Well that escalated quickly! ;) lovely sounds...

All works composed for commercial licensing purposes only - specifically for use in advertising, TV or Documentary. A licensing agreement must be obtained before any of these works can be used for any commercial purposes whatsoever. Library will be updated regularly. 
For information contact info@rhiansheehan.com
Copyright R.Sheehan 2015


Rhian Sheehan Music Library

All works composed for commercial licensing purposes only - specifically for use in advertising, TV or Documentary. A licensing agreement must be obtained before any of these works can be used for any commercial purposes whatsoever. Library will be updated regularly.
For information contact info@rhiansheehan.com
Written, arranged and performed by Rhian Sheehan.
String section orchestrated and conducted by Ewan Clark.
Copyright R.Sheehan 2014

The Painting (aka Flying)

The Hunt

Download
https://soundcloud.com/airscape03/michael-harris-departure

Michael Harris
https://soundcloud.com/airscape03
https://www.facebook.com/airscape03
https://twitter.com/M_Harris03
https://mharris.bandcamp.com/

Pic by mclelun
http://fav.me/d7ztxkv

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All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads please get in contact with me and I will delete it. (ambientmusicalgenre@gmail.com)

Download

Michael Harris - Departure

Shadowmere

https://www.facebook.com/Rhian-Sheehan-15584763065
www.rhiansheehan.com

Waiting At The Airport

Dawns First Light

Old Days

Written By:  Brock Hewitt & Avery Schmalz
Produced By: Brock Hewitt

Photo By @arudz

---

Last time we spoke you said you were going away
So I packed my bags and left the very next day
Oh honey, never had a reason to stay
But you're always on my mind

Years go by and your memory fades away
Do you remember the things that you used to say
Oh love, you don't know the half of it
You're always on my mind

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

Time has passed and we've both changed
But i know that we could start again
Oh honey, you know that would never last
But you're always on my mind

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

When we used to love, was when we had enough
When we used to love, was when we had enough
When we used to love, was when we had enough
When we used to love, was when we had enough

You don't have to come my way
Looking back at the old days 

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

Old Days (w/ Avery Schmalz)

All Of A Sudden

This was a really fun writing challenge - I set out to only use the instruments that can be found in the traditional orchestra. This is not something I´ve ever really done before, and I felt like I learned a lot by putting those limitations on myself. 

Song: Up and Beyond
Album: Phenomenon

https://open.spotify.com/album/70hD7ElvTU5Ju9xN7UBmRE

Phenomenon

Up And Away

Listen on Spotify

Christoffer Franzen - Up And Beyond

Sat down by the piano and recorded whatever came to mind, misstakes and all.

Intimate Piano Improvisations

Written by Rhian Sheehan
Additional guitar and programming by James Everingham.
https://www.extrememusic.com/albums/3255

Felt Hammers

Thematic piece with experimental textures of piano, strings, and metal scrapes/plucks...

License via Music Bed

Keep Looking Up

All works composed for commercial licensing purposes only - specifically for use in advertising, TV or Documentary. A licensing agreement must be obtained before any of these works can be used for any commercial purposes whatsoever. Available for license through Extreme Music:
https://www.extrememusic.com/search?q=%22rhian%20sheehan%20big%20things%22

Copyright R Sheehan 2014

Stories (Big Things)

The official demo for sample library by Herman Samples, Frozen Piano.
Teaser: https://youtu.be/SgvOeaqeN98
Try it yourself! https://hermansamples.com

Frozen Piano - "Crystallization" by Juriy Nikitin

Cyrus Reynolds' first full length album, Night Phases, a heartfelt and placative journey into ambient orchestral music, released August 7th, 2020.

Stream it/download here:
https://songwhip.com/cyrus-reynolds/n...

'I wanted to make something this time purely with the orchestra, no words, synths, drums or anything programmed. In the end, everything was made from live orchestral recordings and the manipulation of them. 

The sound of the album is inspired by the majestic complexity of memories, how we can warmly try to recall their fragments and they can suddenly fade from our grasp into the air again, or take on entirely new meanings from a different perspective.

The artwork by Alon Isocianu is based on one of my favorite memories: walking in the darkness of a summer night and hearing a concert far way in a park, it's muffled accents and echos lighting up the hostile night sky with warmth and humanity. For me, this album is a loving recreation of that feeling.

Thank you for listening. Please share if you like, or drop me a line and tell me what you thought of it.'

-Cyrus

Night Phase III. Anamnesis

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Stories (Big Things)

Rhian Sheehan

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