-	Shell-shocked by a compilation of Chicago House that his elder brother gave him, music pupil Roman from Darmstadt became interested in electronic music.
-	Visits to Sven Väth’s Omen in Frankfurt and nights spent with Underground Resistance or Warp turned his whole world upside down. LFO’s bass still massages his stomach region to this very day.
-	The first demo tape is given to Jörn Elling Wuttke, who is thrilled and leaves his others bands to join forces in a project with Roman.
-	Together they pay a visit to Ata and Heiko MSO. The latter work as DJs and sellers in Frankfurt’s Delirium and can hardly believe their ears. They are delighted to set their A&amp;R activities (Ongaku, Klang) in motion.
-	For Holy Garage “Surprise”, which also appeared on Eye Q, they found the Playhouse label, later to become the flagship of the label triumvirate and one of the most influential labels in Germany.
-	Time flies in the nineties with working on the label and the success of the projects Alter Ego and Sensorama. Roman also does solo projects under the name Soylent Green, Eight Miles High, Ro 70, Roman IV and his real name. The spectrum ranges from nosebleed techno to delicate ambient and electro-pop tunes.
-	Sven Väth asks Alter Ego to be his producer.
-	Remixes for Daft Punk, Radio Slave, Primal Scream, Ricardo Villalobos, The Human League, Spektrum, Tiefschwarz, Baby Ford, Chicks On Speed, and many others.
-	Alter Ego beats all the records with “Rocker” and Roman provides a worthy successor with “Geht’s Noch!?”.
-	Live appearances all over the world and Roman becomes increasingly popular as a DJ. His sets comprise 20 years of rave in one breath of techno, house, Italo-disco and obscurities. It goes by the name of acid house.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo. A revered two­man live act, DJs and masters of their sound in the studio. 
Since starting their journey together as Agents Of Time, the two Italians have combined their talents and shared influences to become a globally in­demand dance act, releasing on a number of leading labels along the way. A much­loved debut 12” on Correspondent in 2014, ‘Polina’, marked them out as an exciting new name in the realm of emotional, melodic techno and kickstarted their touring career. 
A hardware­heavy, improvisational live set spanning house, techno and acid is at the heart of what they do. The two members perform around a square table, facing each other, translating a symbiotic energy through the machines and communicating through instinct and gesture. A complex, unique and unpredictable dance between human minds and analog equipment that invariably creates moments of magic. Their live set was partly inspired by an expert of the craft in Mathew Jonson, and it is telling of Agents Of Time’s success that they now count Jonson as a collaborator. ‘Repeating Patterns, Numbers and Letters’, Agents Of Time’s first studio collaboration with Jonson came out in March 2019, following live shows together at Rex Club (Paris) and Movement Festival (Torino). 
The adventurous spirit and heady sound palette is channeled into house, techno and more obscure selections. 
Their work in the studio is a free­flowing ritual, an extension of what they do on stage. ‘Spread The Word’, their debut album came out Stem Records in 2014 and was followed by hit EPs for Maceo Plex’s Ellum Audio, their own label Obscura and Curle Recordings. A relationship with Tale Of Us and multiple appearances at Afterlife events has also led to Agents Of Time signing to Afterlife with the stunning ‘Dream Vision’ EP and 'Paradigm' on the Realm Of Consciousness compilation. 

The Agents Of Time are taking careful steps and showing themselves to be gifted, versatile performers with each one. Whether on record, on stage or at an any event, count on a high­quality output, finely balanced between experimentation and a straight dancefloor vibe.

Self made music Ambassador
Check out my Auto-Biography "Positive Energy"

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