Beautiful song I added it to my website under Galleries/ Oil Paintings www.ArtByScottFrench.com

Time Lapse

Remember This

All works composed for commercial licensing purposes only - specifically for use in advertising, TV or Documentary. A licensing agreement must be obtained before any of these works can be used for any commercial purposes whatsoever. Library will be updated regularly.
For information contact info@rhiansheehan.com
Written, arranged and performed by Rhian Sheehan.
String section orchestrated and conducted by Ewan Clark.
Copyright R.Sheehan 2014

The Painting (aka Flying)

recently took a stroll through the old neighborhood: 

a Late Night's W A N D E R I N G

the title track of einklang. Intentionally a very minimalistic track .... the idea of the album indeed though we will also find some progressive mixes on it :-) 

thanks Alex (https://soundcloud.com/dj-ximik ) for helping me with the artwork !

please support on spotify: open.spotify.com/artist/758yIKdhJhWL6oTuTSFVV6

Dirk Maassen - Einklang (spotify URL in description)

A selection from my score for Holy Ghost - heavily inspired by anything which resembles adventure, elation, joy or majesty. Think of an eagle wrapped in bacon...soaring the heights of a Wal Mart looking for shoplifters.

Available for Licensing on Music Bed: www.themusicbed.com/artists/tony-anderson/7054
Art: Luke Atencio

License via Music Bed

Enter In

"Fragile" is a third full-length album by Endless Melancholy. Recorded during 2013-2014 it was released as limited edition 12" vinyl and limited edition CD via Hidden Vibes and AZH Music Label on 21 Oct 2014. Little Hands is a third track on album.
Piano by Oleksiy Sakevych 
Viola by Anatoliy Gavrilov 
Cello by Vladimir Babutin 
Mastering by James Plotkin 
Special thanks to Anton Belov, Konstantin Naumenko 
Photography by Aldona Pieniążek

Little Hands

Musicbed

Deeper

FRANCISCUS

Recorded at the Wellington Opera House 2nd November 2013 (Audio taken direct from desk.)

Rhian Sheehan - Guitars, Ukulele, keyboards, fx.
Jeff Boyle - Guitar
Andy Hummel - Omnichord, Vox
Steve Bremner - Drums
Ryan Prebble - Guitar
Raashi Malik - Piano
Jane Pierard - Vox
Mailee Mathews - Bass
Ed Zuccollo - Keyboards
Grant Myhill - Percussion

Featuring the Orchestra Wellington String section conducted by Ewan Clark, Arranged by Ryan Youens and Rhian Sheehan.

Front house mix: Brett Stanton

More info here: www.facebook.com/pages/Rhian-Sheehan/15584763065


The Upper Sky (Live at the Wellington Opera House)

Inscape

© R Sheehan 
For licensing info contact: info at rhiansheehan dot com
www.rhiansheehan.com

Storm Cloud

Moments

completely scraped the second track a couple of weeks ago because i felt it didn't fully capture the tone and feel of Prelude.
I hope you enjoy this one!

Instruments:
several patches from Albion V Tundra for ambience namely the Brass Hi and Low "Wind" patches for the wind FX
8dio Agitato Sordino Legatos and arcs
Heavyocity Intimate Textures (i friggin love this library)
EXS24 Sub Bass
and of course, Spitfire's soft piano

Happy Fall!
© johnbusbymusic 2018

Autumn

November

I have a bad (fun) habit of collection pianos/keyboard instruments, so in the spirit of Piano Day 2019, I thought I'd give them all some love. This piece features all 14 of my keyboarded friends, some happy and healthy and others... not so much.

#pianoday

All My Friends

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

See you around Space Cowboy.

Perth|New Jersey

The Painting (aka Flying)

Rhian Sheehan

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