What a perfect piece to start this rainy day. Lovely, Rhian. 

Chill

One of my first experiments in algorithmic improvisation. Using an arpeggiator of sorts I've developed in Max/MSP, I control the dynamics and chord voicing with the angle of my iPhone, while using the mouse to select chords and alter the ostinatos that are looping. I haven't done any post-production on this, so it's not a composition but a raw, unvarnished improvisation, complete with awkward moments that don't really work and many more moments that I absolutely adore... I'm curious to hear what you all think!

Improvisation

Remember

Ed's debut album '+' out now:

iTunes: http://atlre.co.uk/r1Qybn
iTunes Deluxe Version: http://atlre.co.uk/rjrmBJ
Play: http://atlre.co.uk/qvO50K
Amazon: http://atlre.co.uk/kDOh38
HMV: http://atlre.co.uk/jI2rGR
Tesco: http://atlre.co.uk/rrLznw

The A-Team {KoanSound Remix}

Stream / Download:
https://kurate.lnk.to/searchingforyou

Follow me:
@antent
open.spotify.com/artist/6ovctVkv7d2fBdilDRYfDW
facebook.com/antentofficial
twitter.com/Antent_Official
instagram.com/antentofficial
vk.com/antentmusic
Follow Owsey:
@owsey
instagram.com/owseymusic/
open.spotify.com/artist/6HYyeW4R4oZbUvkjG7t3qH
youtube.com/user/Owseymusic

Follow Øneheart:
@iamoneheart
iamoneheart.bandcamp.com
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released by @dreamscapeyt

searching for you w/ Øneheart & Owsey

Rhian Sheehan - 1910

MohammadReza Shajarian - Golchehreh Mapors (Remix)

You often hear people say that music is good for your brain because it's the only activity that uses all of it. That's not true. And the truth is actually much more interesting. In this episode, we talk to auditory neuroscientist Nina Kraus, who explains how musical training changes what we hear, or, more specifically, how we listen.

Season One

Episode 06: What Musicians Hear

the Handmaid's Tale on Hulu
Selections from Season Finale

the letters

I wrote this song for a benefit compilation, curated by Keith and Holly Kenniff, called Disquiet. 

Disquiet is a benefit compilation of ambient artists, across three volumes, with 100% of the profits going to non-profits that support the environment, investigative journalism, women and minorities.

Available on all major digital retailers (iTunes, Google Play, Amazon Music, Bandcamp etc...)

Disquiet Volume 2

The Last Of Us

Lights & Motion - The Last Of Us

License

A Vast Place

This season, we’re going to focus on music as medicine—telling the stories of people whose lives have been immeasurably improved with music. In this episode, we talk about William’s Syndrome, a genetic condition that causes heart problems, intellectual disabilities and a profound love of music. We hear from 31-year-old Benjamin Monkaba, who has the condition, his mother Terry, and Jennifer Latson, author of The Boy Who Loved Too Much, a book about William's Syndrome.

Season Two

S02 Episode 01: Losing Genes but Gaining Music

Burial + Four Tet - Nova

Lilac

Can't live without Ft K.B

from Mala's BBC Radio 1 Essential mix (13/04/2013)

Mala - Changes (James Blake Remix)

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Rhian Sheehan - 1910

Rhian Sheehan

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