Name: Ron Like Hell - Disco Summer Sampler 2016 by RonLikeHell
Duration: 1 h 11 min 45 s
Description: All vinyl mix of disco originals and edits to promote my 2016 Summer tour of Berlin & Norway Mixed live at home in one take.

All vinyl mix of disco originals and edits to promote my 2016 Summer tour of Berlin & Norway Mixed live at home in one take. enjoy! with love, Ron

more funk mixed with love right here : https://soundcloud.com/ronlikehell/the-space-between-spaces-with-ron-like-hell-13-nye-special-party-mix-the-lot-radio-12-31-2020?in=ronlikehell/sets/the-space-between-spaces&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

more Garage classics and other disco treasures in another mix here too: https://soundcloud.com/ronlikehell/ron-like-hell-the-space-between-spaces-6-the-lot-radio-june-18-2020?in=ronlikehell/sets/the-space-between-spaces&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Just wanted to let you know I'm pretty sure this was my most-played mix of 2016.  Still enjoying this one!!

"Do It till You Satisfied" version is killer what is it

Name: ERIS DREW (@eris-drew)
Alias: High Priestess of the Motherbeat; Bassbin 23
Pronouns: She, Her
Location: Rural New Hampshire
 
Influences: 90’s Chicago; boomin’ systems; speaker freaking; bass; psychedelics; weed; many amazing friends; Mystic Bill; Terry Mullan; Miles Maeda; nature; chaos; other trans & queer people. 
 
Affiliations/Residencies/Projects: T4T LUV NRG (label with Octo Octa); Motherbeat (psychedelic rave with friends); Alchemical Sisters (band with Octa).
 
Favorite Quote: “You have to have a plan, otherwise you become part of someone else’s plan.”  - Terrance McKenna quoting the Mushroom Goddess. 
 
Advice for the DJs, producers and artists of our community: If you take yourself seriously as an artist then by definition you are a “serious artist.” Try not to let commerce depower art in your life. Music is about making art powerful in your own life. Focus on your private practice first, and then focus on making your music meaningful in the lives of others. That’s the natural way of things. Invest in the idea that your friends are special and talented and then create together. Don’t wait for others to acknowledge your work before you take yourself seriously.  

With this mix Eris Drew asks to please learn more about and consider donating to: Sylvia Rivera Law Project. Maya and I have contributed more than half the profits of our label T4T LUV NRG to this organization, which is based in NYC. SRLP are working to help ensure that all people can self-determine gender without harassment or discrimination. The collective focuses on serving low-income people and people of color who are transgender, intersex, or gender non-conforming. (www.srlp.org)

* Drops & scratches include a recording of Eris hitting her bong, Joan LaBarbara, a bunch of scratch records, a siren tool, and secret beats/noises.
Tracklist - http://bit.ly/ErisDrewTrax

Daisychain

Daisychain 170 - Eris Drew

Available on Audio Cassette and digital download directly from the label’s Bandcamp @ https://djbeige.bandcamp.com/album/amen-vol-1

T4T LUV NRG is proud to present “Amen! Vol. 1”, a breathtaking DJ mix tape conceived and blended by Detroit’s DeeJay Beige. “Amen! Vol. 1” is a singular presentation of a sound developed by Beige that is very personal and deeply connected to their history. Beige’s mix is an amalgam of ecclesiastical breaks and gospel house delivered with intensity and soul power like only they can do. Prepare to be enthralled with one of the most exciting DJs currently burning their way through the American underground. From the Holy Ghost TO YOU, this is Beige! Be not afraid…

ARTIST STATEMENT:
In the strictest sense, Amen! Vol. 1 is the result of more than a year’s worth of obsessive brainstorming, digging, planning, arranging, re-arranging, and countless discarded takes. And in another sense, this mixtape has been in the works for the six years since I started DJing, the ten years since my baptism as a teenage club rat, and for my entire life, which for better or for worse has been shaped by The Church and church music since birth. 

My mother was a promiscuously Christian divinity school dropout who pushed my family through a run of increasingly conservative churches: Unitarian, Episcopal, Baptist, Presbytarian, Charismatic-Evangelical, and probably a few others I forget. My fathers family on the other hand were career scientists and committed atheists who also all happened to sing in church choirs for fun. I cannot remember a time when Beethoven, Bach, folk hymns, old negro spirituals and gospel were not playing in my house, day in and day out. 

Cutting ties with both family and organized religion in my early teens left a void of community and belonging that wouldn’t start to be filled until my first experiences with clubbing (sometimes with drugs, sometimes without) years later. And when I started collecting records years after that, I gravitated heavily towards any music incorporating the familiar imagery, themes, musical motifs and language of church (especially Liberation Theology) which remained kind of bittersweetly comforting long after I stopped trying to believe. This might sound heretical, but over the last several years “gospel” has become much more of a feeling to me than a genre or even a sound. As far as I’m concerned, the rave, the club, the congregation, the choir, are only different ways to experience a many-sided mystery. 

For this project, I wanted to challenge myself to imagine going beyond just using a little soulful house to end the night or the mix on an uplifting note, and instead program a fantasy “gospel rave” for a thousand of my closest friends dancing in a field on a moonless night. How would I do my best to deliver a powerful, meaningful, salvatory collective experience from midnight until sunrise? Amen Vol. 1 is a snapshot of that imaginary night. 

