All instruments/sounds built ground up from field recordings of fire and firewood preparation (except the violin - it's a violin)

The kick and other percussion are built out of the sounds of an axe landing in the chopping block and of splitting kindling

These keys are generated from the waveform of snapping kindling

The background synths and lead are generated from the sounds of preparing tinder and kindling

This bass is built from the waveform of firewood splitting

This soundtrack encompasses the epistemological and production aspects that each collective member enacts, performs and researches. In its execution, we consider the academic and artistic production concerning the concept of Sono-(soro)rity.
Sound essays by Amanda Gutierrez, Freya Zenovieff, Gabriela Acevez-Sepulveda, Ana Alfonsina Mora, Laura Balboa, and Victoria Polti.
Collective voice performed by Miel Azevedo
MUSIC SOUNDTRACKS BY 
Corazón de Robota - Infinitud Oceánica - 02 Eco De Luz
De la Puta electronics - T R A M P A - 04 Motivo
flores volcánicas - volcánicas II - 04 porosidad sonora
Isabel Nogueira - Maia Koenig - Isama Noko - 02 Sin Descanzo
Jennitza - Heliconia Feedback - 04 Rizomas
Sol Rezza - POOL - 07 Chapuzón
Marianne Teixido - Feminoise Litoral - 01 Delay time

Sono-Soro(rities): Feminist Sonographies of Situated Listening

Finally returning to HQ after a gruelling ‘Tayi Bebba’ global tour Clap! Clap! is back on deck with more polyrhythms to smash the club. ‘Camo’ jumps off with Cris’ quickstep bare-footwork and global sound harvest. On the flip is ‘Fever’ another percussive kick drum stormer with a pinch of 80’s electro-boogie in the pot.

Clap! Clap! - Camo (Black Acre)

Lady Song

This entire track* is built from the ground up from the sounds of preparing firewood and burning it in a wood stove at a fire lookout cabin in the foothills of the Rockies. All percussion, synths and atmosphere are generated from these recordings - sampled, sliced, looped and re-pitched. Finally got around to uploading this one after at least a couple years.

*my violin is not yet firewood

Five Cord Cabin

Inward journeys, turquoise snow falls, and the music that got me through 2015. 

DJ Drop d - Winter Solstice Mix 2015 - FREE DOWNLOAD

At the end of the first year on our own, Mad-Hop is proud to present our forth compilation with release date approaching in the end of december! In this edition, we joined forces with all our favorite labels that set the standard in future sound we love so much. We feel that supporting them is as important as supporting the beatmakers and producers we mentioned so far. To spread the love even further, we have a special Mad-Graffiti street video production in our pocket, so keep your eyes on the walls and developing electronic / glitch-hop / mad-hop scene. We hope you’ll enjoy this free compilation. Recpect for everyone who supports us spreading the word and reposting the links. 
http://mad-hop.bandcamp.com
release date 28th Dec. 2011

Squeaky Lobster - Poline (Mad-Hop vol.4)

@goopsteppa x @michaelred

fresh and free spirited first collab between two west coastal pisces. shouts tyrese

Michael Red & Goopsteppa - All These Years

|| http://www.fb.com/origamisound || http://www.fb.com/Hebris ||

This will be released as part of the fourth and last volume in Dark Clover's Origami Sound curated compilation series.

Hebris - Scheming

|| http://www.fb.com/origamisound || http://www.fb.com/blaknitemusic || 

For his Dark Clover debut, James Davey a.k.a. Blak Nite unsheaths the technical prowess which had him pushing the boundaries of post-Ed Banger heavyness on his previous EPs, and repurposes it for slower, if not necessarily less intense jams. In simply and overtly trying to fit the pallete of what James sees as "the Origami Sound sound", he accomplishes so much more, his "Shadow Party" leveraging not only his considerable talent but a wide array of impeccable influences into bass music truly worthy of the oft-abused "future" hashtag.

