Lovely! I love pieces that take me into the moments when I am day dreaming in an urban space.

Awesome work.
Somewhat also reminds of  "The Journey"  :)


Beautiful atmosphere, intimate and dreamy. Well done, very well done

Feels like a new breath.. a new cycle... letting the last one go.. 

Melancholy remastered

Piano: https://soundcloud.com/shyprince

Artwork: Edvard Munch

Melancholy (ft. Marek Iwaszkiewic)

Moving

Composed & Produced by Brock Hewitt

Copyright 2022 Stories in Sound
The David Roy Collective

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You can listen on Spotify, Apple Music, Youtube and other major music streaming platforms!! 

https://open.spotify.com/artist/1PWCCcjCmwzjYb48VWpGcm?si=AGbTh7BNR46WA3UocUj8Tw

https://music.apple.com/ca/artist/brock-hewitt-stories-in-sound/1227900382

Stream/Download

Moving

In The Middle Of Time

Rhian Sheehan - Liber 3

Artist : Tim Linghaus
Track : Travel Sketches (Lost In A Bus And Architecture)
Album : Vhoir

Bandcamp : https://modernarecords.bandcamp.com/album/vhoir
Itunes : https://itunes.apple.com/au/album/vhoir-ep/id1170469161
Spotify : https://open.spotify.com/album/37qtqXpRJGZoNBq4nmsHbg

Written and mixed by Tim Linghaus
Mastered by Emil Thomsen at ET Mastering
Artwork by Matt Niebuhr
Layout by Nick Hyatt

Vhoir

Tim Linghaus - Travel Sketches (Lost In A Bus And Architecture)

Stream / download --> http://smarturl.it/elskavon-spring
New LP Skylight --> http://smarturl.it/elskavon-skylight
www.elskavon.com

INSPIRATION:

Can I give you a quick glimpse into the whirlwind mind of an independent musician?

It’s all about seasons. Last summer and into the fall, I was furiously writing a new Elskavon album, not to mention new Bora York songs with my wife, and Hi-Fi Cali collaborations and singles… For every album I release, which is typically around 9-10 songs, I end up with sometimes more than 50 demos and half-written songs. So there was a lot of writing happening. The ideas kept coming and the inspiration was heavy.

In September, I decided to set a release date for the new album, Skylight - this gives myself a deadline to actually call things done, and to get prepped for a release. From late fall on, leading up to that date (January 26), I was finishing songs, mixing and mastering the audio, working on artwork, studio and promo videos, show prep, social media content, reaching out for press and playlist possibilities, and more. There’s a lot of things on the independent release checklist.

In the midst of all this, I was about to step into a part-time freelance role, something my wife and I had been preparing for about a year. We’re very hopeful and excited about this season of our journey, which just started a few weeks ago. 

There has been a lot of things happening, and I’m grateful every step of the way. But I’m human and I get burnt out, as well. Last week it was tough to find any sort of inspiration whatsoever. And there was a definite setback regarding the new album - something I had been getting used to slipped away. It’s part of the process, and something I was fully aware could be a possibility. But it was still a bit of a punch in the gut.

Read the rest at http://anthemfallsmusic.com/blog/2018/3/28/elskavon-spring-piano-day-2018

Spring (Piano Day 2018)

Pressure Principle

Take These Broken Wings

@garrethbroke
Spotify/Apple Music: https://ffm.to/spire.odl
Bandcamp: https://jamesonnathanjones.bandcamp.com/track/spire

Recently, the wonderful pianist Garreth Broke sent me a lovely composition filled with strong melodies and cascading multi-tracked piano parts and asked if I would be interested in adding some textures. Of course I jumped at the opportunity. The result is a blending of mangled eurorack effects, layered synths, and his original piano themes.

Spire

Download

Spire - Garreth Broke, Jameson Nathan Jones

I have a bad (fun) habit of collection pianos/keyboard instruments, so in the spirit of Piano Day 2019, I thought I'd give them all some love. This piece features all 14 of my keyboarded friends, some happy and healthy and others... not so much.

#pianoday

All My Friends

Instrumental B-side from Snorri Hallgrímsson's critically acclaimed LP Orbit. 

Stream/Download : https://orcd.co/sh-imperial

Written and produced by Snorri Hallgrímsson 
Mixed by Snorri Hallgrímsson and Addi 800 
Mastered by Martyn Heyne 

Piano and electronic programming: Snorri Hallgrímsson 
Electronic percussion: Drew Redman 
Strings performed by the Budapest Art Orchestra

Imperial

Spotify / Apple Music

Snorri Hallgrímsson - Imperial

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Rhian Sheehan - Liber 3

Rhian Sheehan

Recent comments

Mario Savioni

TWISTED PERSPECTIVE

Durugadda

Vent 2013 Somehow

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