Edseven

(Motor City Wine / SMTHNG SMTIME / Steppers / CoOp / Razor N Tape / Inner Tribe / Feedasoul / Turntables on the Hudson / Soul of Sydney)


Sydney based dj Edseven has built a rock-solid reputation over the last 20 years, sharing the stage djing with the likes of Gilles Peterson, Domu, John Morales, Nai Palm, Peanut Butter Wolf, Norman Jay, Dego, IG Culture, Groove Armarda and many more across Australia, Tokyo, New York, Berlin, Kyoto, Detroit, LA, Paris and Amsterdam.


A collector of many styles, a typical Edseven dj set could include anything from Detroit Hip Hop to Nigerian Funk, UK Broken beat to Chicago House, Classic Soul to Future Beat and beyond.


Edseven’s production work also taps into his broad taste - releasing Future Soul, late-night House burners, Cosmic Afro Bruk, Hip Hop and Neo Soul. Collaborating with artists including Megatronic, Steve Spacek, Colonel Red, Oliver Night, Inkswel, Kid Sublime and releasing music on labels including Razor N Tape, CoOp, Turntables on the Hudson, City Fly, Motor City Wine and Inner Tribe.


Always eclectic, his selections join the dots between styles and eras with skill and respect – never losing focus on the dancers.


Vibes galore.

For bookings contact likewiise@gmail.com

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

IVY LAB = Sabre + Stray

Bookings:
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N.America: shunt@teamwass.com / sgoodgold@teamwass.com
R.O.W: francesco@primarytalent.com

Management:
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shai@ivylab.co.uk

🅗🅐🅡🅜🅞🅝🅘🅒🅢 ❤️ ♾️

@hot_chip
@the2bears
@greco-roman

Management: nathan@menschmusicmanagement.com
Agent DJ (Worldwide): ali@warmagency.com & rachel@warmagency.com
Agent Live (UK/EU): JSimmons@wmeagency.com
Agent Live & DJ (N.America): bowen@teamwass.com

Alongside his work with Hot Chip, The 2 Bears, and HARD FEELINGS, Joe Goddard keeps busy as a solo artist, songwriter, producer, DJ, remixer, and co-founder of the Greco-Roman record label. Across all his projects, he is driven by a hunger for experimentation, an innate understanding of dance, pop, and indie music’s inner workings, and a heartfelt love of collaboration.

Joe embraces the role of ‘producer’ on a musical, practical, and spiritual level. His infatuation with dance music began as a teenager in the ’90s, attending clubnights where he progressed from indie and hip hop to drum’n’bass to house and garage.

On top of his solo records, Joe has released eight albums with Hot Chip, two with The 2 Bears, and one with HARD FEELINGS. Other projects include Extra Credit (with Justin Strauss and Marcus Marr) and A Pulse Train (with Caribou’s Dan Snaith, Floating Points, and others). He’s worked with Jarvis Cocker, Peter Gabriel, and Bernard Sumner; remixed Jessie Ware, Kraftwerk, and Disclosure; co-wrote Katy Perry’s “Into Me You See”; and released the 2011 hit “Gabriel” with Valentina.

https://www.floatingpoints.co.uk/

 hello@floatingpoints.co.uk

Contact: geoffreylarue@gmail.com

Geoffrey LaRue is a visual artist and record collector whose interests include comic book aesthetics, homespun fashions, and Godzilla. 

They are also passionate about disco music. In their spare time, Geoffrey also studies stage design at Berlin's Universität der Künste and also co-hosts a wacky radio show called Time Machine, which airs on Refuge Worldwide because why not?

Accompanying this page is a podcast Geoffrey curates entitled "Suck It Online With All Your Friends", which is dedicated to exploring a wide variety of vintage sounds and is also a bird survey.

Photo and Illustration: Geoffrey LaRue

Illustrating the power of diversity by showcasing an array of electronica, electro, acid, house, and techno music. Leftfield in nature, the genres linked by Fernandes’ unique ability makes sense of the sounds of swampy deep ends, sweaty body work and industrial tipped dark rooms.

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