Most people here know me as the creator/ promotor of http://soundcloud.com/groups/deep-disco. Call it a genre, conspiracy, movement: It's something I truly believe in.

I'm a product of the eighties (although born way before that) and a sucker for undergound disco and space funk.
I have been collecting and mixing music since the days of Greg Wilson and Ben Liebrand and was right there at the start of Nu Disco way before Daft Punk.
<b>I've only one mission in life: discotize this beautiful planet! </b>
You can find me around producing and dj-ing.
Check the awesome Deep Disco community for a lot more of this great material: http://soundcloud.com/groups/deep-disco

http://www.facebook.com/deeperdisco
http://turntable.fm/deep_disco
http://www.facebook.com/DJRolfski
http://www.myspace.com/rolfski
http://www.last.fm/user/rolfski
http://twitter.com/Rolfski
http://www.mindz.com/plazas/Deep_Disco









Like countless other blogs &amp; communities, all the music that is shared here is for promotional reasons only, supporting music &amp; artists that normally don't receive the attention they deserve. If any of the tunes here are yours and you'd like them removed, just let me know and I will delete them. If you find a track or artist you like, please buy at regular shops. Support these artists!!



Turning all the time.

Bookings EU sam@klsbookings.com
Bookings AU james@watartists.com
Bookings AS samy@mihn.hk

UNDERGROUND ELECTRONIC MUSIC

Bloom Records Podcast
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for other enquiries email
djgolanzocher@gmail.com

With remixes and releases on label heavyweights such as Locked On, Plastik People, Closer To Truth, Defected, Strictly Rhythm, Soulfuric Trax, Masters at Work, Ministry Of Sound and many more, Danny J lewis  has taken on the traditional New York House sound and given it a LDN influenced underground vibe all of his own.

His ability to span the genres is also apparent in his past work as part of Spiritual South, writing and producing the hit single ‘Green Gold’ amongst others.

Danny is also capable of composing music for media - please take a look at the Library Music playlist for examples.

Hypereel is Rob Webster. A DJ and producer who has been in and around the scene since 1993. Under various names and a whole host of clubs these last 25 years or so. 
He still remains as enthusiastic about music as when he was 16. 
Having had a wide range of works and releases under his belt, it is clear to see the talent that this man carries and the diversity in which he produces. Below are his main achievements thus far.

CAREER HIGHLIGHTS
DJ since 1993 in many different venues and for many major clubbing brands including a ten year residency at "Progress" in Derby.

1999 International top ten chart hit in the U.K and across Europe and Asia, with the song "Everybody" recorded under my "The Boy Wunda" moniker. 

This record re-recorded the string section from Madonna's hit "Papa Dont Preach". It went on to sell over 200000 copies worldwide. 

2000 Remixed a U.K number 6 chart hit for girl group "Atomic Kitten" called "See Ya" This was released by Virgin Records.

2000 Remixed a track called "Not Alone" by Mike Koglin for Multiply Records.

2001 Set up and released 4 12" Disco house e.p singles independently under his "Soul Glow Moniker.

2002 Reached number one in Pete Tongs Radio 1 cool cuts chart with his remix of "The Rhythm Masters" and their club anthem "The Ghetto" This was under his Soul Glow remix name on the Black and Blue Neo Record label. 

2003 Had another 12" vinyl record released on the record label called "Soulful Solutions" This was under his Sugar-Funk moniker and was a three track ep in the Soulful house and Funky house genres.

2005 Set up his first online digital record label called "Cold Rockin Records" and released over 30 tracks on there until the start of the next decade, mostly Disco house and Deep House. These tracks were under his moniker "Area Social" The album under that name entitled "Taking The Dissgo" went to number 8 in the Junodownload sales charts in 2011.

2010 I set up "Traxscape" which release Chill Out Music and I have had two albums out on that and several pieces form the first album have been used in scientific documentaries. Also released a modern classical and electronica album under his "Calm Drama" name in 2015.

2011 Began recording under the name "RobJamWeb" and released many successful Disco remixes and re-edits for labels such as Masterworks, Editorial and Black Riot Records.

2014 Reached number one in the Juno Download sales charts with a track called "Bionic Love" released on Editorial Records worldwide.

2015 released a track called "You Know How" on Masterworks records both on an mp3 compilation and a limited edition 12" white vinyl pressing. 

2016 Produced his first album as RobJamWeb on the Waxadisc Records label. This was a full length album with re-edits and remixes included.

2017 Released his "Roots & Elements" e.p on the Black Riot label. This was a four track release focused on retro house & techno tracks which was widely acclaimed.

2018. Released his first music as Hypereel on Waxadisc Music and Belgium Techno label Bunk3r Records. Producing a wide range of Techno influenced records from the heavier styles to more Jazz influenced bleep tracks.

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Gux Jimenez is a producer and DJ from Cartagena, Colombia who strives for clarity in his music by balancing his unique percussion style with a strong melodic line. His musical style can be described as Progressive House and Tech House, often with deep, melodic undertones.

Bookings | General Inquiries: guxjimenez@hotmail.com
Promo: guxjimenez@hotmail.com
Demos for Oz Land Music: ozlandmusic@gmail.com



LABELS

Perfecto Records/ Proton Music /FSOE UV/ Mango Alley /  Balkan Connection/ Univack/ ClubSonica/ Oz Land Music

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

Rolfski is following