My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

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Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

لا أملك انتصارات مدهشة ولكن أستطيع ادهاشك بهزائم خرجت منها حيا😏

BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.

Some people make an impact in your life, and some don't. I remember you and what you did for me. Thank you for that. 

"Doubt everything- and then doubt the doubt" ;) 🌚🌌

"... du hast  vom Sinn unseres Lebens gesprochen und der Uneigennützigkeit der Kunst. Nehmen wir die Musik, sie ist am wenigsten mit der Wirklichkeit verbunden; vielmehr verbunden zwar, aber ohne Idee, mechanisch, durch den bloßen Klang ohne Assoziation. Trotzdem dringt die Musik durch irgendein Wunder bis in die Seele. Was gerät ins Schwingen in uns? Was antwortet auf die zur Harmonie gebrachten Geräusche, verwandelt sie für uns in eine Quelle erhabenen Genusses, verbindet und erschüttert uns? Wozu ist das alles? Und vor allem für wen? - Du wirst antworten: Für niemanden, für nichts, nur so, uneigennützig. Nein, kaum, kaum, alles hat doch letzen Endes seinen Sinn, Sinn und Ursache."