Thank you for the awesome set as usual! Can this track be identified please? Thanks!

Thank you for this beautiful trip! ❤️

Selection of bass heavy electronic tracks and mixes.

Experimental Stuff, beats n pieces

Underneath (Kwala Remix)

Solace Found Feat. Altrego

Tighe 'Empty Units' EP incl. Pianeti Sintetici + Yogg remixes (OUT NOW)

From:
Kessler V & friends - Kosmik Sludge
digital EP/LP, out Monday 11th August 2025
https://misc-works.bandcamp.com/album/kosmik-sludge
https://misc.works
/
vid - https://youtu.be/UgAx8zYOkFk

Datassette - 7 Bass Guitars In 7-4 (Kessler V sludge edit) [MISCWX011]

01: FSOL - Equinox Interview
02: Grebenstein - Strong Proud Stupid and Superior (ft. SEEFRIED)
03: ASC - Space Echo
04: Vardae - Proteae
05: Toki Fuko - Chapter 7 'Desire'
06: ASC - Source Code
07: Akinsa - 2019 Track 11 (165 bpm)
08: Sam KDC - Obsessed
09: Yanai - Alpha et Omega
10: Yanai - Haxan Cloak
11: ASC - Resistor
12: LCP + Citkatchi - 6 Hands Full Of People (Sam KDC Grey Area Remix)
13: ASC - Sentry
14: Vardae - Mantra
15: DiNT - Visceria
16: Doctrina Natura - Misty Zenith
17: Indigo - Tethys
18 House of Black Lanterns - Take Control

Vykhod Sily Podcast - yanai Guest Mix

WVLT is the newest sonic addition from https://soundcloud.com/wndfrm (Portland-based, Tim Westcott), an album of eight distinct explorations of micro-rhythmic IDM.

Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. 

With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new album from Tim is a rare yet welcome occurrence. The conceptual approach for WVLT began in 2021, mixing synths with drum machines and granular processing. Lightly arced structures slip between gates of rhythm, shifting pulses, translucent washes, and disquieting residue. There’s a precision to the hesitation and an insistence in the space between notes, a deft balance of raw improvisation and sculpted quietude.

An exercise in immediacy and response, each track builds and unspools, like form in fleeting motion, driven by the moment’s tonal contrasts, micro‑rhythmic interplay, and slight gestures that alter entire planes of listening. It’s minimal without sparsity, intense without density.

Available digitally and on limited transparent dark blue 12”  vinyl on September 26th 2025. Mastered by Taylor Deupree @12k Mastering and featuring artwork by Noah M / Keep Adding.

WNDFRM / WVLT (ASIPV056) [Previews]

"ADM Selections is back to deliver some heavy hitting tracks by artists you may or may not be familiar with from all across the globe.

"Opening the LP, we welcome Clearlight to the label with the track "Cavern Sound." With almost tribal-like vibes, a haunting atmosphere and drums that take you on a journey. Khromi's remix of "Fever Mood" is smooth, jazzy and infused with his own style. Mikrodot's Monastery paves the way into deep sub driven vibes with Tetrad and newcomer, Boneless carrying the vibe into darker and deeper territory. Repulsion's "VRR" takes the mood of the compilation into darker territory as it flips between breakbeats and minimalist influences. Newcomers Buex & No Compli balance floaty textures of atmosphere with jungle influenced breakbeats in their track "Ghosts Of Spice". While Inertia changes the direction of the album with his track "Nobody" featuring a massive, thick reverberating subline with a distorted Reese, it segues nicely into the album closing tracks by Split and NRB finishing out the album on a more aggressive and heavy feeling. This album explores the broad sound on After Dark Music."

Track list:

1. Clearlight - Cavern Sound
2. Split - Fever Mood (Khromi Remix)
3. Mikrodot - Monastery
4. Tetrad - Wyatt
5. Boneless - Sutures
6. Repulsion - VRR
7. Buex & No Compli - Ghosts Of Spice
8. Intertia - Nobody
9. Split - Outcry
10. NRB - Wide Open

Purchase: https://admperth.bandcamp.com/album/adm-selections-vol-03-admlp007

Follow @the_clearlight
https://www.instagram.com/the_clearlight_/

Follow @admperth
www.facebook.com/admperth/
www.instagram.com/admperth/

Follow @keepdeep
www.facebook.com/KeepDeep/
twitter.com/Keep_Deep
www.instagram.com/_keepdeep/

Clearlight - Cavern Sound

Taken from - The Untouchables  - Lost Knowledge [SMDELP16]
3xLP/Digital
Marbled LP Edition Limited to 100
https://theuntouchables.bandcamp.com/album/lost-knowledge

Four years on from their landmark Grassroots, visionary half-time heavyweights The Untouchables return with their third album, Lost Knowledge. The duo of Kate McGill and Ajit ‘Nitrox’ Steyns have carved out a space in modern D&B all their own, building on a legacy that reaches back to the late 00s to keep pushing into unexplored terrain with an assured and deadly line in rhythmic intrigue and atmospheric immersion. 
 
