Davachi/Smith - Live at the Omnimax Theatre, Science World
Vancouver, BC, Canada

New Forms Festival 14
18 September 2014

Sarah Davachi - Buchla 300, Roland Jupiter-8, effects
Richard Smith - Buchla 300, Roland TR-808

https://soundcloud.com/ava76

Davachi/Smith - Collaboration with Richard Smith - Live 9/18/14  - NFF14

1st song of side B - DIVE, Ultra Eczema
"To those who swam in a lake filled with the bitter tears of Petra Von Kant, drip with salt when Twin Peaks´ heroic theme song comes out of a TV or simply burst out in tears whenever a tune sends you back to the darker corners of your childhood, we got bad news: The first full lenght lp by Sarajevo born Belgian Mia Prce (aka Miaux, say "MIO", not the sound cats produce) is stripped from anything that sounds rhythmic, happy or remotely like "hope" and will not stop you from sobbing!
Sehnsucht" is a german word that one could probably translate, though that never fully holds the feeling it owns in German. (kraut) monsters like Michael Rother, Klaus Schultze and so on, translated it best with melancholic sound fields that formed the soundtrack of Miaux´s upbringing, a open sounding uptightness, sad but (really) true (to herself).
These 6 new pieces are a relief for a lot of body parts: tears finally leave the bags underneath your glasses, drool finally leaves your mouth and that yellow crust runs out of your ears as those two flappers want to enjoy this lp to the fullest."

Rêverie Parallèle - Dive LP, Ultra Eczema

Moon Wheel — Patience

Bones And Sky

A track from the album I Wish You Could out 11/13/18 on Constellation Tatsu.

Celer - Wishes Would Be Grand If Only They Came True (Excerpt)

Krokofant - Q Part 1

"Drone Works Vol. 3 - A Compilation Of Contemporary Drone And Ambient Sounds" celebrates the third year of DRONE WORKS INTERNATIONAL with 15 amazing artists from all across the world, combining about hundred minutes of complex sound experience.

DWI likes to thank all artists involved. More information about each artist at each track. Please support them and check out their music.

Tracklist:
01. Vinny Vortex - Off The Radar
02. Velo Di Nebbia – Luminoso (Rework)
03. Lofield - Another Tomorrow
04. Logic Moon – Dolor
05. Deep Tremolo Sustain - Off Shore
06. 9VoltDisaster - Footprint
07. Phalioo - On A Dirt Road Guided By A Flashlight
08. Kraut Sounds - In Transition
09. Whalt Thisney - Nothing Alone Is Greater Than Itself
10. Jörgen Kjellgren - Warm Luminous 1
11. Mila Drone - North Beach
12. Polaroid Notes - Dissolve (Drone Rework)
13. Carbonates On Mars - Propranolol Nights
14. Tom Cadillac - Gully Ghosts
15. D.Y.H.M? - Rabbit In The Headlights

Download @ https://droneworksinternational.bandcamp.com/album/v-a-drone-works-vol-3

Release Date: 26th December 2019
Drone Works International DWI 21

Bandcamp

V.A. - Snippets Of Drone Works Vol. 3 (DWI 21)

Grydeland & Kaiser - Spitsbergen

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

I Like To Sleep - Circles

Hedvig Mollestad Trio - Leo Flash' Return To The Underworld

a record label dedicated to release work by the most adventurous and creative norwegian artists and composers

Krokofant - Q Part 1

Rune Grammofon

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