I’m taking another quick break in the midst of my Best of the Year feature to premiere this beautiful piece, and then, I promise, I’ll finish up publishing all of these year-end lists [only one more to go!] before the end of this week. Meanwhile, let’s all spend some time in the company of Vanessa Wagner, a French pianist who’s, in my humble opinion, doing something for the modern classical scene, what Martha Argerich did for the contemporary classical in the 20th century. It was indeed the debut recital of Argerich’s 1961 performance that thoroughly captivated me in her execution of Liszt’s Piano Sonata in B Minor [I still think it is the best rendering of that beautiful piece]. And it is Wagner’s solo piano virtuoso performances of music by Philip Glass, Nico Muhly, Suzanne Ciani, Harold Budd, and yes, even Brian Eno & Roger Eno, on this upcoming release on InFiné is what’s raising the bar for the next level of music appreciation from these present classical composers of the ambient and electronic music scenes. The imprint had previously showcased Wagner’s talent when she partnered with Murcof for Statea in 2016. Three years later, we were graced with Inland, on which Wagner played music by Bryce Dessner, Moondog, and Emilie Levienaise-Farrouch, among many others. For The Study Of The Invisible, Wagner continues her exploration of the minimalist repertoire, with many rare and unpublished pieces, some that have never been performed on the piano before. In today’s premiere, I’m sharing a composition by Ezio Bosso, an award-winning Italian composer who sadly passed away in May of 2020. This is a gorgeous minimal piece that resonates in the quietude of early morning and leaves behind the traces of melancholy, yearning for hope, and ultimately the acceptance.

More details, plus a video here: https://hcdi.gs/Before6

Before 6

TRACK PREMIERE : Vanessa Wagner - Before 6 [Ezio Bosso]

Here and now, once again, I am talking about my very own music, on my very own platform. It’s a bit difficult to do that, I’ll admit. I don’t want to come off as overly zealous, stuffing my output through a “campaign machine”. But then I think of all the artists who run their own labels [many of you on here, yes?], and who are going through the same slight dilemma of writing a press release, outlining their bio in the third person. So no bio on here – I think that you know who I am [at least through my words]. Instead, I will tell you a little about this title track, which is taken from my upcoming album, When You Are, due out on July 1st via the amazing Slowcraft Records. Having explored the concepts of time through my music on my last release, Out of Time (Injazero, 2021), I wanted to move on past that dimension. And whereby I previously questioned the possibility of departing time and existing without it, in “When You Are” I am abandoning time altogether, on a journey outside of this predicament, measured in an irreversible sequence of events. This may be a frightening proposition, sometimes glimpsed by an experienced meditator. In this timeless passage, I explore the possibilities of being outside being, and in the absence of elsewhere finding ourselves, whenever we are. I’m obviously very excited about this one, folks, and I hope that you enjoy it. Feel free to reach out and tell me what you think!

"Thunderous bass, billows of diffused distortion and precisely calibrated discord drive waves of raw emotion through pieces that smoothly pivot, often within moments, into calm glimpses of such sublime, timeless clarity as are only rarely afforded to the experienced meditator."

This single is out today, on all of your favourite digital platforms. It is taken from my upcoming full-length album, When You Are out on July 1st via Slowcraft. Pre-order on Bandcamp.

When You Are

TRACK PREMIERE : Mike Lazarev - When You Are

Remix of 'A Bevan Rotation' by Bruised Skies, original version appearing on
'Moon Zero' [CD|LP|DIGITAL]
Denovali Records · den238
available on all formats at [http://denovali.com/moonzero]

Moon Zero - A Bevan Rotation (Bruised Skies Remix)

out on September 9th at Dronarivm

order here: dronarivm.bandcamp.com/album/the-voy…ch-manuscript

After last year's sophomore release, The Faex Has Decimated, on Tympanik Audio, the Legiac project is back, but this time on the Russian based Dronarivm label, where the new album feels more at home. This time, the electronic duo of Roel Funcken and Cor Bolten take on a more meditative approach to their mildly glitch-infused, modular explored sounds, weaving in ambient textures, field recordings, and vast soundscapes. Titled after an early 15th century hand-written and illustrated codex, named after Wilfrid Voynich, the mysteries within this cryptic album can only be unlocked upon subsequent rotations, offering it up as a soundtrack to an enigmatic place, existing somewhere within imagination of these two prolific artists. The Voynich Manuscript slowly transforms its listener from a seemingly ordinary habitat, to a day-dream haze, to kaleidoscopic illusion - a sonic environment you thirst to visit once again...

all tracks written and produced by Roel Funcken & Cor Bolten
mastered by Jason Corder

Legiac - Ambikythera Mechanism (from The Voynich Manuscript CD)

Conversations by Christoph Berg will be available from our distribution partners in April and via our webshop from May 10th.

