Like stepping into a warm electronic sound bath, Chaim’s latest release for Visionquest ripples with pulsing sonic textures and propels forward at a softly galvanic pace as the slowly emerging melody takes hold in ‘Underwater’. B side ‘Remember When’ is just as compelling - a slightly tougher edge and darkly euphoric atmosphere injected with sporadic chimes, disembodied voices and dramatic synth stabs. This is a truly hypnotising release.

Now being based in the hub of electronic talent that is Berlin, Chaim is still a true stand out artist in today's fast paced digital world. After a wave of stunning releases on labels such as Supplement Facts, Cocoon and MBF, for a time Chaim worked exclusively with the Berlin based BPitch Control imprint. His acclaimed debut album 'Alive' released spring 2011 on the label and this season his monster Ibiza anthem ‘Blue Shadow’ (on Rumors), has proven his powerful, individual productions to be some of the highest quality club tracks around.

Fusing solid bass heavy grooves, clearly inspired by his love for those classic jacking Chicago jams, hypnotic synth hooks, trademark affected percussion, live instrumentation and vocal snippets, Chaim's unique and organic sound always makes an impact. Underpinned by top-class studio knowhow, his crisp, forward thinking records are a joy to drop in front of even the biggest crowds.

A heavy DJ touring schedule has seen the enigmatic Israeli grace the DJ booths of Fabric and Panorama Bar to name a few, and his work with the BPitch crew has highlighted him as an exciting figure amongst the current electronic scene. Visionquest is proud to welcome Chaim to the fold.

Chaim - Underwater (VQ 044)

https://soundcloud.com/ronneygran

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Ronney Gran - A Secret Thrill (FREE DOWNLOAD)

Man and Expectations

Buy: https://pro.beatport.com/track/candyland-luca-bacchetti-endless-remix/7329308

Guy J "Candyland" Luca Bacchetti Endless Remix - Bedrock Records

Chaim - Blue Shadow(Original Mix)

Brun (The Remixes)

Brun (Luca Bacchetti Endless Remix)

Beatport: https://www.beatport.com/release/the-end/2690872
iTunes: https://music.apple.com/album/the-end-single/1481942205
Spotify: https://open.spotify.com/album/14SPwjeJXH0UJUdsttrzUk

Dutch prodigy Budakid returns to Exploited for his third mesmerising EP on the label, with two fresh new opuses for your delectation. 

The End is one of his typically cinematic tracks, reminiscent of 90s melodic breakbeat types Hybrid. Hovering, Reese-toned bass looms subtly over intricate, light broken beats and gently enveloping string progressions. Crisp and spacious, the arrangement is honed to perfection. Muted, gated stabs echo the ghost of 90s trance in the breakdown, fusing beautifully with the breaks when the beat drops back in. Soft cymbal rides splash across the surface as the elements fuse back together for a restrained crescendo. Perfect for the afterhours or a spot of deep meditation.

Linguistic sees Budakid in more of a deep house / melodic techno mood. Subtle synth licks waft across the stereo field as live percussion forms a groove and wildlife sounds create a heady atmosphere deep in the distance. A plodding groovy bassline drives its way into the foreground, while minimialist layers of electronics build the mood. The brain-twisting breakdown makes more great use of noise gating as a dizzying lead soars and pulses. Its a great piece of work that centres more on mood and texture than melody, and in doing so recalls classic progressive house sounds.

The End

Budakid - The End | Exploited

Sébastien Léger - Ashes In The Wind

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Frankey is the alias of Frank Beckers, also known as one half of the Berlin duo Frankey & Sandrino. They have notched up a series of stellar releases on labels such as Kompakt, Innervisions, Diynamic or their own label Sum over Histories - and Frankey now drops a his second release on Poker Flat Recordings - the fantastic Sing-EP. 
Utilising almost two decades of production experience, Sing is a supremely assured track - a thick, infectious groove exhibiting nuanced sound design while fragments of piano lead the subtle melodic development. It’s got class written all over it. 
Satellite is cut from the same cloth - Frankey’s attention to detail particularly in the mix makes for a dancefloor track that is both laser sharp and deeply affecting - the drums knock while the chords and effects take the track into space.

Sing

Frankey - Sing

Baobab

Radian

Matthew is a genius! The second release on my label - All Day I Dream

Fur Die Liebe (original) - Matthew Dekay and Lee Burridge

BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.