These are some songs written by Roger Whittlesey, a wonderful composer, singer and human mind from Massachussets. I added some woodwinds here and there. One of the wonderful collaborations here on SC.
Videos of these and many others:
www.youtube.com/c/RogerWhittlesey

Songs I did with Roger Whittlesey

Favs By Roger Whittlesey

Your Mix 4

Words and Music by Roger Whittlesey. Georg Boehme arranged and played all saxes. John Mason played nylon string guitar and all electric guitars. Christy Bluhm sang background vocals. All other sounds by Whittlesey. 

Thanks to Georg, John and Christy for all your help on this one. You all possess immense talent and I am very grateful for your contributions.

Too Much Pride

Words and Music by Roger Whittlesey. Georg Boehme arranged and played all saxes. All other sounds by Whittlesey. roduced in New Hampshire and in Cologne, Germany. ©2024. Thank you, Georg, for participating in this process and for offering your awesome talents. 

What's this song about? String Theory is the notion that all time exists on a string—a string that never disappears. I'm a fan of the podcast/television show Closer to Truth, an American production hosted by a neuroscientist. The host interviews the leading experts on many scientific and philosophical subjects. In a recent podcast, scientists discussed String Theory, which became the inspiration for this song. 

One scientist explained that if you imagine a string along which all time exists—past, present and future—then you can understand that right now both the future and past still exist on that string. So, in theory, the past never disappears and the future is waiting to happen. He likened it to a DVD of a movie. At any point you can rewind or move forward. He suggests that this may be possible with time. 

What I drew from this notion is that all that has happened in my life, all the people I have known—in particular those who are no longer here—are, according to this theory, still existing on the string. Is this a comfort? I think it is for me. 

This is why in the refrain I sing, " I will always be with you." Even when I no longer exist, I will exist along the string, a string that connects me to a past before my own existence began and to a future that I will never see. 

Perhaps you will draw something different from this song and from the theory. In any case, I hope you enjoy the musicianship on this recording. Georg and I worked hard to produce parts and solos that we're proud of. 

Roger Whittlesey
February 18, 2024

See the video here:  https://www.youtube.com/watch?v=j0mjns4dHvk

String Theory (Featuring Georg Boehme)

Words and Music by Roger Whittlesey. Flutes and bass clarinet arranged and played by Georg Boehme. All other sounds by Whittlesey. 2024

The Only One (featuring Georg Boehme)

Words and Music by Roger Whittlesey. Saxophones and Flutes arranged and performed by Georg Boehme. Rhythm and Lead Guitar by Audric Jankauskas. Bass by Noel Barrett. All other sounds by Whittlesey. ©2024

Dear Reader, 

This one began as a little solo tune that I first sent to Audric to consider playing on. Audric chose to work another song that I wrote (called "Say Amen") and so I sent it to Georg, who within three or four days created and played the incredible horn and flute arrangement you're hearing now. 

Audric then contacted me to say he wanted to work on this one too. I sent him the latest iteration and he worked around Georg's parts, using his composer's ear to find ways to support what was already a strong track. But, of course, Audric found ways with his rhythm and lead playing to make it even stronger!

We were cooking. But there was one thing that I knew would elevate the song even further—replacing my bass part with Noel Barrett's incredible technique and creativity. Listen to his riff right after the first chorus and you know you're listening to greatness. 

With all the parts in place, I can now relax and enjoy the collaboration—an international collaboration. 

I can't thank Noel, Audric and Georg enough for their friendship and musicianship. I feel very blessed to have such great musicians willing to add to my little creations. 

Every song is a moment in time. And this song will always be the summer of 2024. 

The inspirations for the song? Well, she's in the very first frame of the video. Christy always brings me her summer smile. 

Yours Respectfully, 

Roger Whittlesey
August 2024

Summer Smile

Words and Music by Roger Whittlesey. Arranged by Whittlesey and Audric Jankauskas. Guitar and synth by Jankauskas. All other sounds by Whittlesey. ©2024

Dear Reader, 

What is existence? Who made time? Is there a governing force? These are questions that cannot be answered with any certainty. Humankind has spent thousands of years creating stories to answer these questions and there are as many answers as there are cultures. 

When something good happens, there is a tendency for some to thank a deity. But what about when something bad happens? Some will say that this event was the deity's doing too, and that it is all part of some grand plan. 

I prefer not to twist myself into a pretzel attempting to apply logic to what are leaps of faith. And so, I follow science as it attempts to get closer to truth. In this song, I apply—in a whimsical way—a religious trope (Say Amen) to what is my secular belief. I encourage all to follow their own beliefs, whether sacred or secular. I cast no aspersions no matter what your beliefs, so long as those beliefs do not impinge upon the beliefs and freedoms of others. 

My special thanks to Audric Jankauskas for joining me on this song. His immense talent as a guitarist may be known to those of you who have heard him play on several of my other songs, but you should also know of his great musicianship, arranging and compositional skills. Audric added those beautiful angular lines toward the end of the song, which I think are so cool. 

This has been a great summer for me. I've had the opportunity to collaborate with at least 12 other musicians—talented players and singers from all around the globe. The autumn approaches, but the music will continue—I still have much more music that I am eager to release. 

Thank you for your continued support.

All My Best, 

Roger Whittlesey
August 2024

Say Amen

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Ready for a Mission

Words and music by Roger Whittlesey. Lead guitar by Audric Jankauskas. Bass by Noel Barrett. 2024.

Crossfire

Music: Jan Schonander & Belial Pelegrim  https://soundcloud.com/belial-pelegrim

MAGRITTE ORANGE CLOUD

Plus ça change
(The more it changes)
Plus ça reste le même 
(The more it stays the same)

Magritte Orange Cloud

Words and Music by Roger Whittlesey. Bass by Noel Barrett. All other sounds by Whittlesey.  2024.

The Minutes of Night

Mystic Unity is a musical journey that crosses borders and shows the beauty in the connection between cultures. Through the fusion of Arabic sounds and Western harmonies, I want to celebrate the diversity and depth of two musical worlds and show what can happen when we are open to each other.

Mystic Unity invites us to embrace different perspectives and discover the unknown ... melodies and rhythms merge in a unique way. I look forward to taking you on this journey and hope it inspires you.

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Framedrum X3M
Transverse
Hybrid Hit
Verve
Kalimba
Moroccan Vocal Phrases
Olympus Choir Elements
Mimi Page
Wave Cre 8
Evo Elysium
Flux
Navi Harp
Habitat by Domink Eulberg
Halion Symphonic Orchestra
Kontakt Etheral Earth
Ocular Sounds

125 bpm

Picture by Ralf Seemann on Pixabay

mystic unity

Tutto ciò che l'uomo ha imparato dalla storia, è che l'uomo dalla storia non ha imparato niente.
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All that man has learned from history is that man has learned nothing from history.

L'uomo non ha imparato niente.

I sure miss it. 561 ( 1993 ) Margareta Theorin - Eddy Mango ( Margareta )

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Roger Whittlesey is a multi-instrumentalist, singer-songwriter from the Boston area. He often composes and records pop music with intricate harmonies and deceptively sophisticated chord changes. Many songs spring from his 60s, 70s and 80s influences, but his music is original and unique. Whittlesey often collaborates with instrumentalists and singers from the world of jazz, folk, and pop to create a hybrid form.

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