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DISCOG 2005 - PRESENT:

{Trapdoor Tapes} [TT010] NATURAL DISASTER CDR+C20 PACKAGE (OOP)

{Trapdoor Tapes} [TT025] MSHING&SCISSOR Collaboration - CAVEMAN SCIENCE 3"CDR (OOP)

{Trapdoor Tapes} [TT034] EMESIS/SCISSOR SPLIT RECYCLED CASSETTE (OOP)

{Trapdoor Tapes} [TT036] CREEKS RUN CRIMSON CDR (OOP)

{Magik Crowbar} [MC048] CREEKS RUN CRIMSON REISSUE CDR (OOP)

{Self-Release} Wallow In Gore Digital Release

{Under Collapse Records} 4way Split 3"CDR w/ NOISE MACHINE/STIRNER/HOPE EVERY DAY (OOP)

{Self-Release} Vorspiel Digital Release

{Shit Noise Records} [SNR377] Split CDR w/ Hope Every Day (Limited 50 Copies)

{Red Venice Records} [RVR0080] Vorspiel 3"CDR (Limited 25 Copies)

{Shit Noise Netlabel} Krach Macht Frei Compilation (SCISSOR - ARRAY)

{Shit Noise Records} Shit Noise 26 Compilation CDR (SCISSOR - TRANSMIT)(OOP)

{Self-Release} Fantasia For Twenty Five Oscillators, Op. 17 Digital Release

{Kingdom Of Goat Records} KOG I Compilation (SCISSOR - ORDNANCE)

{Shit Noise Records}[SNR441] Split CDR w/ RAVEN

{Smell The Stench Records} Split CDR w/ THIRD-I

{Deadtones Records} Be Quick Or Be Dead Vol.1 Compilation (SCISSOR - GIFT)

{Deadtones Records} Wallow In Gore Digital Re-Release



UPCOMING:

Split CDR with Schrödinger's Hell (Limited 50 Copies)
{Untitled Productions} Split 3" CDR with TJERE (Limited 50 Copies)
{Smell The Stench Records} ARMATURA CDR
{Smell The Stench Records} Split CDR with GNASHING OF TEETH
ORDNANCE CDR (Limited 100 copies)
Split 3"CDR with THROES (Limited 50 Copies)
Split CDR with INFECTED SIGNAL
EMESIS&SCISSOR Collaboration - HORNETS RECYCLED CASSETTE (Limited 25 copies)
WALLOW IN GORE 2 X LP (Limited 25 copies)






Most material was released in limited runs on TRAPDOOR TAPES 2005-2007 
www.trapdoortapes.blogspot.com.au

Review Courtesy of CASSETTE GODS:

EMESIS / SCISSOR Split Recycled Cassette (Trapdoor Tapes) 
Trapdoor Tapes have been emitting various strands of hiss cultures from their Sunshine Coast, Queensland domicile since 2005, from what I could gather. A batch of five tapes arrived a while ago, so more information as it develops. The Emesis side is dubbed quietly but hits the spot with some hellish manipulated tape, delay and feedback maneuvers, possibly captured in a live setting. It's static, despondent and hallucinatory stuff with a machinated, almost industrial tone. The Scissor side is dubbed about ten times louder. Whirring drills grind away at harsh noise territories, bludgeoning the signal into obscured crackling at some points and chugging into phaser-heavy repetition at others. There are some interesting textures created with polyphonic signals, but the gadgetry feels overloaded. Eventually the signal totally dissolves into shards and pops, and the side is over. The casing for this split is probably the most grotesque of the whole batch, with a paint job straight out of finger painting hour and a sticker of Paris Hilton in all her irony, staring you down.

