This is Chardy.   

The Ministry of Sound DJ/Producer’s back-story includes numerous Aria charts appearance’s, Inthemix DJ poll findings, residences (One Love’s Prince of Wales, Billboards, Q Bar, La La Land, 161, Platinum, Sorry Grandma, Lady Luck…) and flawless appearances countrywide. Pete Tong ploys on bbc etc – Thanks to the Essential Collection. And the man’s name continues to rank on the Australia Festival scene, closing Falls (with Mr. Andy Murphy…) for both 2010 and 2011 – Mind you, throwing down one hell of a New Years bash. Backing it up on each occasion with Summadayze main-stage gigs come New Years Day.  

Having just been signed to Ministry of Sound, ‘Sassafras’ with Timmy Trumpet has smashed it  #1 on the Aria Dance Charts and surpassed the Beatport Electro Charts Top 30. Follow up records/mixes with Trumpet, Andy Murphy and Oliver Twist to come. Backed up with radio-play, remixes and collaborations for/with Chuckie, Joachim Gerrad, Romero, P Money, Wiley, Carl Kennedy, The Stafford Brothers and DJ PP (Hot Fingers). Add to that a handful of records on their way via labels Hussle and Downright. 

When not on the decks – you’ll most likely find him at bar. Agwa-bomb in hand. 

Come say Hi…


bookings - rory@milkfed.com.au

promo s - djchardy@yahoo.com.au

Facebook- http://www.facebook.com/DJChardy

twitter - http://twitter.com/#!/DJChardy

Bookings:
sebastian@wilde-agency.com

Management: 
matt@slntmachine.com

One of the most consistently exciting talents in today’s underground scene, this Nottingham-born producer has come on leaps and bounds since he spent his first ravey days dancing in some of the UK’s most (in)famous music factories. The ‘here and now’ sees him touring the world under the guise of Inxec – a mysterious moniker equalled only by the curious spells he binds with his provocative, intoxicating and idiosyncratic brand of music. 

If only Robin Hood could have experienced the mesmeric drone emanating from one of Nottingham’s most legendary venues: The Bomb. In the early 90s, this proved an allure too irresistible for Inxec. This was his calling. Tyrant residents, such as Sasha and his Merry Men Craig Richards and Lee Burridge, wrote their own folklore that would go down in Nottingham’s history. It would also consume him from the very beginning. Little did he know that in only a few years, he would be writing a tale of his very own. 

Later, after flirting with production in its numerous formats, gifted with the opportunity to play ‘live’. Under his first more-progressive alter ego, Sound Alliance, he embraced this opportunity and a star was born. It was at this crossroads that he met Matt Tolfrey – an encounter that blossomed friendship and, later down the line, a hugely successful production partnership. With this, new opportunities were beckoning. Inxec was now in the reckoning. 

In 2006 Inxec began a love affair with Jay Haze’s imprint, Contexterrior, where he released five futuregasmic releases for the forward-thinking label. And Inxec remixes on labels such as Tuning Spork, Stock 5, Barraca and Esperanza were featuring in the playlists of the globe’s finest. He had now been acquainted with the world stage – he loved it. The feeling was mutual.   This provided added kudos for the Inxec/Tolfrey powerhouse. Releases on Murmur, Sven Vath’s Cocoon recordings and Radioslave’s Rekids were the inevitabilities of this success. It was plain to see that the natural DJ in Tolfrey helped Inxec develop an increasingly stripped dancefloor-destined sound. Remixes followed for the likes of CR2, Culprit, Kismet, Great Stuff and Renaissance to name but a few.
 
Since then Inxec has collaborated with Droog, Mark Chambers, Leks and most recently, Mark Jenkyns, which has culminated in releases for Crosstown Rebels, Culprit, Last Night on Earth, Leftroom and Get Physical – the list is endless. It therefore comes as no surprise that he has since been invited to play some of the world’s most famous parties ranging from Harry Klein (Munich) and the Panorama Bar (Berlin) to Eleven (Tokyo) and Fabric (London). 

With more originals and collaborations expected in 2015, it will be without a doubt another year of stellar proportions for this lofty producer.


Berlin-based award-winning producer, label owner, and one of Europe’s most sought-after house DJs – has left an indelible mark on the global electronic music scene.

With over 100 releases and remixes on acclaimed labels such as MoBlack, Dessous, Poker Flat, Crosstown Rebels, Stil vor Talent, Systematic, Bunny Tiger, Katermukke, Bar 25 Music, and Ritter Butzke, his prolific output cements his status as a house music innovator.

Phonique's career catapulted to fame in 2004 with the iconic club anthems “The Red Dress” and “For the Time Being.” However, it was his timeless hit “Feel What You Want” from his 2010 album – amassing over 50 million views on YouTube – that solidified his global reputation. His four critically acclaimed albums showcase his evolving sound, diverse influences, and profound intuition for igniting dance floors worldwide.

In July 2022, Phonique launched his label Zatar Music, debuting with a Korolova remix of “Feel What You Want.” The label highlights his melodic and Afro-Arabic house inspirations, drawing from his travels to countries like Jordan, Ukraine, and Armenia. With releases from artists such as Fairplay, Roo, Nilu, and Gui Boratto, Zatar Music embodies Phonique’s adventurous sonic vision. Remixes by Hyenah, Korolova, Gorje Hewek, and others have earned Zatar tracks spots in Black Coffee’s Spotify playlist and Adriatique’s iconic Cercle set.

2022 also marked Phonique’s residency at Berlin’s renowned club Ritter Butzke, following his debut release on their label. Playing alongside international stars like Korolova and Franky Wah, Phonique continues to inspire with his electrifying performances.

As Identification, his debut album, approached its 20th anniversary, Phonique is planning a special release featuring acoustic reinterpretations and fresh remixes of classics like “For the Time Being feat. Erlend Oye” and “Café Monte Carlo feat. Dixon.” This milestone reaffirms his ability to revisit and reinvent his own legacy.

An unexpected highlight in 2024 was the resurgence of “Feel What You Want” in its slowed version, trending on Shazam charts in Russia, Belarus, Ukraine, and Kazakhstan, and peaking at #15 on the global Shazam charts. This momentum inspired an upcoming “All Mixes” release on Zatar Music, featuring remixes from Korolova, Vintage Culture, Bruno Be, Tom Novy, Aka Aka, and a highly anticipated new version by Ukrainian duo Artbat.

From his trailblazing productions to his residencies and label endeavors, Phonique remains a driving force in house music, pushing boundaries while staying true to the genre’s essence.

Bookings: bookings@ambivalent.dj
Press: dean@deandriscoll.de

 Over the course of 8 eventful years since their genesis as the Droog collective, the Los Angeles-based trio – Andrei, Brett & Justin – have become true Renaissance men of underground dance music. Sprung from their DJ roots in late 90s/early ‘00s, Droog have taken on (nearly) all of the essential mantles: label heads – since 2009 their Culprit outfit has become a real force in the new “Deep” dance music movement; promoters of considerable experience and renown – their party series long a hometown institution, took on a global reach with events spanning Europe and the Americas; and producers – solo or with steady collaborator Inxec, they have infiltrated some of the top dance music labels like Crosstown Rebels, Get Physical, Supernature, Last Night on Earth, Noir and Akbal.  

Droog has now emerged as a touring DJ unit with a suitcase-full of highlights, from 4 appearances at the beloved Fabric in London, the twin Berlin clubbing institutions: Watergate and Renate, and Paris’ legendary Rex to memorable shows in Peru, Australia, Russia, Portugal, Ecuador and beyond.


A Los Angeles-based record label, combining home grown talent with friendly culprits around the world.

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