Undercover

Music from the documentary Off the Breaks (Woodward films).  Score written by Rhian Sheehan & Louis Baker.

Travis (Off The Breaks)

pure serendipity

Pure Serendipity

Pilas Solaris

New songs for my new son James. Free download at music.lowercasenoises.com/album/james

Free Download

Almost So Clear

East Forest - "Held / Kindred" 
Release March 29, 2017 on Aquilo Records (http://music.eastforest.org).  A "Piano Day" release.

Following the acclaimed stripped back piano release, "Held" (1631 Recordings) comes this new full length of Held b-sides by East Forest + select remixes by,

Lorna Dune
Keith Sweaty
WAV4MS & Ginkgo
Ethernet

LORNA DUNE - Praised by VICE Magazine as the "mistress of new music" and named as one of 2014's Artists to Watch by The Fader, Lorna Dune has been turning heads since her foray into the world of electronic minimal techno production. An experimental pianist, who has played with likes of Steve Reich and the Philip Glass Ensemble, has a new take on weightier beat-driven techno which is both fresh in its approach to the genre and also a unique arrival through her journey through sound. Almost synesthesia-like images of "trawling Petar Dundov's Adriatic waters with an arresting sheer Balearic decadence and holographic gleam" (Resident Advisor) appear in the amygdala upon first listen. Her latest EP "Miamisphere" released by Brooklyn's mysterious experimental electronic imprint Lo Bit Landscapes in 2013 has received premieres by Pitchfork and Boiler Room and has been featured in Resident Advisor, Red Bull Music Academy, VICE Magazine, XLR8R, Ibiza Voice and more. She has also caught the attention of the New York Times for remixing a Pulitzer Prize winning work by composer Caroline Shaw and a remix by composer Max Richter to be released on Detusche Grammophon. She has been commissioned to compose a work in honor of Minimalism's founding composer, Terry Riley's 80th birthday which she performed live & on the air on WNYC's "New Sounds", and has performed a commissioned work at Carnegie Hall in honor of the great artist Meredith Monk. @lornadune

KEITH SWEATY - Keith Milgaten is an audio engineer, music producer and film music composer. He has released remixes on indie labels such as Sub Pop, Merge, and Temporary Residence as well as various commissioned works for award winning films by acclaimed directors Rob Reiner and Destin-Daniel Cretton. Keith has worked with an impressively large range of genres and talent from new classical ensemble Victoire to hip-hop legend Talib Kweli to ambient indie-rockers The Album Leaf. @keithsweaty

ETHERNET - is the pulse-ambient project of Portland’s Tim Gray, with releases on Kranky, Lifelike Family and many other labels. An MFA graduate of Mills College, Tim wrote his thesis on the use of sound for control, healing and empowerment, and incorporates trance-induction and brainwave entrainment techniques into his productions to create soundscapes conducive to meditation and healing work. Techno’s pounding kick is slowed, muted and recontextualized as a hypnotic pulse, underlining constantly-shifting synthesizer textures and environmental field recordings. Dream-like, perhaps mystical, sounds that one might experience while wandering in the deep woods. ethernetmusic.com/

WAV4MS / Ginkgo -

#eastforest #eastforestmusic
WEB - www.eastforest.org 
FB - www.facebook.com/eastforestmusic
TWITTER - www.twitter.com/eastforestmusic
YOUTUBE: www.youtube.com/user/eastforestmusic
INSTAGRAM - instagram.com/eastforest

HELD / Kindred

Brushed

Download

First explorations on Pianoscaper app.  Do check it out!! 
Recorded in D Minor Pentatonic

Dark Night

Atmospheres

This track is taken from the new Slow Heart Music album, 'This Body Is Not Me', out now via White Label Recs: https://whitelabrecs.bandcamp.com/album/this-body-is-not-me

Slow Heart Music - A Willing Escape // from the album 'This Body Is Not Me'

Returning to my native village after many years’ absence: 
Ill, I put up at a country inn and listen to the rain. 
One robe, one bowl is all I have. 
I light incense and strain to sit in meditation; 
All night a steady drizzle outside the dark window --  
Inside, poignant memories of these long years of pilgrimage.
(Ryōkan, 18th century, translated by John Stevens) 


Flute: https://soundcloud.com/soulful-woods 
Piano: https://soundcloud.com/cis-minor 

This lovely music came to me more or less as a gift: some weeks back I recorded the piano (https://soundcloud.com/cis-minor/21st-century-monk-free). The incredible Soulful Woods felt inspired to create an enchanting flute expression - we already planned to do a collab for some longer time. 
From the first time I had heard his music I was intrigued by the sound, the authenticity and the depth of emotional expression in his flute play. His music is pure and thorough. Listening to his music is bringing peace and awareness to me, but still it breathes some sense of solitude and sorrow. Have a listen to this most beautiful and soulful music here: https://soundcloud.com/soulful-woods

A Monk Returns Home

Spa Lounge

Circles

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Travis (Off The Breaks)

Rhian Sheehan

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