Lost Knowledge launches into action instantly with the high-pressure drum science and dubby splashes of ‘Drunken Bells’, capturing the loopy techno propulsion and rolling intensity that drives so much of the output on Samurai Music. Where The Untouchables excel is in finding variety and nuance in their relatively forbidding, pared down sound.  

Nothing happens by accident or feels out of place — McGill and Steyns are in total control, and they demonstrate incredible range and inventive approaches within their focused style. The accent of the grooves shifts, and individual sounds carry all kinds of artefacts, yet everything gets folded into the exacting Untouchables sound with a liberal dubwise sensibility. Brimming with inspiration and immaculately produced, on Lost Knowledge their one-of-a-kind sound is stronger than ever.  

https://www.instagram.com/untouchablenitrox/
https://www.instagram.com/untouchablekay/

The Untouchables - Heads High [SMDELP16]

J-Kon - Swarm

@pessimist

For this week’s episode of CENTER BOOTH we welcome Pessimist: a Bristol mainstay, Ilian Tape affiliate and drum & bass innovator whose shadowy take on the genre often blurs the line with techno and dark ambient. Known for stark atmospherics, rolling percussion, broken beat wizardry and an uncompromising ear for an ominous mood, Pessimist has been a star attraction at cutting-edge events and clubs around the world for close to a decade, from Draaimolen to Club Night Club to Tresor to M.O.T.

His CENTER BOOTH set sinks its teeth in stealthily. The opening rolls in like fog — bass-heavy and understated — before giving way to tougher, militant steppers and half-time passages that shift the ground beneath your feet, slowing the body down without ever breaking the flow. There are no cheap tricks here, no fireworks or easy drops — instead the intensity builds little by little, drawing you deeper into a tunnel of bass and rhythm.

By the final stretch, the momentum softens into foggy ambience, a release that feels earned after the hour’s relentless grip. Minimalist and crushing, haunted and propulsive, it’s a set for locked-in heads and late-night spaces, where subtlety hits harder than spectacle, and the sound of an artist who understands not just how to move a floor, but how to reshape the room around him.

https://youtu.be/IYg8WavXpuA
https://www.lettonne.dance/

Pessimist – Center Booth ◎ S2E18

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

Francesco Skip - Breathworks EP
Grid, 2025
𝓑𝓾𝔂 👉🏾 https://gridrecords.bandcamp.com/album/breathworks-ep

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://www.instagram.com/francesco__skip/
https://soundcloud.com/skip011

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://www.instagram.com/gridrec/
https://gridrecords.bandcamp.com/
https://soundcloud.com/grid-records
https://fr.ra.co/labels/18537
https://www.discogs.com/label/2205553-Grid-6

#newmusic #electronicmusic #BassMusic

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ Francesco Skip - Breathworks [Grid]

Synkro - 28 October 2025

We have the premiere of B-side 'Abandon Me' and it's seriously good, maybe even some of his best yet.

Ferocious, hurricane-esque drums rattle from the off and the synth riffs are warped and transcendent. The cut finds itself moving from staggered and wild to more focused and driving towards the end and that's part of its appeal.

As with any Djrum track, you're kept questioning which way its going to turn, while still remaining firmly locked within his vision. Remarkable stuff.

Premiere: Djrum 'Abandon Me'

Come with us on a journey through time and space... for part Five.

TGTHR V5

Roel.Funcken.on.Mixlr.20.07.19

Introducing Haraket, a 5 piece from South London who are set to release their debut 12" / digital single on Melodica Recordings this Spring. The band emerged from the creative chaos of school and college bands in and around Peckham that have already given the world King Krule. This is the first in a series of releases with Melodica Recordings, with an album due next year. 
 
Haraket fuse wall-of-sound dynamics with often delicate source material, moody electronics, programmed beats and effected vocal lines. Think a post dubstep version of early Underworld or A Certain Ratio reinvented by the new digital century. 'Taint' / 'Attgo' showcases the young band's keen ear for contrast, sensuous tonal material and high drama, something that is reflected ten-fold in their live shows.


Djrum follows on from his accomplished work on 2nd Drop records with a captivating take on 'Taint',  morphing it into something special. It's moody and dark, sounding like the soundtrack of a film Noir with Hardiman's vocals appearing in a new, smoky light.


Haraket - Taint (Djrum Remix)

Movement Artist: Aerial, Dance, Special Action-Wire Work Specialist.
Event Production: Crew, Rigging, Set, Scenic, Props, FOH/BOH.

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

Roel.Funcken.on.Mixlr.20.07.19

Roel Funcken

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