This has a very organic feel to it to me, like wind passing in reeds in a meadow or through a grove of trees. I enjoy how the spaces contract and expand and wander to different areas of the space. The voices are thick yet soft and move in flocks..

INTERIOR  9  --  THE  LITTLE  MOVEMENTS OF THE MIND

RNA LAB Quartet III

Sonification of social network analyis of Twitter data with hashtag #photography (retrieval of tweets with Twitter Rest API)

Sonification of Twitter data with hashtag #photography

From the Bandcamp EP My Skin’s Blazin’ Thru: https://martinhoogeboom.bandcamp.com/album/my-skins-blazin-thru 

Trampelfad https://soundcloud.com/trampelfad : electronics
Paul Mimlitsch https://soundcloud.com/r369improv : electronics/clarinet
Ulrich Langenbach https://www.ulrich-langenbach.de/ : guitar/violin/cello/piano
Martin Hoogeboom https://martinhoogeboom.wordpress.com/ : objects/electronics/guitar

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux http://www.rupertclervaux.com/

My Skin’s Blazin’ Thru

My Skin’s Blazin’ Thru II

My Skin’s Blazin’ Thru II (Trampelfad/Mimlitsch/Langenbach/Hoogeboom)

Track from the A Quiet Place CD.
Bandcamp: https://martinhoogeboom.bandcamp.com/album/a-quiet-place
Mastered by Marlon Wolterink

A Quiet Place

Under Rose Bushes

Onder Rozenstruiken

Noisy (but melodic) sequences run through and analog audio feedback loops using a matrix mixer.

Slow Songs

Washed Away

Dear Daphne, 

I'm sure you would be happy to know that this track was created entirely automatically, with a robotic auditory apparatus making the decisions. Writing this programme note on behalf of Autocousmatic (http://www.sussex.ac.uk/Users/nc81/autocousmatic.html), whose work it is, I must confess not to have listened myself to the input material, and only taken its first generated output, for fear of cherry picking. But I do hope it presents your wonderful work in a frame in keeping with your electronic experimentation.  

best wishes,
A_

Autoramic

"Silicon Interferences" for Flauto,Clarinetto, Piano,Violino and Violoncello ( 2015) ,premiered  by"Sed Contra" new music ensemble

"Silicon Interferences"(2015) for chamber ensemble

Sound of the Social - Sonification in Social Research

Sound Of The Social  -  Sonification in Social Research

Thomas Seelig hat seine tFX (jetzt LSD) für Komponisten geschaffen, die Effekte in großem Umfang benötigen. Herausgekommen ist dabei eine Art Universalwerkzeug.
Mehrere Player, acht Wiedergabekanäle, herkömmliche Effekte wie Echo und Hall, aber auch Transposition und Zeitmanipulationen wie Stauchung und Dehnung sind möglich. Neuerdings in Entwicklung: Eine Video-Sektion. Mit zunehmender Rechnerentwickung werden die Möglicheiten auch noch größer werden. Das Schöne: Für tFX braucht man eine Einarbeitungszeit, aber kein Studium.
Die Software heißt jetzt LSD, ist aber immer noch public-domain, Download: http://web.me.com/thomas.seelig/MspCafe/tLb/lsd/lsd.html
Alle Folgen ELEKTROmusik auf: http://www.elektromusik-online.de/

ELEKTROmusik03 Thomas Seeligs Soundmaschine tFX (heißt jetzt LSD)

SKulptThunder4

ABSOLUTE SONICS

Roland Emile Kuit’s artistic path is undeniably marked by a tenacious drive to redefine the horizons of sonic art and composition. With his groundbreaking installations, enveloping sonic environments, and intellectually stimulating performances, he defies entrenched norms and encourages audiences to traverse unexplored territories of sound and space. Kuit’s pioneering contributions to the discipline have not only garnered him global acclaim but have also catalyzed engaging discourse, thereby revolutionizing our understanding of sound as a medium of artistic expression.
 - Ewah Shah

https://rolandkuit.com/

RNA LAB Quartet III

Roland Kuit

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