The need to use contrasting peaks and troughs to create a sense of narrative for your audience includes emotional or spiritual contrast just as much as it does changes in BPM or a kick pattern.  So, it was important for me to try exceeding simply the emotions associated with “praise” music (like joy) because encountering the truly divine should also inspire fear and awe. Disregarding genre as much as possible, each piece of music was chosen for the sensation or sentimental meaning it inspires for me personally: you probably wouldn’t call most of them “rave tracks”, and plenty aren’t explicitly religious at all. Finally, of course I had to make sure that Detroit and Chicago were properly (but not exclusively, that’s for another mix) represented in the tracklist. Where I’ve ended up, grounded by a repeating classic “anchor track” for each side, is an attempt to simulate Genesis and Revelation, the Good News and the Flood, the dark night of the soul and the moment of salvation–whatever those might mean for you. Can I get a witness?

Beige - AMEN! Vol. 1

@dee_diggs plays with a sense of rapture that can be soft or heavy, but is always fun. The East Coast selector is Brooklyn-based, and that's where her House of Diggs party offers a place for marginalized groups to express and organize themselves. Next to this, she has a residency at Public Records but no matter where she plays, you can be sure it is always with real respect for the Black roots of house, techno and disco while touching on everything from sensual grooves to euphoric thumpers. 

This week's mix is a seat-of-your-pants selection that is unashamedly party-focussed. The good vibes flow from the first moment as Dee races through passionate house and vocal laced classics. There are moments of all-out hands in the celebration next to boogie workouts and a heart-swelling Mariah Carey edit. It's a quick, tight, and impossibly enjoyable listen from this cultured party-starter.

Dekmantel Podcast

Dekmantel Podcast 384 - Dee Diggs

@analogsoul_nyc dazzled and amazed at The Grove on Friday night. They kept the energy high, weaving between joyful house music and driving, late night techno.

Campout Mix Series: Analog Soul

The 'cause it' queens:
@bouffant-bouffant
@jacob-meehan

Recorded live on a September morning, as the sunlight poured in through the orange-tinted windows along the river Spree; Fitzroy, Berlin.

Radio Buttons #118 - Longitude

Kiernan Laveaux - Live at Sole Rehab 7 YR anniversary

A portion of @sprklbb's closing set recorded at H0L0 in Ridgewood, Queens, NYC.

November 12th, 2022

Favorite Flavor: Coffee

MS 07 - SPRKLBB at Mizz Softee 12 November 2022

Dee's popping by to show ya what she's been rocking lately. Get ready to Digg in.

http://www.instagram.com/dee.diggs

Dee Diggs @ The Lot Radio 03-18-2023

For the 113th entry in the Honcho Podcast Series, we have a special recording from one of Honcho's founders. In September 2022, Clark had the privilege of playing the Grove at Sustain Release, a yearly festival held in upstate New York.  Fresh off of Honcho Campout, the beautiful stage tucked away in the woods felt like home. Check out this two hour set of moody, atmosphere techno and jacking house.

Tracklist:

Sputnik One - Microbead
Eduardo de la Calle feat. Romina Cohn - I’m Losing My Mind 
Si Futures - The News
GAK - GAK 3
Jammin’ Unit - Kadinlar ve Teknik
Megalon - Mission 
Grey People - Maniac
Valentino Mora - Astrometric Effect
Todd Sines - Ariadne
Mor Elian - Drum Vortex (Joey Anderson Remix)
Black One - Electronic Percussion Part One
The Forgemasters - A Track With No Name (Unique 3 Remix)
Miss Kittin - 1993 EACID
Acid Al - Call of the Wild
Cube 40 - You Drive me Crazy
Love Letters - Let Let
Khan - Super-8.5 (Retouched)
Acid Al - Jack N Spell
Jammin’ Unit - Drum Unit 1
UBIK - Remedy (I.M.W. Mix)
 Escape Artist - SIgns of Life
Tessera - Hackney Parrot [10 Ton Mix]
Surgeon - Convenience Trap (Part 4)
1994 - 2 (2019 Version by Skeemask)
Dorisburg - Gripen
Sepehr - Darklord
Black Rave Culture - Something Else
4E - Sleep Taster
100Hz - Anna & Her Toms 
UBIK - Techno Prisoners (Remix)
Sanctuary - Penetrate (Body Mix) 
Trent - This is a Trip
Liquid Asset - Subs on Dubs 
DBX - Electric Shock
Grace Jones - Love On Top Of Love (Killer Kiss) (The Cole & Clivilles Garage House Mix)
The Knife - Silent Shout

Honcho Podcast Series 113 - Clark Price Live at Sustain Release

Bouffant Bouffant recorded live from Savage - Red Cube in Hanoi Vietnam.

Live from Savage - Red Cube - Hanoi, Vietnam

All vinyl mix of disco originals and edits to promote my 2016 Summer tour of Berlin & Norway  Mixed live at home in one take.

Ron Like Hell - Disco Summer Sampler 2016

booking: dm for contact info
09/6 Community Rave Network
07/7 Mister Sunday @ Nowadays
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Ron Like Hell - Disco Summer Sampler 2016

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