雲は流れる

Hello my friends, this is my new track....I hope you like it
free download

Fantastic World

Music by Nick Rangel
From the album - Keep It Real
©Nick Rangel 2023

Balancing Point

A Portuguese Cyrano, how would he be?

I have an older version (not published here in SoundCloud) with a faster tempo. Here I tried to slow it down to see if it still works.


Nascido para vencer,
senhor do meu nariz.
Mas tu podes crer:
Nunca serei nada neste país
à beira-mar plantado.
Já não escapo do meu fado.
Só me resta ser feliz.

E as melodias, e os sonhos desta arte
seguem-nos,
seguem-nos por toda a parte.
E ao partirmos com as lembranças,
com o talento, com a esperança e o sentimento
de uma nova madrugada,
é um novo dia, cheio de versos, de poesia,
e a suave companhia de umas tágides anafadas.
E as doces brisas, e os furacões da sorte
levam-nos
levam-nos para além da morte.

Porque a vida eterna é esta:
Que te conheçam a ti só
por único Deus verdadeiro
e a teu filho, a quem enviaste.

E, ao repousar na terra,
os corpos unem-se às raízes
e as vidas áridas e estéreis
crescem lindas e felizes.

Nascido para vencer, senhor deste país.
Mas tu podes crer: Nunca serei dono do meu nariz
na face mal plantado.
Já não escapo do meu fado.
Só me resta ser feliz.

Nascido Para Vencer (2024)

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

I'd recently watched a mini film that my collaborator, Mark, was in the process of making with his 3-D modelling gear. It depicted a kind of post- apocalyptic scenario, perhaps on the cusp of regeneration, at least that's how it seemed to me. Not long after, he sent me this track and so the song came about - based on the theme of the film.
Mark uses one of his "weird" pedals on this track for an interesting intro sound and he has also achieved a "stutter" in parts of the vocal which may have been accidental but I thought it really suited and asked him to put it back when it disappeared during mastering. So the stutter remains.
As to genre - ambient indie folk might fit, or I could be way off on that ... genres aren't my forte.

All we have now
Is what we dream

After all the stories
That have ended here
After the halting
Of one long relentless march
We find out somethings
Are never ending
Some things
Are never ending
credits
released August 31, 2024
Guitars - Mark Vee
Synths - Mark Vee
Production and Mastering - Mark Vee
Lyrics - Gina Graham
Vocals - Gina Graham
Cover Art - Mark Vee

We Find Out

A peculiar peace invades the heart when we do the right thing.

Uma estranha paz invade o coração
quando se faz o bem.
Sou bem capaz de amar o bem
só pela paz que ao mundo vem
quando Deus entorna o céu.

E, se eu chegar ao céu, serei um rio de Deus
para dar de beber aos filhos meus.
E, se eu chegar ao céu, em rio me irei tornar
para ver os meus filhos navegar.

O amor é luz, não se apaga.
Brilha para sempre no tempo.
Enche de paz a minha alma.
Onde há amor não há medo.

Uma Estranha Paz

Copyright 2024 Joe Stroffolino

There’s day’s when you’re going through life
 And you’ve just gotta put a fake smile on your face
And go through the motions 
and pretend that everything is okay
People ask you how you’re doing 
you tell them
Hey I’m doing great
Even though
that’s not what you really want to say
There’s days when you wish that it was Halloween
So you could walk around looking like someone really mean
There’s days when you feel like you’re grasping for straws
You look at your hands and you wish you had claws
You’ve been walking around with a stiff upper lip
Trying not to let the mask slip
You’re going through life, trying to understand
Is this part of some master plan
You’ve been waiting for so long to strike when the iron’s hot
But lately you’re starting to feel like some kind of creature that time forgot

