MIRROR MIRROR, the New York based duo of David Riley and Ryan Lucero, bring their avant-pop explorations to RVNG Intl. with the release of Interiors, the ten-song follow up to their debut album, The Society for the Advancement of Inflammatory Consciousness.

Recorded in two parts, Interiors features the production work of Chris Coady (Beach House, Gang Gang Dance, Zola Jesus), who helped realize an expansive sound from Mirror Mirror's home-studio recordings. The other album half, aided by Joshua da Costa's monstrous and metronomic live drumming, was produced by Thomas Asenault and Zeljko McMullen at So Many Fields (Brooklyn, NY).

Interiors deals in themes of secret societies, escapist fantasies, and psychological extremes. "Sublime Objective" opens the album in the mind's eye of an adventurer attempting a daring mountain climb. "Under the Sun" rollicks under ray-baked guitars until it's split in two by a cameo from SSION front man Cody Critcheloe. "Dot Dot Dot" mutates an R&B midi-bass line, before "Sick City" tours an underworld of nightwalkers and plastic shamans. The acid-inflected “Starseed” adapts a futurist Timothy Leary lecture, promising listeners “bread and dope for a thousand years.” Album namesake “Interiors” describes a recluse who shuts out worldly distractions, while the stringed cavalcade of "Open Wide" leads to new psychedelic pop pastures. The album closes with "Overpower / Overjoy," an industrially flourished, whip-cracking serenade of sorts. 

01 Sublime Objective

Booking/contact: furtherset@gmail.com

Furtherset is the musical project of Venice-based composer and visual artist Tommaso Pandolfi (b. 1995). His compositions’ distinctive traits are melodic loops, synthetic clusters and rarefied ambiences. The project follows a path towards saturation and layering, yet always manages to create voids where listeners can find their place and fill them according to their own focus.
Active since 2011, he has released the EPs “Auras” (2022), “To Alter and Affect” (2018) and “Drawings of Desire and Hate” (2018), as well as the albums “To Live Tenderly Anew” (2020) and “The Infinite Hour” (2023) on the Swiss label -OUS. The 2025 album "Wounds of Melody" marks his debut on Kohlhaas.
His music has been presented at festivals and institutions such as Club To Club, Bad Bonn Kilbi, Triennale Milano, Teatrino di Palazzo Grassi, Istituto Svizzero, MACRO.
He has curated sound or live soundtracks for films and videos by Benedetta Fioravanti, Pedro Maia, Artavazd Pelešjan.

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