Being a DJ makes it my responsibility to give my clients a great time. I like to play music that will make my service memorable. I think the best way to describe this is playing the music you love in a way that the crowd can enjoy it. This requires a good balance of reading what the crowd wants and incorporating the music you want to play. It's also about the respect for the art of DJ'ing................

Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Tribal Beat's use To Be 
Tribal Freakz Since 2009 But Now in 2013
We Comeing Out Whit Some 
Of The Sexy's Tribal Ever
Trying New Style.

Bones Beat & Twizter Beat's 2013 !


www.lowboysofficial.com

info, booking: info@lowboysofficial.com
promos: promo@lowboysofficial.com

BIOGRAPHY
Low frequencies, a young age. These are the two main characteristics of young and talented duo of southern Italy, led by Umberto Canito and Enzo Palmisano, both born in 1994. 
Right from the start, their sound was appreciated almost everywhere; from their city their sounds were noted a bit all over the world, thanks to the special blend of house and techno, creating their own unique sound. 
After releasing several EPs on labels of world caliber as Bitten, Stereo Productions, Toolroom, Bla Bla, Snatch!, Deeperfect and many others, their name starts to grow. 
So begin your satisfaction, with the first charts and supports by artists like Richie Hawtin, Marco Carola, Adam Beyer, Shinedoe, Chus & Ceballos, Mark Knight, John Dahlback, Reboot, Stefano Noferini and many others that support their records constantly. 
The duo after several years of hard work continues to grow musically, rooting more and more their mark in the music world.

Tribal Vision Records is an electronic music label based in the Czech Republic.
 
Originally DJ and promoter group founded in 2001 expanded three years later into a record label with the intent of bringing something fresh and innovative to world of the club music. In the last few years Tribal Vision has managed to define its position on the scene, enjoying great success with an impressive artist roster and plethora of releases. The label is managed by Michal Smetana / DJ Slater from headquarters in Prague. 

Being influenced by many different facets of electronic music, including trance, house, techno, electro, minimal and psychedelic, Tribal Vision very much captures the sound of modern progressive music, yet at the same time retaining a style distinctly of its own. Using different mediums - CD, vinyl and digital - Tribal Vision has been releasing tracks from renowned artists from across the world on a series of successful singles, EPs, compilations and artist albums. 

Many releases reached the top positions of various charts and got a heavy support from the biggest DJs of the planet, including names such as Markus Schultz, Hernan Cattaneo, Armin Van Buuren, Dubfire, D-Nox, Sander Kleinenberg, Paul Van Dyk, Judge Jules, Sultan, Christopher Lawrence, Paul Oakenfold, Andy Moor, Funkagenda, Menno De Jong and many others. A lot of tracks found their way to the most prestigious mixed compilations by licensors like Ministry of Sound, George V (Buddha Bar) or Armada Music.

Tribal Vision also serves as an exclusive booking agency and management for artists such as Vibrasphere, Tegma, Brisker & Magitman, Peter Gun, DJ Slater, Duca, Fitalic, Beauty & The Beat, Roman Rai, Alter Breed or Astronivo. Parties and festivals featuring Tribal Vision related DJs and live acts are held all over the world.

Setting the course with new ideas and trends, Tribal Vision's attention remains firmly on the future and is prepared to expand and experiment as both the label and scene grows. Tribal Vision is a progressive label in every sense of the word - always defining the future in electronic music.


Some of the artists that appeared on Tribal Vision releases so far: Chris Micali, Jerome Isma-Ae, Minilogue, Dousk, Moonbeam, Alex Young, Thomas Penton, Wehbba, Greed, Parham & Plaza, Oliver Klein, Peter Juergens, RPO, Glenn Morrison, Antix, David Weed, James Harcourt, Brisker & Magitman, MOS, Peter Horrevorts, Fitalic, Solead, Andre Absolut, Eelke Kleijn, Noel Sanger, D-Nox & Beckers, Phatjak, Inkfish, Miki Litvak, Kosmas Epsilon, Peter Gun, Vibrasphere, Ticon, Jaia, Fiord, Phony Orphants, Human Blue, Perfect Stranger, Cid Inc. (Mashtronic), Tegma, Yotopia, Lish...and many more!


Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

DJ Ru is following