. Writers will always be credited. 

Recorded at The Big Temple in Salford UK. 

Equipment used (for us geeks)
Adobe Audition
Roland Jupiter Xm (sold)
Roland Juno X (sold)
Roland W-30
Roland TR6S
Roland JD08 (sold)
Rpland S1 tweak synth!!
Roland T8 
Roland System 1
Roland SH4D
Novation Mininova
Behringer Model D
Behringer Neutron 
Behringer Pro-800 (sold)
Behringer LMDrum
Alesis HR16B 
Korg minilogue XD (Sold)
Korg Volca Beats/Synth/Bass/Sample/FM2
Korg NTS-1
ASM Hydrasynth explorer 
Arturia Microbrute 
Akai Tom Cat (sold)
Aly James Labs vProm (drums)

All songs written and performed live by Grant and Dan. Just guitars and voices.

The songs spend time in the space between isolation and connection. Everything is recorded live in the basement lounge with no overdubs.

TheExileLounge@gmail.com

DEBUT EP NOW RELEASED – downloads and streaming here:
https://lastnightwatchman.bandcamp.com/album/old-blighty
https://ditto.fm/old-blighty
More releases to come from the Last Night Watchman shortly

We promote music that we like and help those who got talent.
➡️║Submit your music: bit.ly/AG-Artists-Support
-Official Partners:
@allgen-repost-promotion
@chingzeng
@melbourne-bounce-central
@totalfreedomrecordings

We support / listen to all kinds of music. (No genre exclusion)

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