New Album "Moonlit Planetarium" out now!


Moonlit Planetarium

Boozoo bajou - Hirta (Dr's Atmo remix)

Recorded live at the central church of Copenhagen (Vor Frue Kirke) on december 5th 2014. 

God Goes Deep

Order here:
http://www.juno.co.uk/products/ishinohana-le-flor-de-piedra/558573-01/

Following Javier Bergia’s compilation album Eclipse, Emotional Rescue returns to Spain for the follow up in Ishinohana. New Age, Jazz Fusion and Eastern influences are prominent, mixing electric and classic Spanish guitar with Indian and Japanese influenced percussion to a spiritual perfection.

A project bringing together Javier Bergia and friends Luis Delgado and Manuel Illán, Ishinohana sees these masters mesh the influences of rock, new age and Eastern percussion in to a cohesive whole.

With a nod to the influence of Pat Metheny throughout, Le Flor De Piedra is removed from their works in Finas Africae or as solo artists, allowing each to flourish in their craft with the framework of a group setting.   Delgado is prominent. His guitar playing ties the album together and his production looks as much to the albums of 70s and early 80s America than to Japan, where the background for the album is set.

While New Age and Jazz Fusion are oft considered areas to avoid, it’s actually the more discerning ear that realises these genres are some of the deepest and most free forms of musical expression.

The passion within Le Flor De Piedra displays as such. To not stop, listen and understand songs like Delta and Lucia and their ethereal reproach would be a travesty. The reissue of such a cult album is something worth more than that.

A2. Ishihonana

A2 Shiroi Uma

Stadt Aus Sand

Efficient Space is honoured to share the little-heard recordings of three Yolngu songmen from Northeast Arnhem Land - Bobby Bunnungurr, Jimmy Djamunba and Peter Milaynga (d. 2007) - working in collaboration with Victorian musician Peter Mumme. Yolngu are the indigenous peoples of Arnhem Land in Northern Territory, Australia; their clans are the Marangu and Malabirr, the languages Djinang and Gannalbingu. Their songs are of instruction, story and ceremony. 

A connection first initiated by Yolngu actor David Gulpilil, Waak Waak Djungi’s mid-90s recordings were preceded by years of respectful sharing of culture. Mumme explains that “the aim was to produce something that is new, not in the sense of a breakthrough, but what emerges from the combining of existing ideas”. What developed was sonically unique - sprawling vocal/electronic soundscapes and field recordings that reimagine the traditional songs of black crows and white cockatoos, sharing, creation spirits and of leaving and returning home to country. Spacious and patiently durational, the songs resound in a big land with a big story to tell. 

On the 1997 Waak Waak Djungi album Crow Fire Music, these interpretations were assembled with traditional recordings and additional material from Sebastian Jörgensen and Sally Grice. Falling short of generating public interest, it became well known in the Yolngu homeland. Nearly two decades later, a CD copy filed away in the 3RRR FM library would prompt a three year investigation to meet the people behind the music. 

Waak Waak ga Min Min (Black Crow, White Cockatoo) combines the previously unreleased Gandi Bawong with five contemporary versions from the original album, with a new cover painting by Bobby Bunnungurr. Tracing 1997 back to many millennia ago, this is a captivating window into the richness of Aboriginal culture and collaboration.

Waak Waak ga Min Min

02 Waak Waak Djungi - Djambaku 7:37 (ES006)

Digital / CD / Cassette Tape
Get it here: https://terrorcactus.bandcamp.com/album/impulsos

Released: December 1, 2018
Cover Art Illustration by Path Sanchez

Impulsos

Serpiente Nocturna

Yaman

Ken Kuusk - Pühapäevaõhtune ülesvõte



<a href='https://theartistunion.com/tracks/f57d1d'>Download for free on The Artist Union</a>

Yaman

Run Child Run

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