Conversations

Christoph Berg - Monologue

Buy here:
https://rottenmaneditions.bandcamp.com/album/down-to-the-sadness-river

E M I L ÍA`s first Ep on Rottenman Editions!
Down to the Sadness River...
Ten odes loaded with sacral and nostalgic charm to pay homage to one of the most important people for us.
20 hand-crafted deluxe editions with cyanotype on canvas that include small numbered prints (artworks)
Available at rottenmaneditions@gmail.com

Down To The Sadness River

EMILÍA - DOWN TO THE SADNESS RIVER  - Oil Bread

~ IIKKI 006 ~

music : Aaron Martin
photography : Yusuf Sevinçli 
album/book : Touch Dissolves
duration : 35.17 mn
date : July 2018

edition : 
vinyl : limited to 300 copies hand numbered + hand sealed 
cd : limited to 200 cd (glass mastered) hand numbered + handcrafted
book : limited to 500 copies hand numbered + hand stamped

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pre-order : June 21th, 2018 / official release : July 12th, 2018

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All music by Aaron Martin. Recorded from March 6, 2018 to April 13, 2018 in Topeka, Kansas.

Mastered by James Plotkin in April 2018
Artwork by Yusuf Sevinçli
Design by Sprflxgrfzm

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Links :

http://aaronmartin.bandcamp.com
http://www.yusufsevincli.com
http://www.iikki-books.com

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℗ & © 2 0 1 8 - I I K K I - I I K K I 0 0 6

Aaron Martin - Touch Dissolves (album preview)

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

When I was commissioned to write a piece for orchestra in early 2018, I had my concerns at first. For me an orchestra is some sort of a controversial beast, that origins from another time and is hard to be tamed, yet it is one of the western culture's most admirable achievements, that should be taken along to the 21st century. 
As an artist the freedom to express my thoughts in the most honest and genuine way without being constricted by structures and other people's mindsets is very important to me. As a composer though, I am aware that my art is not able to become alive without the hard work and - in the best case - love of other musicians. The more musicians are needed for a piece, the more minds need to be convinced. And this puts a composer in a complicated position, because you need to write music that is comprehensible for the musicians, but at the same time this should not keep you from exploring and writing down unusual ideas. Especially in the case of composing for an orchestra, which needs quite some abilities in terms of craft, escaping from tradition is even more difficult, also taking into account the very restricted rehearsal time (1 hour in this case). This makes composing for orchestra an insanely humbling and challenging undertaking - which is exactly what I ended up loving about it!

What do flowers do at night?

"At Holde Fast I Luften" (ENG. To Hold On To the Air)
Is the 4th track from the album "Vakuum: The Piano Pieces (Original Soundtrack)"

Hear the full album on all streaming services.
https://open.spotify.com/album/0tfrB2VAPPrIflOQOGLdAj?si=xueQB-amT2e9KXCj3Uz0VA

Vakuum: The Piano Pieces (Original Soundtrack)

At Holde Fast I Luften [Vakuum OST]

Matthew Shaw’s travels continue. His wanderings have led him to Seatown, Sandbanks, the woods of Zeist, and the inner city of Vancouver. Now he documents a week-long trip to Lamorna, Cornwall, in the summer of 2012.

Shaw writes: “The recordings were made in the Lamorna valley, the cove, the woods and also within the Iron Age Boleigh Fogou which is an underground structure over 2,000 years old. The Fogou derives from the Cornish for Fou or Vou, meaning cave.”

“In terms of the sound of the finished music, it was recorded largely on location using acoustic guitar, bowed guitars, Moog Prodigy, my voice and a sprinkling of effects where required. It relied on the sounds of the places themselves, the trees, river and Fogou in particular. The mixing process was based on taking these raw ingredients and sculpting them into a finished whole, with the place as the focus.”

The result is a slow tide of strings, ambient vistas, and delirious harmonies that echo, then dissipate into the eponymous landscape. From the inner triumph of “Rosemerrynwood” to the tense and pulse-quickening modern composition “Bo-Lech” and the buoyant, living title track, Lamorna is a remembered call from an ancient place.

Fluid Audio presents Lamorna in a limited edition run of 100 hand made letter pressed CD’s, along with 6 large format (150mm x 150mm) double sided photographic prints taken by the artist on his journey. The package also includes a natural Larch wood slice, pressed Viola flower, rare poem by Ithell Colquhoun, download code and scent. All of the above rests inside hand typed/numbered/sealed Manilla envelopes.

Release Date: 29.03.13

Matthew Shaw: Bo-Lech

ArtStudio & Record Label.
PRE-ORDER NOW!!
THEATRE OF DELAYS / SÚTON  [RTETP005]

EMILÍA - DOWN TO THE SADNESS RIVER - Oil Bread

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EMILÍA - DOWN TO THE SADNESS RIVER - Oil Bread

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