1. Treat You Right
2. Do The Do
3. My Sister
4. Silk Slut

'Weiss City Vol 1' showcases this producers vast talent by embracing house music's rich heritage with deep jacking grooves, warm rumbling subs, sweet sharp percussion and delicate vocal treatment. Leading the EP. 'You Treat Me Right' sets the tone with an infectious guitar lick and impassioned vocals on top of a driving but deep bass line. 'Do The Do' is straight up organ house, with an unforgettable melody, vocal cut and sharp percussion. Next up, Weiss delivers the funk with 'My Sister'; one of those tracks you'll have on repeat for weeks on end, the groove is unrivalled on this one! Finally, 'Silk Slut' concludes the EP on a slightly darker note with heavy drums, pitched down vocals and a rumbling bass; perfect for after parties.

Weiss - My Sister (Original Mix)

http://www.mixmag.net/music/exclusive/premiere-cuartero-waff-patrick-topping-remix

If you were sunning it in Ibiza last summer, it's more than likely you came across Patrick Topping. 

The Hot Creations producer was behind one of the island's biggest tracks, 'Forget', and spent the season delivering bumping house and techno sets as a resident at Jamie Jones' Paradise. 

More exclusive music

Premiere: Cuartero & wAFF 'Break A Sweat' (Patrick Topping remix)

SEFF - Jack's Back

Available from:

Juno - http://bit.ly/HOTC056_Juno
Beatport - http://bit.ly/HOTC056_Beatport

SEFF brings a party to the New Year with the next release on the mighty Hot Creations in the form of ‘Jack’s Back’ featuring three superior club weapons.

‘Like That’ on the A-side chuggs with electronic synths and powerful raw bass, ‘Jack’s Back’ is a high energy hitter with a jackin’ ghetto vibe and the heavy duty ‘Zoot’ thunders with a Jamaican style vocal. These are compelling, peak time tracks that guarantee to erupt every dancefloor.

Joe Saunders AKA SEFF has made a huge impact with his distinct crossover style of raw, underground house and techno music, retaining attitude, swing, swagger and energy in both his productions and skilfully constructed DJ sets. Since being signed to Steve Lawler’s VIVa MUSiC in 2012, he has gone on to release on many other hugely respected labels, worked with an array of top artists, remixed Dave Seaman on Great Stuff Recordings and also was signed to Dave’s label ‘Selador’. He established Mindmaze Music as a platform to release great music from himself, established artists and new talent and it has rapidly become a favourite of many underground music lovers around the world.

Hot Creations continue to dominate the hearts of dance music, well beyond their 50th release. A platform for the pioneering partnership of Jamie Jones and Lee Foss to share the strongest releases from their musical family and discover prime new talent.

Seff - Like That

Buy On Beatport: http://bit.ly/TheCoreBeatport
 
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http://www.facebook.com/hotsince82
http://www.twitter.com/hotsince82
@detlef 

Released on Knee Deep In Sound

Hot Since 82 ft. Alex Mills - The Core (Detlef Remix)

Excellent 2x12 Remix Package with Hot Remixes from LUCIANO, Franco Cinello, Aeroplane

Cassius - The Sound Of Violence (Franco Cinelli Version)

Open to it (Long Play)

Buy on Bandcamp

Flow Di - Open to it (Long Play)

IG : https://www.instagram.com/delmarbrowne/

PREMIERE : Delmar Browne - What You Need

Buy from Beatport: http://btprt.dj/1LfvCWO

S-Man & Man Without A Clue Feat. Kevin Knapp - Drop the Needle (UNDR THE RADR)

@undrtheradr

https://www.facebook.com/rogersanchezfanpage

BUY NOW

S-Man & Man Without A Clue Feat. Kevin Knapp - Drop the Needle (UNDR THE RADR)

Sidney Charles - The Phonograph (Original Mix) |DFTD|

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Kry Wolf & DJ Rae - Let Me Try

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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