SOUNDSYSTEM LP
http://www.beatport.com/release/soundsystem-lp/1288189

Buddha Puff EP
http://www.beatport.com/release/buddha-puff/1329042

Bust'em EP
http://ganjaology.bandcamp.com/album/bust-em-ep

California creator-selector Lucas Heinel, better known as Dubamine, has been pushing positive vibes since he hit the bass scene in 2009. Building his sound on a solid dub foundation, Dubamine has amassed a dynamic collection of tunes that contain a sound and energy found in very few areas of the world today.
 	His recent release with Yuk Records has been received well by the cosmic community of bass music enthusiasts. Boasting six beautifully crafted tracks of reggae influenced dubstep selections, the Dubamine self-titled EP is a testament to the awesome energy exhibited by this Bay Area Sound Boy. 
 	 Originally from Santa Cruz, CA, Dubamine has been passionate about music since his days as a youth. He got his start playing piano in grade school and later began studying guitar, drums and percussion, which he still plays to this day.
            While in high school, Dubamine started creating hip-hop, drawing influence from artists such as Pete Rock, J Dilla, 9th Wonder and other jazzy beat makers. When introduced to Dubstep in 2007 through FabricLive 37 featuring Caspa and Rusko, Dubamine was hooked. He immediately gravitated toward the deep, shuffley, bass heavy riddims that were being produced by some of the pioneers of dubstep such as Digital Mystikz, Kromestar, Cotti, Loefah, and The Widdler, and was soon on his way to creating his own take on dubstep.
 	 As he began to experiment with creating this foreign sound, Dubamine soon realized that his passion for pulsing bass would be the catalyst for further education. Enrolling in Ex'Pression College for digital arts in Emeryville, CA in 2009 allowed him to gain a more thorough understanding of sound and synthesis which increased his production abilities exponentially.
	 As a student, Dubamine became a familiar face in the bass scene through attending renegade parties in the forest. He loved the raw energy and woodsy vibe that these gatherings offered. As Dubstep started to become more mainstream, Dubamine wasn't hearing the deep, bass driven rhythms that he had originally fallen in love with, so he moved to the bay and began creating what he felt reminded him of the good old days.
 	

The Armory, the latest podcast from San Francisco's DJ Zach Moore (aka W.Haze), is now available on SoundCloud, Apple Podcasts, Mixcloud and Google Play.  

For more information visit www.armorypodcast.com. 

Original artwork by http://jempanufnik.com

DJ / Producer / Label owner / Radio Broadcaster

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

AfroQBen is a multi-instrumentalist, one man concerto whose beats are infused with his own live instrumentation, rare vinyl samples and futuristic synths swirled into a one of a kind sonic experience. His collaborations feature vocalists and musicians from around the globe, extending his sound to new realms that never become monotonous. With a heated desire to get your body moving by selecting the perfect beat, regardless of genre, QBen tends to awake the party that’s always been in your bones but hasn’t vibrated quite this way until now. With sets at Shambhala Music Festival in Canada to Envision festival in Costa Rica, new tunes being released on the regular, AfroQBen’s classic electro-funk is being heard near to far, in cars, bars and rickshaws!

for booking contact afroqben@gmail.com

FUTURE BONES are Stephen Mulhall and Leo Pearson Dublin City Ireland 
Contact: 
              

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