beautyful. "Stars of the lid" are making something like that.

Antarctica Ambient Music

Sara Silveira & Ryan Robinson - Make You Feel My Love (acoustic Cover)
2010
Vocals By Sara Silveira
Played and Produced By Ryan Robinson

Make You Feel My Love (Acoustic Cover) THROWBACK

FLEABAG BBC3

"Darkly Funny. Rivetingly honest" The Observer

★★★★ TELEGRAPH

Starring Phoebe Waller-Bridge, Olivia Coleman, Sian Clifford, Hugh Dennis, Hugh Skinner

Directed by Harry Bradbeer
Edited by Gary Dollner
Produced by Lydia Hampson for Two Brothers Pictures

FLEABAG BBC3 - CREDITS

Antarctica

Woodland Echoes

Baby Blue Sky

I Can See Her

Perfect Sunday Sun

Multi-layered, dark drone that even depresses myself …

Image: Dave Pape (Public Domain)
https://commons.wikimedia.org/wiki/File:Antarctica_6400px_from_Blue_Marble.jpg

Back to '79 for a feel good Old Skool jam.

Feel tha Funk

Don't Say Goodbye

The Australian Voices
Conductor | Gordon Hamilton

View the score: https://bit.ly/32Cd8AX

I wrote Antarctica during and after a trip to Casey Station, Antarctica onboard the icebreaker Aurora Australis – an Australian icon, nearing the end of her service. I was the lucky guest of the Australian Antarctic Division on an Aurora Legacy Fellowship.

The opening movement is an aria set against the backdrop of a recording I made of the ship cutting through sea-ice (standing in the bow while my stinging hands clenched the microphone! – I soon learned to glove-up!). A solo voice sings, hand-in-hand with mighty bricks of harmony: a blazing seascape coated in white. Aeliatoric music follows, depicting a hill near Casey Station where the scene can be divided into three colossal horizontal strips of sky, sea and ice. ‘Whalesong’ is a harmonisation of a finback whale call: the Aurora Australis recovered a hydrophone which had been recording the crooning of sea mammals. Over a year’s worth of sound was logged; I picked the bit in D-minor. Infinite Monochrome is a pock-marked canon inspired by – in the words of Voyage Leader James Maloney – “...the vision of a brilliant bright expanse where ice, snow and cloud coalesced, holding the ship suspended in white nothingness.” Every direction is a hiss of white (painful to the naked eye!) and the frozen sea bristles, splintered by town-sized icebergs. In the last movement ‘Reeve Hill’ short chorale-like utterances are sown among long thoughtful stillnesses, played over my recording of ice gently melting on Reeve Hill, far-off Adélie penguins and snow-petrels nattering to each other.

The work is for voices (their type unspecified), with various moments of solo singing.

Antarctica (for choir)

A dreamy sonic exploration of the eternal ice realm. Played live. 
Equipment used: Lyra-8, Monologue, Pigments 2.

Instructions of use: Listen while in a meditative state, in a low volume environment. Enjoy.

'Antarctica' Ambient Soundscape (original composition)

Guitarist, session player, and composer based in Oxford, UK.

Available for online remote sessions. 

www.ryanrobinsonguitarist.co.uk

'Antarctica' Ambient Soundscape (original composition)

Ryan Robinson | Guitarist

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