Quad Krell patch, the voices are patched up as follows:- EOR from an A141-2 into a voltage controlled switch (A150-8) into a multiple then into trigger in on the A141-2 this creates the clock, multiple into input of stored random voltage section of an A149-1 and clock in on an E102 and the first 2 outs into the x and y inputs of an E370. The even spread of the A149-1 into the attack CV and the manual spread into the release CV of the A141-2 and the manual spread goes into the v/oct input of the E370 voice. the outputs of the E370 are fed into the inputs of an A135-1 and they are CV'd by the envelope outs of the A141-2's. Outputs 1 and 2 are fed into an A138u mixer and fed into the left input of the Rainmaker, outs 3 and 4 are fed into the other section of the A138u and fed into the right input of the rainmaker which is in Richard Devine's wonderful Plextrig preset. The remaining outs of the E102's are fed into the delay and comb CV inputs, another manual spread out is fed into the pitch input of the delay section and another into the v/oct of the comb section. The Rainmaker is fed into a ZDSP with the Halls of Valhalla Ginnungagap mode, the ZDSP decay and chorus is modulated by one of the E102's.

Quad Krell (Rainmaker Patch)

SynthTech E352 with 2 different 8-morphing cloud VCOs. Left channel uses a vocal formant, Right channel uses a slightly different formant. The clip starts with a slight spread, then no spread. The wavetables are changed by the panel controls, then spread back again.

E352 VoxCloud

SSLP1013 - Sharron Kraus - My Danger

Technical Notes:
-E370 is sole sound source
-uses chord table sequencing - 5 chords, 4 voices together accompanied by a second track of their arpeggiated forms. The 2nd and 4 note of the upward arpeggios are triangle waves, 1st and 3rd notes are sines - provides a kind of accent to help with the 'urgency'; chords and arpeggios are easily transposed, by octaves, and later by fifths, by running CV to osc1 pitch cv input 
-opening low sound is osc1 sync'd by an external saw and processed by an E560 in phase mode

Urgency (E370)

Testing the old system 
Everything on this track is coming from the Doepfer modular , including the drum loop

Rusty Dusty

First recording in a while, primarily featuring my recently acquired E370, also Elby/Ian Fritz Double Deka and Ian Fritz Threeler filter.  Using a joystick and a Wiard/Malekko Joystick Axis Generator (JAG) to modulate various parameters of the E370 and the filter.

Invocation

Marbles modulating Plaits (in granular formant oscillator mode) into topographic delay.

Earth On Metal

Rings in Disastrous Peace mode modulated by Marbles, the other voice which is a slow droney krell type patch with aa A 141-2 and an A 149-1 generating some interesting woodwindy, brassy string like tones from Plaits in wave shaper oscillator mode modulated by a Synthesis Technology E-102 these are fed into a ZDSP (via an A 150-8)modulated by a second E-102.

Niflheimr (World Of Fog)

E520 Hyperion in the Spectral DroneMaker algorithm. Slowly fading Dry to Wet.

Drone4 Dafoe Monologue

Here is a patch I made after adding exponential VCA option on the Dust of time firmware. It is just one patch "perc-002", playing from a sequence, and I am manually turning the knobs.

Quad Krell (Rainmaker Patch)

Ross Anderton 1

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