Sun Rain - Phase 🙏🏻
Stream: https://open.spotify.com/track/24cQFNGBCGIbFP7BNYpC9O
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#Ambient #Classical #Piano

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💬 The secret to happiness is freedom... And the secret to freedom is courage. 
-Thucydides

🧡 Sun Rain
https://open.spotify.com/artist/4gbnaYTPtgBssKasyGWPZH
https://sunrainmusic1.bandcamp.com/album/elora-gorge
https://www.instagram.com/sunrain_music

💿 Suggested track: https://youtu.be/K_smjef0xms

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YouTube 🧡

Sun Rain - Phase

Hello, Worlds is inspired by a new life gazing into the world with innocence and hope. 

Stream & download : https://on.echoes.blue/hello-worlds

Featuring ostinato, arpeggiated synths run through a wide variety of tapes and pedals, as well as organic singing bowl and handpan tones, many of the layers nonetheless feature glitches and subtle inconsistencies that hint at an uncertain future.

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Hello, Worlds

Stream & download

For more information and the story behind this mini album, watch my "Behind The Scenes" video (english subtitles available):
www.youtube.com/watch?v=fNDhf7AMuLU

Thanks for listening and enjoy the music!

Am Kanal

🌃 This song is about driving home alone after something unexpected has happened, and the difficulty of trying to wrap your mind around the new normal. Shock, disbelief, and sadness all swirl around your head and heart. There is also a deep grief and denial that hits, depicted by the cello solo (starts at 1:12).
🎧 Stream: https://open.spotify.com/track/0EiPFTkfxToKrf8V9pfQzH
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🧡 Eric Hales
https://open.spotify.com/artist/3LnGsvpD182H6gznoFwVUQ
https://soundcloud.com/eric-hales-922312733

💿 Suggested track: https://youtu.be/xYqSeubrSzY

📷 Photo by Kylo
https://unsplash.com/photos/MNKOALnIJlI

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

🎵 More Spotify Playlists
Cinematic Paradice: https://amg.fanlink.to/CinematicParadice
Relaxing Journey: https://amg.fanlink.to/RelaxingJourney
Downtempo Vibes: https://amg.fanlink.to/DowntempoVibes
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#ambient #classical #piano

Watch on YouTube 🧡

Eric Hales - The Drive Back

Jacoo - Remedy

A cover of Bloody Tears from the Castlevania series.

Bloody Tears

Strangers To The Universal Panic

Taken from Dmitry's forthcoming 'Comprehension Of Light' album, which will be released on FatCat's 130701 imprint on October 6th.

The stunning ‘Comprehension Of Light’ marks a sizeable step forward for Dmitry. A must-hear for fans of fellow 130701 alumni Max Richter, Jóhann Jóhannsson, Dustin O’Halloran and Hauschka, the LP is Dmitry’s first ever vinyl release and is a wonderfully conceived and realised work. Where ‘Collage’ was heavily augmented with an expansive use of electronics and virtual instrumentation, the new album sees Dmitry upgrade to real strings / orchestral instrumentation with a more limited use of software. ISKRA String Quartet (The XX, Radiohead, Jóhann Jóhannsson) contributed strings. Other contributors include William Yates (Memotone), Abul Mogard and Benoit Pîoulard. It was mixed by Addi 800 (Ólafur Arnalds) and mastered by Martyn Heyne (Nils Frahm, Peter Broderick, The National and others).

In places recalling Jóhann Jóhannsson and Hauschka, in others the work of Leyland Kirby / The Caretaker, or Eduard Artemiev's score for Tarkovsky’s ‘Stalker’, 'Comprehension' is a stunning album which traces a redemptive narrative arc and bears witness to a rising young talent in the field of modern composition.

LP includes dig download card (inc. 2 dig-only tracks which don't appear on the vinyl)

Comprehension Of Light

Dmitry Evgrafov - Rootedness

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
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CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
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DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Death of Stars

My original score for the feature film `In I Dimman´ is out today. This was a very fun and challenging film to work on, which gave me an opportunity to explore a darker sound. 

Spotify
https://open.spotify.com/album/74S1Kz05BrzWr6R2dowmjR?si=Uc3hbl7DTJax_7RVfq8CoA

In I Dimman (Original Motion Picture Soundtrack) - Då Hade Jag Kunnat Hata Dig

A selection of music from the 3D planetarium Full Dome show "CAPCOMGO! The Apollo Story". Music written by Rhian Sheehan. Showing in Planetariums around the world now. Produced by UK's National Space Centre Creative team, it's an immersive, historical documentary that showcases the achievements of the Apollo program and what it took to put the first human on the Moon.
nsccreative.com/projects/capcom-go/
www.rhiansheehan.com

CapCom Go! The Apollo Story -  Apollo Suite (original score)

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.