mixtapes:
https://www.youtube.com/watch?v=u8YjRyYC-FA&t=447s
https://www.youtube.com/watch?v=dVD83yPxa5c&t=1202s

Band from north london,  all got good hair 
MGMT: bertie@atcmanagement.co.uk

Alessandro Cortini is an Italian musician, producer, composer, and instrument builder. 

Cortini is one of the foremost figures of contemporary electronic music, best known for his haunting, atmospheric work. Alongside being a longstanding member of Nine Inch Nails, he is highly prolific and has released a steady stream of his own heady music on luminary labels including Mute, Hospital, and Important Records for the past decade. Throughout his shadowy rise to fame, he has collaborated with the likes of Lawrence English, Daniel Avery and Merzbow (to name a few). Balancing dark ambience with smokey, pulsing rhythms, his compositions are perfectly restrained, textured and mesmeric. 

Cortini was inducted into the Rock and Roll Hall of Fame in 2020 through his work with Nine Inch Nails, making history as the only Italian musician to have ever been honored with this recognition. 

In 2021, in collaboration with boutique synth builders Make Noise, Cortini released his own, custom-designed, semi-modular synth, “Strega” (Italian for ‘witch’). That same year, he used Strega to build his latest full length, Scuro Chiaro [Mute], which Pitchfork described as “pitched somewhere between purgatory and the planetarium ... consistently managing to thrill and surprise”. 

In addition to years of extensive worldwide touring, Cortini has also soundtracked fashion shows including Alexander McQueen, Dior, and several of Fendi’s presentations. In 2022, he exhibited a high-concept audio installation called “Nati Infiniti” for Sonar 2022 at Museu de Lisboa’s “Fábrica de Moagem.” A live version of “Nati Infiniti” is set to debut at Berlin Atonal in 2023.

Alessandro Cortini’s music has been licensed for use in television, film and documentaries, games, and commercials, including FX’s hit show The Bear, “Thank You Very Much” a documentary about Andy Kaufman, Samsung, BMW, Sony, and Netflix. Remixes have also been a part of Cortini’s identity – remixing the likes of Depeche Mode to Mogwai to Death Cab For Cutie, Yann Tiersen to Vatican Shadow, and more between and beyond.

The label Music for Dreams, initially released in 2001, is a sonic kaleidoscope of musical tones and colours. It is an exciting aural journey from label boss and founder Kenneth Bagers feeling for all things good as manifested in the diverse offsprings of the Music for Dreams label. The label has since its day of birth sold over 2 million albums and its artists have featured on more than 1000 different compilations worldwide. 

Contact: info@musicfordreams.dk
Submissions: amanda@musicfordreams.dk
Promolist: oliver@musicfordreams.dk

MUSIC FOR DREAMS WITH KENNETH BAGER
Broadcast on Ibiza Sonica FM
Mondays 10am - 11am UK time 
www.ib​izason​ica.co​m/

Booking:
leocekko@gmail.com

☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★
                                  

                                        DISCOGRAPHY 
Almunia

New moon (single)- 2011 -----  Claremont 56

New Moon (LP) -2011-----  Claremont 56

Pulsar (single)-2012-----  Claremont 56

Pulsar (LP)-2013-----  Claremont 56

One Time (EP) -2013  -----Above Machine

5Years of Claremont 56 – Compilation(4 tracks)

Cassandra’s Dream (EP) -2013 ---- No Static Records

The Shiny River(EP) -2013 -------United Recordings

Beach Disco sessions vol.4(Compilation)-2013 -------Nang 

One time(EP)-2013----------Above machine 


LEO ALMUNIA

Differences(EP)-2012-----Kraak Records

Hush(EP)---2012----Sun Generation Records

Diskocutz 2, Remixed(one remix)----2012---Kraak Records

Smiling Faces(1 Remix)-----2012------Casual Lab

Self Taught-(1Remix)------2012------Deependance rec 

Just/Bad bird (EP)w/NoLogo-----2012-----Deependance rec 
Social


http://www.discogs.com/artist/Almunia

https://www.facebook.com/Almuniamusic

https://twitter.com/LeoAlmunia

https://soundcloud.com/leocekko












Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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