Spaceman

Quentin Lauvray

Dr Cat Moir (University of Sydney)in conversation with Dr Sebastian Truskolaski (King's College London) about his new book, Adorno and the Ban on Images (Bloomsbury, 2021). Part of King's College London's Comparative Literature Department's research seminar series, 3 March 2021.

Adorno and the ban on Images

This piece has been composed as part of the ACTOR Project (https://www.actorproject.org)
live recording on May 4th 2021 by :
Jeanne Côté, Violin
Martin Daigle, Percussion
Eric Bourgeois, Trombone
Matias Perinetti-Paniagua, Bass Clarinet
Charles-Eric Fontaine, Conducting
Recording : Yangwanqing Zhou, Ying-Ying Zhang & Martha DeFrancisco
Thank you to : Ryan Cass (Trombone) and Elia Foster (Bass Clarinet)for their creative input

...for narrow is the door... (03/2020)

excerpt from a long-form guitar + tape loop improvisation.
more information at: http://dustbreeding.com/466-fog

466 / driving over bridges through fog

LE|PENDV - Tarot Pierre Madenié (Dijion, 1709)

more info:
http://tarot-de-marseille-heritage.com/catalogue_madenie1709.html

LE|PENDV

Track composed specifically for the 2019 edition of the Radiophrenia festival in Glasgow, and aired on May 13th, 2019 (http://radiophrenia.scot/may-13th/).

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Unlike contemporary media, radiophonic transmissions and their traditional mechanisms accommodate for mistakes and imperfection as part the regular experience. Things like misdialling, bad reception, crooked radio antennas, physical location of the listener... all played a part in the listening experience you are going to get.

This design flaw led to accidents; sometimes and often, happy accidents like discovering a cool unknown radio station or track. Other times, and luckily less often, these accidents were not so happy, and we'd stumble upon something that was not for us, something potentially dangerous, something hinting an alternate reality we had never considered... The resulting ominous feeling heavily contrasted with the safety and anonymity provided by radio listening itself.

This track aims to recreate the path down to a not so happy accident, in a world that has moved forward and eradicated that possibility.

We were not the intended recipients of this message (Radiophrenia 2019)

Night Hill (Naviarhaiku 280)

MACARENA ROSMANICH
un grito (2019)

for 5 instruments 
(fl., cl., pno., vln., vc.)

Saskia Worf, flute
Aristides Porto, clarinet
Theresa Jensen, violin
Larissa Nagel, cello
Ke Xu, piano 
Ni Fan, conductor

Live Recording. 21.06.2019
Palazzo Ricci 
Montepulciano, Italy.

un grito (2019) for five instruments

Soma Laboratory Lyra-8 ambient exploration - (frozen train to nowhere)

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

Premiered at outHEAR Festival in Larissa, Greece on December 14th, 2019 by members of Klangforum Wien and PPCM. 

Felix Martl, bass clarinet
Mikael Rudolfsson, trombone
Leo Morello, cello
Joonas Ahonen, piano
Dimitrios Polisoidis, conductor

recorded by Dimitri Papageorgiou

[pictured: John Divola]

Sunol (2019) for bass clarinet, trombone, cello, and piano

Are you sure about hitting it with a hammer?

Rumblin Cynth Rampo is based on the South Glamorgan coast she describes herself as cacophonist. Working in the genres of ambient, industrial ambient and noise she explores the worlds of science, space, heavy industry and the deep dark places of earth (or any things that she fancies).

Her tracks are created using modular and hardware synths, soft synths, diy electronic noise boxes, bread-boarded temporary sound generators and effect as well as field recordings. 

Inspiration comes from the natural world, science and space.  Influences include Bach, Beethoven, Mahler, Pierre Schaeffer, Daphne Orme, Delia Derbyshire, Louis and Bebe Barron, Can, Cluster, Tangerine Dream, Hawkwind, Throbbing Gristle, to name but a few.




Are you sure about hitting it with a hammer?

Rumblin_Cynth_Rampo