Going for "something that sounded as if it was found in a ditch or gutter or down a back alley", Blak Nite delivers instantly memorable sonics – like a garbage pail coming to life, the din of its unholy movement providing the percussion, as it wrests old ghetto blasters from itself and plays whatever damaged tapes were in them when first discarded. "Dope Machine" firmly establishes this aesthetic from the outset, and employs a cinematic flair for mystery, before erupting into an uplifting assembly of manipulated vocals. "Shake" lays masterfully restrained Burial-esque heartwrenching upon a bed of brooding bass and truly broken beats. "Wicca" takes the deconstruction further... by now the beats are falling apart in real time before our ears, the vocals hauntingly and musically detune, with the song climaxing via Blak Nite's introduction of a signature grimy bass that seems to have built up organically from the crackle, hiss, feedback and detritus. "MoNY", by far the most jocular of the four, racks up the tension via its unnerving rhythm before revealing itself as a soothing finale worthy of innumerable gasps of contention.

Every track is "littered" with myriad small details, brief dialogue samples, movie quotes, all of them faintly audible at times... unveiling the considerable concept, meaning and soul poured into these songs, but only at the cost of lenghty repeated listening. Dim the lights, and have yourself a shadow party.

Blak Nite - Wicca

[ dj set @ future forest 2018 (prism stage)]

i purposely went different to what i would play at the mushroom stage the next night. the next night was deeper, more moody, bass driven stuff that dissolved into "morning set" downtempo, more emotive type material. this was the more uptempo upfront less-expected lyrics-driven set. hope you enjoy.

Santiago Riddim
Santiago Riddim - BEENIE MAN - BAZZLE
Santiago Riddim - D' ANGEL - JUST HOTT
Santiago Riddim - G MAFIA - GAL DEM A SEH
So Shifty & QQ - One Drop x Darkas Riddim
Danielle D.I. - Class
Leikeli47 - Miss Me
Cho - Popalik ft. Stefflon Don (prod. Spanker)
Nadia Rose - Tight Up (feat. Red Rat)
BlakGold feat The Wixard & Chedda - Wheel It
Leikeli47 - Don't do it
The Rej3Ctz - cat_daddy INST
Kingdom - Mila Brackins
TenTwentySeven - Critical Mass
Architect - Neptunes Riddim
USA 808 - She A Boom
STYLO G FT. GULLY BOP - WHO SHE WANT
Kling Klang Riddim
Kling Klang Riddim - TIFA - CHAMPION BUBBLER
Kling Klang Riddim - SUKU - MAD SUMADDY
DJC - C100
Mack Blajik - Floot'd
Epic B - badmon riddim
Epic B - darkness riddim
Oklou x E-40 - Tell Me When To Lurk (Callosum Edit)
Esh_-_Gutterfly
FDT - Sacanagem-versao-2k18
Sudanim - The Thirst
GILA - 106 Slipper
Landyn - Jungle
HAPA - Mack
Dj Firmeza - Jadea
MI$$IL X CHICO SONIDO X PAUL MARMOTA - TODO LO MEJOR
Leikeli47 - Bubblegum
Section Boyz - Rules
Siete Catorce - Syncopate
Stagga & Magugu -Back_It_Up
Jump Off Riddim - Cham - Jump Off
Jump Off Riddim - Vanessa Bling - Stay Ina Yuh Lane
lunice - I GUESS IT'S HYPHY
MOSCA - Tilt Shift
Domo - Drink In Her System ft Tee Flii
Mura Masa - Lovesick (Ft. ASAP Rocky)

*thanks and respect to all the artists included

SUMMER 

Future Forest 2018 (Prism Stage)

Damscray - Quadr

artefact s̵͕̮̈́ô̸͕͇̻̈́͊ȕ̷͍̜́n̶̠̘͗̈d̶̖̝̫͂ ▲*ੈ✩‧₊ (*࿔▼ jer ❀⚘꩜)
beatmaking & production primarily (often entirely) from found sounds & field recordings. synths, bass lines, atmosphere, & percussion hits built from microloops & sonic artefacts. improvised violin lines. occasional DJ.

Five Cord Cabin

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