Moderat's Milk (The Lonely Edit)

Digital only track taken from Autumn Bells - Out 23 September 2014. Orders are available now over at iTunes: http://geni.us/GidgeAutumnBells

Autumn Bells

Growth

Gidge - Growth

Another essential from the Audiomatique archives! A track that was groundbreaking in its day and still resonates. Are you hearing it for the first time or is it a classic you're rediscovering?
Vinyls & more: https://linktr.ee/audiomatique_recordings

Dive into our timeless essentials catalog: https://on.soundcloud.com/LKLHanXENgcfp6wi6

Miss You (Trentemøller Mix Radio Edit)

highly dancable track with a noisy lead and ambient vocals

Demain

Moderat- milk (original)

My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

More

Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

New mini album LNLNN out now on @atomnation
Stream / purchase: atomnationrec.lnk.to/LNLNN

Gidge - Hope

I'm excited to announce the first track from the 'Emergence Remixed' album which will be released in full at the end of March.

This remix comes from one of my absolute favourite electronic producers of the last few years, and someone who is constantly surprising me with each new release - Rival Consoles. 

I've been playing his work in my sets a lot recently too, he's got a great humanised approach to making electronic music, primarily with his hands-on analogue machines and live percussion, which give his tracks a whole load more life than most other producers. 

I have to mention Rival Consoles synth work too, which for me, is the best out there by a mile. He's got a knack for the most beautiful timbral quality and soft full sound. Complemented with his ability for hooks and chords and always developing arrangements, makes for some of the best electronic music out there in my opinion.

So all that said, you can see why I said I was excited to have him involved in the remix package! He's made a brewing club track for this package, all about those beautiful synths and micropitch deviations for me, the quality oozes out with him needing to overcomplicate the mix (like I do!). It's really hard to get each element to such quality to carry a track like that....so hats off from me, and I hope you enjoy it too.

Loads more amazing remixes coming soon from more of my favourite producers - it's a juicy package! We'll put some out to the mailing list first, which you can join below at the end of this description.

The artwork is by Andy Lomas, from his Aggregation series, where he created a simulation of sticky particles which bounce around and are more likely to stick to larger structures, causing biological-esc growth-like structures to emerge. I have one of his huge prints from this series on my wall, the detail at high res is amazing. 

The series was chose for the Emergence album packages as it demonstrates the same principles of mathematical rules yielding unexpected and beautiful outcomes as is shown in the visual story to which the album tracks were scored. Lots of those videos are on this youtube channel, and the whole thing will be released in surround-sound bluray format later this year.

From 'Emergence Remixed', out March 31
Pre-order 'Emergence Remixed' http://MaxCooper.lnk.to/Remixed
Buy 'Emergence' http://MaxCooper.lnk.to/Emergence
Subscribe to hear the next remixes first, free mixes, gig tickets etc (the "JOIN" button is top right): http://www.maxcooper.net

12"/Download/LP Stream

Distant Light (Rival Consoles Remix) [Mesh002]

ÓLAFUR ARNALDS & NILS FRAHM - a2 (Max Cooper Remix) 

DOWNLOAD it exclusively from XLR8R: http://www.xlr8r.com/mp3/2012/04/stare-max-cooper-remix

ORDER the Ltd. Edition 10" Vinyl/Download from our store and receive the remix with it:
http://www.erasedtapes.com/store/index/ERATP042

'A starry-eyed house experience that fits seamlessly into a soulful, deep-felt dancefloor dynamic. Swells of low end surge into a crisp, percussive breakdown that never seems to shift too abruptly, leaving Arnalds' & Frahm's original melody work to come humming through the compressed kick in a blissful wave of moonlit elegance' – XLR8R

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.

LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1  4. a2 (Max Cooper Remix)* digital bonus track

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

a2 (Max Cooper Remix)

Ólafur Arnalds & Nils Frahm - a2 (Max Cooper Remix)

♬ Click for more ☞ http://trndmusik.de/2018/12/ton-toepferei-wir-stuerzten-uns-blauaeugig-und-ohne-jegliche-erfahrung-in-das-digitale-musikgeschaeft/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get Bongbeck's track on Ton Töpferei here:
➟ Beatport: https://bit.ly/2Csul4Q

Die dritte Ausgabe der Reihe „Mauerblümchen“ der @ton-t-pferei steht an. Am 21. Dezember 2018 wird die Kollektion mit Tracks von @ben-bohmer, @official_wood, @bongbeck, @nilshoffmannberlin und vielen mehr erscheinen. Wir sprachen mit Leon Böhmer, Mitglied des Kollektivs, über ihr Label, die Arbeit dahinter und den Sampler. Leon ist der Bruder von Ben Böhmer und neben ihm und Simon Krause einer der drei Gründer der Ton Töpferei. Als Geschäftsführer übernimmt er mit seinem Bruder die Organisation und Führung des Labels und ist zudem für das Artist & Release Management verantwortlich. (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Bongbeck - Close Your Eyes

Halls- 'Roses For The Dead' (Max Cooper remix)

BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.