Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Co-owned by Jamie Jones and Lee Foss, groundbreaking independent dance label Hot Creations has gained global notoriety in recent years through pioneering a new and unique sound born of its founders deep affinity with old disco records and soulful beats. 2013 will see the duo take their label to even greater planes upon the major label release of their band Hot Natured’s truly unique debut album and a mile long waiting list of incredible music from incredibly successful talent such as Digitaria, Greg Pidcock, Richy Ahmed, Robert James and wAFF.

For consideration for release on Hot Creations and Hottrax, please upload demos here for review: https://tstack.app/hotcreations

Sign up to our newsletter an receive a free 3 track EP here - http://www.hotcreations.com

MGMT: ross@lgrp.co

Bookings: 

ROW: will@nge-booking.com 
NA - valdano@thebullitagency.com
SA - mikel@b4bookings.net

Sidney Charles has mastered the art of high impact house music that comes with a signature sense of depth, melody and groove. That unique style has made the Hamburg-born DJ, producer and label boss one of the underground's most prominent names: last year was his busiest ever with multiple chart-topping releases, high profile support from Radio 1 and standout gigs across the world. In 2023, the proven tastemaker will focus on his already influential Heavy House Society label and launch its new residency at Watergate in Berlin.
The last year has seen Sidney make an indelible mark on the scene. He played in Ibiza at the likes of Amnesia, DC10 and Cova Santa. He played to large crowds across several South American countries and all over the US from Miami to Las Vegas to New York and LA. He played in key Spanish cities at Input, Fabrik Madrid, Weekend Beach Festival, frequently visited Italy, played in the Netherlands multiple times a month and cemented his close relationship at UK hotbeds like Manchester's Warehouse Project and Leeds' Mint Warehouse.
Whether playing to a close and compact crowd in a small basement or tearing up a vast festival main stage, Sidney knows how to join the dots between the past and the present. He manages to open up new house worlds with his educated selections but never forgets to blow up the dance floor in the process. Just like his productions, his DJ sets are full of surprises, twists and turns but also rooted in physical grooves. His love of jazz, hip hop and funk and his vast knowledge of the 90s sounds always shine through with plenty of heavy bass which makes the Sidney Sound so irresistible.
Years after his first breakout hit, Sidney continues to hit the top of the charts with his newest creations. In 2022 there were three separate number ones on three different labels in Beatport's genre charts. They came on his own label, Eastenderz and Hot Creations, while he has also signed to the likes of No Art, Locus, PIV and Do Not Sleep amongst many more.
Sidney's Heavy House Society is already a respected go-to outlet for solid and innovative house music. It mixes up releases from top-tier artists and well curated new school talents such as Kolter (aka Djoko), Luuk Van Dijk, Locklead, Madvilla, Luca Donzelli, M-High and many more. As well as a collab EP with Kolter in 2023, Sidney will also head up the label nights, Heavy House Society, under the famous LED ceiling of Berlin's cult club Watergate. He has solo EPs in the works for the label as well as Cécille Records, MicroHertz and PIV; and will get in the studio with East End Dubs. All this is proof that Sidney Charles is at the top of his game.

Official SoundCloud page for Catz 'n Dogz.
Follow us to stay up to date with all new releases, remixes and mixes.
All Enquiries: 
info@pets-recordings.com

Operating between the European electronic dance music tradition—minimal techno, French house—and American indie, Benoit & Sergio have always existed in a sonically liminal space.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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// MGMT: hq@tensnake(dot)com

// PR: 
// AMERICAS: megan@listen-up.biz 
// UK/EU: neil@neighbourhoodpr.com, toni@neighbourhoodpr.com

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