From the album, 'Public Flowers,' out now on Second Language Music  : http://www.secondlanguagemusic.com/


Robin Saville - In Konik Mokkin

Unrest

Unrest I

Stream / Buy

Great Ocean Road

Don't let me down (7)

Pre-order from RVNG: http://smarturl.it/city-lake-rvng
Pre-order from Bandcamp: http://smarturl.it/city-lake-bcamp

© and ℗ 2015 RVNG Intl. / www.igetrvng.com

Bing & Ruth - Rails

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Pre-order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://Ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - Jimmy V

From the full-length album Violinvocations available February 15, 2019 on Western Vinyl.

Bandcamp: https://hughmarsh.bandcamp.com/album/violinvocations
Spotify: https://open.spotify.com/album/570vX9XAte8zLNyvZk5njq
iTunes: hyperurl.co/mcjsa3
WV: http://westernvinyl.com/shop/wv178

HUGH MARSH
Instagram https://www.instagram.com/hug_the_mod/
Facebook https://www.facebook.com/Hugh-Marsh-95937533059/
Twitter https://twitter.com/hug_the_mod

Even if you’ve never heard of Hugh Marsh you’ve almost certainly heard the sound of his violin. He’s a featured player on soundtracks by Hans Zimmer and Harry Gregson-Williams, was nominated for a Juno award, recorded with Iggy Pop and The Stooges, Bruce Cockburn, and was in the backing band for Bauhaus’ Peter Murphy, all a tiny fraction of his decades-long list of credits. The latest addition to that list is Marsh’s own Violinvocations, an LP recorded while Marsh lived in L.A. with friend, mentor, and fellow soundbender Jon Hassell.

Despite the album’s title, one would be hard-pressed to say with certainty whether violin was even involved in this album without being told so ahead of time. In one moment a ghost is heard weeping into a dictaphone; a digitized anime character is nervously chattering in the next; and in still another, jagged sheets of distortion avalanche toward the listener beneath auroric swells of harmony. It’s the kind of sound design that requires a dedicated attempt by any Oneohtrixian laptop composer, only it’s all being generated by Marsh’s violin and his curious cabinet of effects pedals often in just one take.

Violinvocations

Hugh Marsh - "She Will"

from 'Methoden und Maschinen' [CD|2LP|DIGITAL]
Denovali Records · den323
available on all formats at http://denovali.com/bersarinquartett

Nikolai Erastowitsch Bersarin, the ambivalent colonel general, communist and first Soviet city commander of Berlin, had an accident with his motorcycle in 1945 at the age of only 41. In the enraptured, now somewhat more compressed and at the same time more colorful (not more cheerful) electronic sound(track)s of the strange Bersarin Quartett, in its East Block sea landscapes with latently kitsched wallpaper and double bottoms, shadows of this strange figure Bersarin can be guessed - still or again - at a good 70 years later. But perhaps that is also irrelevant. This 'band' could just as well play imprisoned in the remixed court of the eternal, crazy North Korean presidents, whether embodied in an orchestra, quartet or as masked solo entertainer. It brings us supposedly post-rock and post-socialist grandeur, which has degenerated very slightly, in a great new splendour amidst all our irritations and emotions. And everything takes place in our heads.

The Bersarin Quartett - after thirteen years and three epic, (bad-)dreamlike beautiful albums - have settled down with their fourth album "Methoden und Maschinen" ("methods and machines"). For the time being. Because at the same time many new layers and paths are emerging. Playing live in many arrangements and at great concerts in Slovenia, Poland, Czech Republic and Russia, this has grown into a quartet, but it is still the project of DJ, musician, graphic and audio designer Thomas Bücker. The numerous concert evenings with Andy Stott, Tim Hecker, Fennesz, Murcof, Dictaphone or Hidden Orchestra, among others, are undoubtedly noticeable on "Methoden und Maschinen". The Bersarin Quartett continues to stand for the outing of a complex musical subconscious. 'The Dark Side of the Moon', only that the moon is shimmering here, at least now and then. It's probably also due to the sun shining on it. Minimalism and bombast go together. Constantly developing and entangling contrasts, paradoxes and contradictions are the motor. Constantly caught between two sides. Don’t believe the hype!

Methoden und Maschinen

Bersarin Quartett - Das ist alles, was wir haben

Slow Movement: Sand

'Inspirit (Takuya's Ryūteki Dragons)', released out now on Ninja Tune: https://julianna.lnk.to/tr-rmxSo

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