Weigold

Chicago Symphony Orchestra
Bernard Haitink, conductor

Beethoven: Symphony No  7 in A Major, Op. 92

Violin Concerto Hilary Hahn

Part of the Facet series of sculpted improvisations.

Facet 8

Peter Boyer's Symphony No. 1 was commissioned by the Pasadena Symphony, and premiered by that orchestra under his direction in April 2013. The three-movement, 24-minute symphony is dedicated to the memory of Leonard Bernstein. This is the first movement, "Prelude."

The symphony is the centerpiece of a new recording of Boyer's music by the London Philharmonic Orchestra, conducted by the composer at historic Abbey Road Studio One in 2013. Released worldwide by Naxos in its American Classics Series in February 2014, the recording also includes four other Boyer orchestral works. It has been broadcast on over 150 radio stations around the U.S. and abroad.

"Boyer, who claims more than 300 performances by more than 100 orchestras, writes in a fluent, powerful style that fuses conservative American currents with Hollywood-ish size and populist sentiment... eloquent, spaciously recorded performances…"
-- Gramophone

"Like all of the music on this disc, the symphony is tuneful, expertly crafted, colorfully scored… Boyer knows what he wants, and how to do it. This very well engineered disc is lots of fun, and a really good listen."
-- ClassicsToday.com

"The performances here are simply superb, showing off [Boyer's] engaging and easily accessible cinematic style. This is certainly a recording that should have broad appeal, and one which you will likely find yourself returning to time and again. The music is brilliantly orchestrated with engaging thematic ideas and a fine sense of dramatic shape."
-- Cinemusical

"Classical music listeners apprehensive about 'new music' have nothing to fear, and everything to love, about Peter Boyer. The American composer writes music in a neo-romantic style with an unabashedly direct and popular appeal… His Symphony No. 1, a tribute to his muse Leonard Bernstein, is a stirring work, filled with soaring, 'American sounding' themes and propulsive rhythms… a recording that’s sure to win him many new fans."
-- WRTI (Philadelphia), New Releases

To purchase on iTunes: https://itunes.apple.com/us/album/boyer-symphony-no.-1/id804059505

Music © 2013 Propulsive Music. Recording © 2014 Naxos Rights US, Inc. Used with permission.

Buy on Amazon

Symphony No. 1 - Movement I: Prelude – London Philharmonic Orchestra/Peter Boyer, conductor

Vivaldi: Concerto Op.6 No.5 In E Minor, RV280 (Violin, strings and continuo)- 2. Largo

At a time of gathering momentum, ALPHA is rereleasing 14 seminal recordings in a collection called, quite simply, ALPHA
COLLECTION.
This series brings together the finest Baroque recordings from the Alpha and ZZT catalogues: discs singled out for honours,
emblematic artists of music from that period, recordings that marked the discography...
This is also the occasion to discover or rediscover universally known works as well as world premiere recordings of rarities.
In the framework of these rereleases, the performers have been interviewed and bear witness to their view of the work and
their recording several years later, and their fascinating remarks are taken up in the booklets (all trilingual: French, English,
German).

BACH - Missa Brevis In G Minor, BWV 235 - Kyrie by Ensemble Pygmalion & Raphaël Pichon

Brodmann PE-187 grand piano; AKG 220 mics; Pro Tools recording. 

Chopin Nocturne Bb Minor

Ein Ausschnitt aus dem 2. Satz des Cellokonzerts von Robert Schumann

Beethoven-Orchester Bonn
Leitung: Christoph Altstaedt
Beethoven-Halle Bonn: 19.03.2016

Unbekanntes Album (03.08.2016 14:20:56)

Raphaela Gromes - Robert Schumann

Franz Schubert - Impromptu in G flat major op.90 No.3
Sofja Gülbadamova (piano)

Franz Schubert - Impromptu Ges-Dur op.90 Nr.3

Philippe Jaroussky at the Utrecht Early Music Festival
Celine Scheen, Philippe Jaroussky, L'Arpeggiata
03. Sept. 2017 
You can still watch the video on youtube; here's the link: 
https://www.youtube.com/watch?v=9suEaDQy5iA
"Komm süßer Tod" by Johann Sebastian Bach (BWV 478)

1.
Komm, süßer Tod, komm, selge Ruh!
Komm, führe mich in Friede,
weil ich der Welt bin müde,
ach komm, ich wart auf dich,
komm bald und führe mich,
drück mir die Augen zu.
Komm, selge Ruh!
~
Come, o sweet death, come, blessed rest!
Come and guide me in peace
because I am tired of the world,
o come, I am waiting for you,
come soon and guide me,
close my eyes.
Come, blessed rest!


5.
Komm, süßer Tod, komm, selge Ruh!
Ich will nun Jesum sehen
und bei den Engeln stehen.
Es ist nunmehr vollbracht,
drum, Welt, zu guter Nacht,
mein Augen sind schon zu.
Komm, selge Ruh!
~
Come, o sweet death, come, blessed rest!
Now I want to see Jesus
and be beside the angels.
It is finished now, 
therefore, I bid you, world, good night,
my eyes are closed already.
Come, blessed rest!

We believe the publication of this clip fulfills the requirements of "fair use," for discussion and study.

Philippe Jaroussky sings "Komm süßer Tod" by J. S. Bach

Enregistré au CNSM de Paris par Camille Frachet - Décembre 2010 
Clavecin d'Anthony Sidey 

Fugue en Do Majeur BWV 870 - Bach

live performance from Harpa Concert House - hommage concert to Glenn Gould on his 80th birthday.

J.S. Bach Partita no 6, Tempo di gavotta - Vikingur Olafsson

"La Portugaise" de Antoine Forqueray (1671-1745) interprétée au clavecin par Jean Rondeau.
Enregistrée en décembre 2012 sur un clavecin d'Anthony Sidey.
Son: Camille Frachet et Fabrice Chantôme.
Remerciements : Tapages pour les micros Neumann numériques et Pascal Geneix Antelope audio France pour les horloges numériques Trinity et 10M

La Portugaise - Forqueray

"Allemande" extraite de la Suite Française n°4 en mi bémol majeur de Johann-Sebastian Bach (1685-1750) interprétée par Jean Rondeau.
Enregistrée en décembre 2012 sur un clavecin d'Anthony Sidey.
Son: Camille Frachet et Fabrice Chantôme.
Remerciements : Tapages pour les micros Neumann numériques et Pascal Geneix, Antelope audio France pour les horloges numériques Trinity et 10M

Allemande en Mi bémol Majeur - Bach

Sonate en La Majeur K.208 (Adagio) de Domenico Scarlatti (1685-1757) interprétée par Jean Rondeau.
Enregistrée en décembre 2012 sur un clavecin d'Anthony Sidey.
Son: Camille Frachet et Fabrice Chantôme.
Remerciements : Tapages pour les micros Neumann numériques et Pascal Geneix, Antelope audio France pour les horloges numériques Trinity et 10M

Sonate K.208 - Scarlatti

Weigold & Böhm International Artists & Tours GmbH ist eine der führenden deutschen Künstleragenturen im klassischen Musikbereich. Wir betreuen intensiv einen kleinen Stamm hochkarätiger Solisten, Barockensembles und Sinfonieorchester und gewährleisten eine langfristige und optimale Karriereplanung abgestimmt auf die persönlichen Bedürfnisse unserer Künstler und den Gegebenheiten des Konzertmarktes.

Allemande en Mi bémol Majeur - Bach

Rondeau

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