Review Courtesy of OBSKURE PANDEMONIUM:

THIRD I / SCISSOR Split CDR (Smell The Stench Records)
I.) THIRD I-THE BIRDS:
Static and Nature.Noize and "Beauty".Harsh high end howls of birds and feedback that seem to blend together as one. There is an odd ambience here, like the kind of ambience created by crickets at night.Piercing ringing feedback rises and
falls.Sounds not found anywhere in nature peak through for moments and vanish.Sounds like a noize/ambient track recorded in a rain forest with minimal technology and the batteries are dying.Strange sounds along with the wall
of birds and crickets continue mixed with crackling static.The noize effects almost sound like wooden flutes at times giving this more of a primal feel.Makes me imagine cavemen making first contact with alien life.I wouldn't
call this "Harsh Noize" but the production gives it a Harsh feel.At times it is almost painful w/ such high ringing walls of sound.Static effects whirl and crackle more towards the end obscuring the sounds of nature.In the end
noize wins and nature is no more.
II.) SCISSOR-COIL:
Scissors contribution to this short split is a little more harsher.Static forms a pulse and rythym along with clicks and strange sounds.An air-raid signal goes off and becomes a fragmented drone adding more to the pulse of the track.
Becoming more distorted and glitched as it goes on until it becomes a myriad of harsh noize.The pulse stops.The air-raid warning continues and is invaded by various electronic noize and grinding.The coils are turning.Evolving.Breeding.Giving
birth to more machines each with a tone of their own.Another pulse is born and rumbles through then breaks.Crunching distorted noize.Oldschool video game-like effect and electronic fuckery.This is much more diverse than the THIRD I
side of the split.Walls of noize and various manipulated frequencies.Almost sounding angry at times.The coils of the machinery engulfing any who ventured this far into the realms of underground electronics.It all begins to wind down and back up again. Coils constricting the listener.High pitched noize layers ring out and compete with one another Joined by "drums" or rather a plodding of some sort.Bubbling attacks of razor sharp sound.This is not the harshest noize projekt around by any measure but there is something challenging about all the drilling,pulsing analog soundscapes that SCISSOR presents us with.Low pummel.
Distorted drones.Noize torture.Then the coils slowly unwind to silence.

Artist, producer, and engineer specializing in electronic rock and trip hop. Politically and texturally motivated. Mental health is wealth.

Galveston, TX Drum Machine Dance Party Chaos

Hola,
https://soundcloud.com/gogogambas-2012
http://shitnoiserecords.bandcamp.com/track/alienigenas-en-la-costa
http://istotassaca.blogspot.com.es/2012/07/cz48-wejscie-do-mikrofali.html
http://ifarmusiqueconcretecompilation.bandcamp.com/track/stair-way-to-heaven
http://ifarmusiqueconcretecompilation.bandcamp.com/track/flash-mob
http://ifarmusiqueconcretecompilation.bandcamp.com/track/arroz-pasado
http://ifarmusiqueconcretecompilation.bandcamp.com/track/perdidos

Infamous Hardcore /Techno label founded by pioneer techno legend Lenny Dee. ISR unleashed it's first 12 inch - PCP’s Crews ‘Mescalinium United’ - on an unsuspecting world back in 1991.

As the first Hardcore label in the world and one of the first electronic labels in the USA, the following Artists have appeared on the label - Carl Cox, Richie Hawtin, Laurent Garnier, Daft Punk, Manu Le Malin, Tony Thomas, The Mover, Cirillo, Casper Pound and Neil McLellan (a producer for 'The Prodigy’s).

ISR has also featured artists such as Oliver Chelser (‘The Horrorist”), Nasenbluten, Manu le Malin, Unexist, John Selway and Delta 9 And has recent releases from Satronica, Stormtrooper, Australia's Tymon, Moshpit, Broken Rules & Fiend and many more.

ISR's Sub-Labels include: Industrial Strength Limited, IST, Bastard Loud Records, Industrial Movement, Lenny Dee Records, High Density Recordings, House Without a Home, Ruff Beats, Industrial Strength Europe, Mental Venom and Machete.

In 2009, Industrial Strength began releasing monster Sample Packs, including audio loops, synth patches and more, by some of the best musicians, engineers and sound designers in the biz. Check out the demos!

FOR ALL TRACK SUBMISSIONS: 
please visit the ISR website and click on CONTACTS

	
harsh noise dementia, amphetamine cheap electronics & metal abuse since 1998 

SCISSOR is following