Atmo Core Op7 1

It's such a waste of time bleeding these memories
They cover me with rust 
And drag me down
I feel all the love I lost
And the regret settled into my bones
Familiar numbness
That has turned to residue
I'm not sure what to do
I don't know how I'm supposed to feel
I guess I'll turn to glue
And stick to solitude 

I dont want you to care
I just wish you'd respond
There's nothing worse than a pregnant pause
And silence 

Spread the ashes of our shared mistake
The careless accident we were forced to make
It almost killed you, and it did erase
Her DNA
I'm glad you were able to move on
and forget me 
and escape 

As long as you're happy 
I'm happy 
to disintegrate 

But there is no closure
So I can't let it go 
I just want it to be over
I can't let it go 
There's no closure 
I can't let it go

I will go away 
Forever

=>Lydia

Composed with shortwave, long wave and UHF and VLF field recordings in Burdujeni Sat, near Suceava, Romania during artistic residency at Zidul de Hartie. Special shout out to Dan Prodan, for the ancestral house and the apples. This excerpt is drawn from an iteration of the composition concept realized on the cusp of the Harvest Moon of 2025 in Poznan with additional spontaneous spectral audio and synthesizer which amounts to one full 69 minute piece which will be released by Akashic Records on Bandcamp some time next week after it is divided into smaller tracks. Enjoy the warp of our planet's space time continuum in the fun-house mirror of the ionosphere as bounced back through radio waves. 

The Apple Orchard Extract 2

This track came about from a lyric in the song 'Me and Bobby McGee' about "windshield wipers slappin' time". That was the basis of the rhythm which was augmented with percussion tapped out on an acoustic guitar and loosely inspired by Steve Gadd's drumming on '50 ways to leave your lover.' The whole thing wasn't completely unoriginal - the piano and chordal background came from an unsuccessful attempt at another piece which was stretched and repurposed. The clarinet melody is an original length, which means the emphases in the melody fall in different places with each iteration. Finally the melody is processed to sound as if it is mediated by different technologies to reinforce the slight theme of nostalgia. These technologies move through time from AM radio to vinyl to data-compressed digital.

patterns and accidents vol 1

on our way home

Are you sure about hitting it with a hammer?

Collaboration September 2020
spinthedrum - Drums  soundcloud.com/spinthedrum
ANSOUND - Guitar/Electronics

spinthedrum & ANSOUND - PINS AND FRAGMENTS

tank drum,guitar and voice
deep man production
tchabouliken,,,
https://tchabouliken.be/

texte,,,
trop de déchets sur cette planète terre,
trop d immeuble noir,qui encombre la nuance de la couleur poétique,
de tout ces paysages bucoliques
trop d'excès pour oublier,
consommation,et la pollution,camoufle le bruit du vent
une vibration,un siflement dans la lumière nous fait voyager pour enfin aimer a l'unisson,une note nous y emmenera,sur tchabouliken,,,tchaboulik,
il faut de la magie dans l'air,plutôt que le tonnerre,
il faut que le rythme sorte de terre,pour évité de faire la guerre
une mélodie sort d'une émotion,pour que l'on aime enfin a l'unisson,,

deep man

Tchabouliken

Marco Lucchi : piano, organ and fx
Fernando Pessoa : words and eyes
Pete Swinton : treatments, fx + mixing
https://soundcloud.com/marcolucchi/piano-patterns-no-6?fbclid=IwAR21nZbl8oi4Qpz3M_n0DLvDp4BAaPNjLjibTTKGZR3oCoV3837X8LhxZzc

Marco Lucchi, Fernando Pessoa, Pete Swinton - Piano Patterns No. 6

sometimes i think i'm making sounds just to distract myself from something other thing.

weeds tangled up

Marco Lucchi : mellotron, synthesizer, found sounds, vocals and treatments

23 novembre 2020

for the Disquiet Junto project
https://disquiet.com/2020/11/19/disquiet-junto-project-0464-blanket-song/

The Assignment: Play over a song, and then remove the original.

Step 1: The point of this project is to cover a song in the literal sense of the word. To “cover” a song usually means to play your own version of it. Here, you will blanket the original: you will play atop a song you like, and then remove the original so only your accompaniment is heard. The original will not be recognizable in what remains. First, choose the song you want to blanket.

Step 2: Record yourself playing along with the song you selected in Step 1.

Step 3: Remove the song from Step 1 so that only the original recording from Step 2 remains.

Step 4: You needn’t identify the song from Step 1 when posting your track, but certainly feel free to do so.

Bandcamp

White Heron [disquiet0464]

"...о всех пылинках Так Приходящий проповедовал как о не-пылинках. Это и называют пылинками..." (Алмазная сутра)


Библиотека Состояний / @StateLibrary project [lockdown live recording 18.07.2020]
Weideraufnachmer - lost piano works: https://meticulousmidgets.bandcamp.com/album/weideraufnachmer-lost-piano-works
More on @Meticulous-Midgets > http://stopcran.ru/blog/2020-12-01-206

Weideraufnachmer - Lost piano works

Weideraufnachmer - lost piano works | 10

Rumblin Cynth Rampo is based on the South Glamorgan coast she describes herself as cacophonist. Working in the genres of ambient, industrial ambient and noise she explores the worlds of science, space, heavy industry and the deep dark places of earth (or any things that she fancies).

Her tracks are created using modular and hardware synths, soft synths, diy electronic noise boxes, bread-boarded temporary sound generators and effect as well as field recordings. 

Inspiration comes from the natural world, science and space.  Influences include Bach, Beethoven, Mahler, Pierre Schaeffer, Daphne Orme, Delia Derbyshire, Louis and Bebe Barron, Can, Cluster, Tangerine Dream, Hawkwind, Throbbing Gristle, to name but a few.




Are you sure about hitting it with a hammer?

Rumblin_Cynth_Rampo