OMG the time signature changes and progressions on this piece is amazing. I love the build also. Truly an epic sound.

CPM Music

Bakashot Zehot Yafit werber. Music Producer By Rotem Moav

Lament

Age Of Darkness

AVAILABLE IN ALL DIGITAL STORES as part of  "REVERIE" The Compilation Album.

Ivan Torrent - "In Aeternum"

Music by Rotem Moav, featuring vocalist Tamar Reiss.

Anccestor's Shield

Band Of Rogues

Tribal Mourning

Kyrie Eleison

music from   the film "Pushkin is our everything"
composed and orchestrated by  Vladimir Podogoretsky

Waltz -  Pushkin (CLASSICAL ORCHESTRA)

Gaya Awakens

Here's a spooky “project” I just completed, which started this past Halloween weekend (fitting?): Playing all the string section parts from 10 PSYCHO CUES into Logic (on my MIDI keyboard, reading off the actual score), to better learn Vienna Symphonic Library’s DIMENSION STRINGS. And to learn about “string section writing” (and composition) from the master himself, BERNARD HERRMANN!

DISCLAIMER:
I'm only trying to get these pieces to a RESPECTABLE LEVEL OF REALISM (within rigid time constraints). Not really trying to make them "as real sounding as possible," because that would take a million years (though DS sounds more "real" than any other "strings" library, to my ears!). To me, #8 “THE MADHOUSE” and #5 “THE CAR” turned out best, but who knows? The PSYCHO cue most people are familiar with is #9 “THE MURDER.”

**These appear in the order I recorded them (so they--sort of--sound better, as they go along), not how they appear in the actual PSYCHO film.

Thanks for checking these out! I hope you enjoyed this BERNARD HERRMANN homage!

01 PRELUDE DimStringsTEST

Baba guzamba edit to the beautiful tune
of Ara dinkjian and Night Ark - Homecoming

BABA GUZAMBA are
 Ariel wreschner and Yair koor
https://www.facebook.com/babaguzamba/

Mastering: Nadav katz

Homecoming BABA EDIT

ALEXANDRE DESPLAT's "The Detonators," from HARRY POTTER & THE DEATHLY HALLOWS (Pt. 1)

This is definitely my most elaborate MIDI "orchestral covers" attempt to date, which required me to create a pretty large "template" (in LOGIC) containing the following fun mix of instruments (and divided sections): 4 Flutes (all doubling on Alto flute), 2 Clarinets, 2 Bass Clarinets, 3 Recorders, 3 Bassoons (one doubling on Contrabassoon), 6 French Horns, 4 Trumpets, 4 Trombones, 1 Tuba, Percussion (Timpani, Orchestra Bells, Vibraphone, Triangle, Bass Drum), Harp, Celeste, Piano, 16 1st and 2nd Violins, 14 Violas, 12 Celli, 8 Double Basses... And my computer didn't die! (All VIENNA SYMPHONIC LIBRARY samples, except for some percussion, which was PROJECT SAM's TRUE STRIKE 1, and SOUNDIRON's EMOTIONAL PIANO.)

I love the SOUND of this entire score (recorded in ABBEY ROAD), both its CDs (Vols. 1-2) which I happily purchased sometime over this past year. And, of course, Desplat's work is some of my favorite film music, of all time. I hope I can find the time to try another one of his pieces! Or (if I was smart), use this giant template to brew some fresh Turner tuneage, lol.

Thanks for earballin'!
Dale

THE DETONATORS (Harry Potter and the Deathly Hallows) with VSL and Project SAM

Arrivals

'0p;;

Composer for Interactive and linear media, mostly known for Destiny: Rise of Iron, Destiny 2 and Forsaken by Bungie. published albums with Warner/Chappell, Universal, Megatrax, EMI and more.

Tribal Mourning

Rotem Moav

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