Standing In Silence - Part 3

Bathe

🌌 Night Stalker – Synthwave / Chillwave / Retrowave by Nexus

Night Stalker is a neon-drenched descent into the shadows, where synthwave power, chillwave ambience, and retrowave nostalgia collide. ⚡🕶️ Nexus crafts pulsating basslines, glowing synths, and cinematic textures that echo with both danger and allure — the perfect soundtrack for midnight drives and city lights that never sleep.

Every track pulses like a heartbeat under neon skies, evoking retro-futuristic thrills, hazy dreams, and the tension of a world balanced between memory and fantasy. It’s atmospheric, electric, and unforgettable. 🚘🌃

Polaroid Dreams

beau·ti·ful

www.markprestonmusic.com  - Composer Mark Preston, Licensing Catalog

Released and Unreleased Music

For information on requesting a license, please visit markprestonmusic.com or e-mail markprestonmusic@gmail.com



Leaving The Tetons

Tracey Chattaway - Holding On

Magnificent night.
Download: https://musicvine.net/music/move-through-space-like-there-is-none/

Richard Smithson
https://soundcloud.com/rsmithson
https://www.facebook.com/richardsmithsoncomposer
https://richardsmithson.bandcamp.com
https://musicvine.net/artists/richard-smithson/
https://twitter.com/DelusiUK

Picture by Alejandro Benėt
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https://unsplash.com/@alexphoto

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Download

Richard Smithson - Move Through Space Like There Is None

Track 3 from Seafaring, released May 19th 2017.
https://n5md.com/discography/254/Last-Days-Seafaring

Fading Shore

The Overview OST is free to download. At the end of 2011, Planetary Collective filmed a short documentary about astronauts’ experiences in space called OVERVIEW, due for release in the last quarter of 2012. The film is both a stand-alone short film and a prelude to CONTINUUM, introducing many of the key ideas expanded upon in the feature documentary.

4 Awakening Earth

W.E.

...buckle up and hit the open road, taking in vast fields evoked by slowly evolving open harmonies. Hit the accelerator and the mountains appear suddenly in the distance, their stunning presence captured by a driving beat, a riveting piano melody and sequenced synths...

Aerials is entry no. 7 in our Summer Single Series : https://orcd.co/aerials

Aerials

Tobias Svensson - Aerials

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.