For Bookings Contact:
benny.j@luckyagency.au

Orkestrated comprise of Melbourne local heavyweights, Dean Paps and Adam Bartas. With more than 20 years of DJing experience between them, it is little wonder why they command such a cult following across all venues they grace with their presence. Appropriately dubbed the "Godfathers of the Melbourne Sound” these two gentleman command respect whichever venue they enter.
These two pioneers have helped create and shape the current movement of music that is being pushed and sought after by many DJ’s of different experience and tastes. Orkestrated's tracks have accumulated more than 20,000,000 streams, earning them a dedicated fanbase worldwide. Their electrifying performances have taken them to many festivals including Ultra Music Festival, Summadayz, Gods Kitchen, Future Music Festival, Stereosonic, and many more.
Orkestrated's unique blend of house, techno, and other electronic music genres has captivated audiences in countries like Argentina, Canada, Korea, Indonesia, Germany, Scotland, Croatia & Greece. Their high-energy sets and seamless mixing skills always leave crowds wanting more, earning them a reputation as one of the most sought-after DJ duos in the industry.
With their passion for music and impressive track record, Orkestrated continues to make waves in the music scene, pushing boundaries and inspiring others to pursue their dreams. Whether performing at festivals or creating chart-topping tracks, Orkestrated always delivers an unforgettable experience for fans of electronic music.

JUST ORK IT.

Kevin aka Phaxe has gone from a no-name to an international player of the Progressive Trance elite within no time. Dropping his artist name Phaxe in 2007 provokes few, if any, reactions. Only 4 years later he has become a synonym for upper-league party music. Highly acclaimed live sets all around the world, applauded releases, and remixes for some of the scene’s biggest names tell an impressing success story. A story that makes the man from Copenhagen repeatedly being described as a “Progressive Prodigy”.

Looking back, the evolution of Phaxe`s sound is the history of a perfect storm brewing. It starts with excessive party weekends in the late 90s, awakening his interest in electronic music production. First creative steps are taken in front of a Nintendo gaming console. Eventually this new passion leads to a professional audio engineer training in 2006. These 3 stages of Phaxe’s career are still very noticeable today: His music is to-the-floor, playful, and high-quality in terms of sound.

This irresistible mixture is first to be heard in 2007 when a Phaxe track is released on IONO Music. One year later things take off: The title “Swing King” gains euphoric feedback from both party freaks and DJs worldwide. Within no time Phaxe is producing together with artists like Audiomatic, Morten Granau, Vice, Zyce, Flegma and many others. Great compliments are given to him when the still young producer is asked to remix some of his early Progressive Trance idols like Haldolium, Atmos and Symphonix. His long awaited debut album is signed on the prestigious label Iboga.

In addition to his solo activities, Phaxe keeps up a creative dialogue with some other producers - resulting in a great variety of sound and styles. Together with Morten Granau he is known as High & Mighty, delivering deep Progressive House. The name Sinister Silence stands for a mutual project with Dan Hessner and uplifting Progressive Trance. Last but not least there is O.T.B., a collaboration with Martin Daltoft of Vice.

Despite his impressive success story Phaxe always keeps a humorous and friendly attitude which is very noticeable when seeing him on stage. In this very situation his unbroken passion for Progressive Trance rubs off on the audience through vibrant sound waves.

Booking Worldwide: spintwistrecords@me.com

CONTACT:
dearmyruby(at)gmail(dot)com

BOOKING:
  - UK: bookings@varispeed.eu
  -  Worldwide: booking@etherealdecibel.com

Dromornis is Daz's solo project.
Sweat Dreams is taking a bit of a break, in the meantime, Daz is putting out the occasional bit, sometimes sleazy, sometimes dark, sometimes silly.



I would like to acknowledge the people of Yugambeh Country, the Traditional Custodians of the land on which we live and work, and pay our respects to their Elders past and present. I extend that respect to all Aboriginal and Torres Strait Islander peoples. Sovereignty has never been ceded. Always was, always will be, Aboriginal land.


Facebook: https://www.facebook.com/sweatdreams.djs/
Instagram: https://www.instagram.com/sweatdreams.djs/

Tuck & Soph

https://sofitukker.komi.io
+ catch us on tour: https://sofitukker.com/tour

MAILING LIST: https://smarturl.it/SOFITUKKERSignUp
TEXT US: 617-249-7556

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FOR BOOKINGS:
http://esp-agency.com/contact
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Setting fire to dancefloors with chopped breaks, deadly deep subs, soundclash mentality and pure euphoria. 

FFF started "djing" on 2 turntables (without pitch control) early 90s. Mixing mainly rave, techno and the sparse UK breakbeat hardcore imports that arrived at his local record shops. 
First steps into making music: combining sounds from vinyl mixed with tapeloops, sounds from his sisters keyboard and a lot of feedback. Things changed big time when his parents bought a PC and his friends turned him onto tracker software. 

Mid 90s he started the cassette label "Orange Socks" on which he released his own material plus music from his friends and artists he met through tapetrading. He released his first track on vinyl in 2001 (on the French Necromaniacs Industry label) and from then on kept releasing on  a wide range of labels (Planet Mu, Kool.Pop, Murder Channel, Prspct RVLT, Hong Kong Violence, Mindbender, Sozialistischer Plattenbau, Sprengstoff, Clash, K-produktions, Sonic Beligeranza, Ketacore, Encounters, Artcore, Dub Attack, Zero71) His first full length album "20.000 Hardcore Members Can't Be Wrong" was released on the Japanese Murder Channel Label in 2011. And the follow up "Keep The Fire" in 2013.

In 2001 Bong-Ra & FFF organized the Breakcore a GoGo parties. These became one of the first regular Breakcore nights in Europe. When BCGG ended in 2004, FFF continued to promote breakcore & Jungle on the monthly Wreck havoc nights which never officially stopped and still pop up once in a while. 

FFF is an obsessive vinyl collector. A trip to the record shop, flea market, thrift stores, record fair and the element of surprise that comes with crate digging are most of the times the basic inspiration for a new track. 

Live you can expect amen warfare, hoovers, rave horns and tropical vibes with elements of jungle, rave, bubbling, dancehall and gabber. 


"Every single track will have audiences calling “Tuune!” and demanding a wheel!!" - Kid Kameleon 

"..generating a kind of classic '92 Hardcore variation, littered with classic rave stabs and healthy Amen breaks, just the way we like it." - boomkat.com


"..blends my favorite styles of dancefloor music with ease and efficiency - ravecore at it's very best!"  - Parasite

rudidoyle is following