Track taken from album "A Home For You" released in March 2014 through Hawk Moon Records.

Find more GWFAA at:
http://goodweatherforanairstrike.bandcamp.com/
https://www.facebook.com/pages/Good-Weather-For-An-Airstrike/116708454007
https://twitter.com/gwfaa

Find more Hawk Moon Records at:
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Good Weather for an Airstrike - Lungs

Remix for my favorite track by Umber (https://soundcloud.com/umbermusic)

You can grab the full remixes album on his Bandcamp for free or naming your price: http://umber.bandcamp.com/album/remixes

Get the full album

Umber - The Day We Left For Earth (Need a Name Remix)

Stay

A slowly drifting, spacious and evocative ambient track feat electric guitars, piano, bass and synths.

Dots

More songs >>

Dusk

Snow

Piano, synths, rhodes, electric kits combine with strings for a warm, sentimental ambient track.

Awaken

New single from The Captive Oceans. 

2/20/16

Anew

The Firefly

I cue from the short film The World In Your Window that I co-wrote with Ewan Clark. https://www.facebook.com/TWIYW/

Car Ride (from The World In Your Window)

This track was composed in retrospect of a very intense time in my life when I was dealing with chronic anxiety, insomnia and OCD. I wanted to write something that was a juxtaposition of those feelings.

https://store.cdbaby.com/cd/tristanbarton
https://open.spotify.com/track/0Z6wLxYRfclfiiU0ACCpKi?si=r6UqWimAQ565na5kKd6KiQ
https://itunes.apple.com/au/album/through-grace-single/1396500581


Released June 1, 2018 

Composed and produced by Tristan Barton

All Rights Reserved © Tristan Barton Music 2018

Reverie

Through Grace

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.