There’ve days when you just want to stay in bed  all day and watch TV
And eat lots of popcorn and potato chips
There’s days when you go to a fast food restaurant 
And they make you they make you pick up your food and and clean up the mess and you wonder why they ask you for tips
And there’s days when you realize that your milk’s past it’s expiration date 
But you drink it anyway, it’s the closest think you ever do to tempting fate
And there’s days when you’ve been sitting in your cubicle for way to long
And you wish you could stand up and sing a loud a rock and roll song.
You’re walking around all day and on your shoulder’s a really big chip.
You go through your day desperately trying to maintain your grip
You spent your entire life living in a self imposed cage
You kept your feeling bottled up, you never let out any rage
You’ve been walking around with a stiff upper lip
Trying not to let the mask slip
You’re going through life, trying to understand
Is this all part of some master plan
you’ve been waiting for so long to strike when the iron’s hot
But lately you’re starting to feel like some kind of creature that time forgot
Grasping for straws stumbling around sleep walking your way through life
Trying not to make any ripples , trying not to cause any strife
Sometimes you’ve just gotta do what’s right for you

Grasping For Straws

R&N (6.5)

Voici la Vidéo : https://www.youtube.com/watch?v=Y8ocdaoJvtI 

Salut cher réseaux sociaux, avant les fêtes je tenais a t'offrir une belle critique, j'espère que tu l'aimeras et l'entendras.
En tout cas j'ai fait mon possible pour être à la mesure de ta Coolitude.

Mesdames, Damoiseau, Messieurs, Demoiselles et autres Gueux (ce sont mes préférés) 
J'ai l'immense bonheur de vous présenter "Cool is Watching You" !!
Le Nouvel EP de M'Z - la version "concept en musique" de mes travaux de composition.
C'est une critique du cool social par le cool musical...

Dans cet album je m'exerce à adopter un positionnement musical "cool" et souhaite mettre en perspective les limites de cette 'posture', qu'on s'impose, socialement nous même, plus ou moins volontairement et que les réseaux sociaux favorisent largement. 
Posture qui, semble bien plus nous nuire que nous servir. 
"Cool is Watching You" est aussi un point de rencontre en musique entre Orwell et Huxley qui espère guérir le cool par le cool.

7 morceaux que je définirai plus en détails avec des mots dans les jours à suivre, pour favoriser la transe, en attendant je vous laisse le découvrir en sons avec les seuls gros titres comme pistes.

Je remercie Anesthetize Productions et Guillaume Beringer
De m'aider à la diffusion de cet album, n'hésitez pas à les suivre et allez découvrir les divers travaux qu'ils défendent.

Je remercie ma femme Sam Clou qui m'offre un environnement tellement gorgé d'amour, que je peux avoir le loisir de faire toutes mes conneries et qui m'aide avec ces mots ces artefacts et sa présence à encaisser tous les chocs.

Je remercie Pedro Coelho pour m'avoir accompagné avec grand brio sur le morceau Palais plastique et je vous conseille de le suivre également c'est un excellent guitariste et musicien et une très belle personne.

Je remercie Sociopark et Steph Artaud Films #dirtinthewind et tout le collectif #DIRTINTHEWIND avec qui on s'octroie des espaces de réflexions salvateurs pour théoriser sur la place de l'Art dans une société a la dérive et de permettre de donner corps a une véritable notion de coopération et de solidarité.

Je remercie les familles, la physique, comme celle de coeur qui sont pour chacune des particules qui composent cet ensemble, des phares quand je suis dans les ténèbres, qui me guident même en silence. 
Du panache quand je suis dans l'adversité et qui m'aident a me confronter au monde. 
Un regard chaleureux quand ma critique s'attaque au moi et le gèle sur place.
Un espace ou nos folies sont amies, jouent, s'expriment et ne se jugent pas outre mesure.
Et bien d'autres angles dont chacun pourraient définir une des facette d'un amour violet du nil

Merci également a la rue on se retrouve a 18h en attendant voilà un cadeau qui j'espère nous donnera de la force !!

Cool is Watching you

Suis-je Bien Chez Ce Cher Serge? (VIDEO in description)

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Roger Whittlesey is a multi-instrumentalist, singer-songwriter from the Boston area. He often composes and records pop music with intricate harmonies and deceptively sophisticated chord changes. Many songs spring from his 60s, 70s and 80s influences, but his music is original and unique. Whittlesey often collaborates with instrumentalists and singers from the world of jazz, folk, and pop to create a hybrid form.

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